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These poems have been written over the course of several years, and therefore reflect a myriad of sensibilities. Some of the poems reflect emotions as they pertain to feeling alienated, misunderstood, or different, gothic subculture, desire, morbid curiosity, and a love of all things dark, embracing our darkest fears, and confronting our inner demons.
21st Century Original Gothic Poetry by Strange Nocturnal. Words to stir the soul and send shivers down the spine! From the imagination of internationally acclaimed Gothic Horror Lyricist & Composer, Strange Nocturnal. For lovers of Poetry, Gothic, Horror, Romance, Comedies & Tragedies, All in One Volume!
Poet, author, musician, movie director, actor, radio DJ and photographer, Randy James Rosko has really outdone himself with this feature book, Gothic Poetry: For the Pure of Heart. This book is a labor of love and contains poetry from all Rosko's years of hard work: 1983-2021. All the poetry in this volume was inspired by the seven muses: beauty, sorrow, joy, isolation, mystery, darkness, and paradise lost and once again found. Rosko has experienced these seven muses numerous times with the passing years. Not since Edgar Allen Poe or Lord Byron has poetry come alive in such a macabre way! The poems in this volume deal with love, life, death, and of course, the supernatural. They range from the deadly serious to the morbidly playful and sensual.
Poetry. Winner of the 2019 Richard Snyder Memorial Publication Prize. "The poems in MIDWEST GOTHIC make the daily deliciously strange--'the daily / which isn't still at all but a whirring / gone deep.' They make us work our way inside them, but once I entered this book, I didn't want to leave. I wanted to stay in 'the copper-tipped town;' I wanted to stay with the delphinium, 'a choir of indigo, ' and 'cornfields made surreal / in the dark.' These difficult times have tested my faith in many things, including language, and MIDWEST GOTHIC arrived just in time to remind me what poems can do."--Maggie Smith
The texts in this unique collection range from the Gothic Revival of the late eighteenth century through to the late Victorian gothic, and from the poetry of Wordsworth and Coleridge to the short fiction of H.G. Wells and Henry James. Genres represented include medievalist poetry, psychological thrillers, dark political dystopias, sinister tales of social corruption, and popular ghost tales. In addition to a wide selection of classic and lesser-known texts from the eighteenth and nineteenth centuries, Gothic Evolutions includes key examples of the aesthetic, scientific, and cultural theory related to the Gothic, from John Locke and David Hume to Sigmund Freud and Julia Kristeva.
Combining lush Gothic lyricism with postmodern experimentation, Oliver Sheppard's second collection of verse, Thirteen Nocturnes, presents a nightmare vision of a world in the grip of apocalypse and shadow-a world where "a nighttime of years never-ending" becomes "a darkness severe and unbending," and where life is relentlessly "gathered up against the towering shadow of decay." Taking cues from the dark Romanticism of Poe, the decadent Symbolism of Baudelaire, and the apocalyptic tradition of William Blake-as well as the existential doominess of 20th century cosmic horror-Oliver Sheppard's Thirteen Nocturnes presents a verse vision of collapse, announcing a cold poetics of disintegration in the new dark age of the Anthropocene. "Reading Sheppard's poetry is a little like listening to a conversation between Nietzsche and William Blake during a showing of Peckinpah's Cross of Iron. Using a wide range of forms and cultural references, Sheppard illustrates the human condition in ways that take as much account of its absence as its presence... Given the chance, Sheppard will lead you down dark and unfamiliar paths, to moments of weird beauty." -from the foreword by John Foster
The poetry of Christina Rossetti is often described as ‘gothic' and yet this term has rarely been examined in the specific case of Rossetti's work. Based on new readings of the full range of her writings, from ‘Goblin Market' to the devotional poems and prose works, this book explores Rossetti's use of Gothic forms and images to consider her as a Gothic writer. Christina Rossetti's Gothic analyses the poet's use of the grotesque and the spectral and the Christian roots and Pre-Raphaelite influences of Rossetti's deployment of Gothic tropes.
This anthology contains a range of pre-20th-century and contemporary poems for Key Stage 3 students. Old and modern poems are juxtaposed to give students a route into pre-20th-century poetry. Activities such as group discussion and role play help make the poems accessible.
The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.