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To better understand and contextualise the twilight of the Gothic genre during the 1920s and 1830s, The History of Gothic Publishing, 1800-1835: Exhuming the Trade examines the disreputable aspects of the Gothic trade from its horrid bluebooks to the desperate hack writers who created the short tales of terror. From the Gothic publishers to the circulating libraries, this study explores the conflict between the canon and the twilight, and between the disreputable and the moral.
This collection brings together some of the most sensational, horrific, and innovative chapbooks of the early 19th century. The literary mushrooms of the Gothic genre, these tales represent the fetishization of the formulaic.
The current Gothic revival in literature and film encourages us to look again to the earliest Gothic novels written beween 1790 and 1820, when Gothic was the most popular kind of fiction in England. Dr. Howells proposes a radical reassessment of these novels to emphasize their importance as experiments in imaginative writing. Her object, the study of feeling, is central to Gothic, for its spell consists in the feelings it arouses and exercises. As pseudo-historical fantasy, Gothic fiction embodies contemporary neuroses, especially sexual fears and repressions, which run right through it and are basic to its conventions. This study traces the effort to articulate these disconcerting emotions in symbol, incident, landscape and architecture. The chronological design suggests developments in Gothic, from the initial explorations of Mrs Radcliffe and M.G. Lewis, through the Minerva Press novelists and Jane Austen's "Northanger Abbey", to new directions taken by C.R. Maturin in "Melmoth the Wanderer" and later by Charlotte Bronte whose "Jane Eyre", arguably the finest of Gothic novels, places the earlier experiments in perspective.
This new collection of nine rare Gothic tales has been assembled to represent a wide range of adaptations, redactions, plagiarisms and condensations of Gothic motifs and characterisations in the 1820s and 1830s. From Mary Shelley's Frankenstein to Charles Maturin's Melmoth the Wanderer, The Monster Made By Man illustrates the evolution of the Gothic genre and revisits what is most horrifying- the familiar.
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
This book is both an engaging compendium of nautical knowledge and a random accounting of the ways of the sea. It is the product of Peter H. Spectre's lifelong fascination with the sea, a guide to the good, the bad, and the ugly of a way of life that is as old as civilization.
Set in the early 1930s, this historical adventure highlights rumrunning along the south shore of Nova Scotia. When Dan Veinotte, son of a Canadian Preventive Service Officer boards the Martha-Rae, he discovers the town peddler, Corker, is smuggling rum. He can't tell his father because he owes Corker his life. This junior detective is determined to piece together mysterious clues to solve the Seaport secret, even if it means putting his own life on the line. Come, join Dan and his friend, Becky Wentzell, as they try to foil Percy Brown's illegal business. For things to change on the baseball lot, they must also face the town bully, Bruce Bealer.