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Gothic Classics: 60+ Books in One Volume presents an unparalleled collection that traces the development and transformations of the Gothic genre across centuries and continents. Encompassing a broad spectrum of literary stylesfrom the foreboding ruins and landscapes of the 18th century to the psychological hauntings of the 19th and early 20th centuriesthis anthology highlights the thematic richness and diversity of Gothic literature. The works included offer readers a unique journey through terror, romance, and the supernatural, showcasing the evolution of the genre and including standout pieces that have influenced the shape of horror and speculative fiction as we know it today. The contributing authors and editors, a veritable who's who of literary giants such as Charles Dickens, Edgar Allan Poe, and Mary Shelley, bring together a mosaic of backgrounds, perspectives, and voices. These creators, many of whom were at the forefront of the Romantic, Victorian, and early modernist movements, offer a multi-faceted exploration of Gothic themes. Their collective oeuvre, reflective of the societal anxieties and fascinations of their times, enriches this anthology by presenting varied narratives that challenge the boundaries between the mortal and the spectral, the oppressor and the oppressed. Gothic Classics: 60+ Books in One Volume is an indispensable addition for students, scholars, and aficionados of the Gothic. This anthology invites readers into a labyrinth of haunted estates, forbidden desires, and ineffable mysteries, offering a comprehensive compendium that spans over two centuries of literary achievement. Through its pages, one discovers not only the depths of human imagination but also the enduring allure of the Gothic story, making it a perfect resource for those seeking to immerse themselves in the shadows and subtleties of Gothic literature's rich legacy.
From the author of the acclaimed English Gothic: A Century of Horror Cinema, American Gothic presents an in-depth survey of the early years of the American horror film--ranging from the birth of cinema and the silent era to the mid-1950s. Jonathan Rigby examines a great many of the seminal films, including Cat People, Creature from the Black Lagoon, Dracula, The Fly, Frankenstein, Freaks, House of Wax, The Invisible Man, and She. He also looks at the actors and directors--Lon Chaney, Boris Karloff, Bela Lugosi, and Vincent Price, to name but a few. For fans and students of the horror classics, American Gothic is an essential work. This is the genre as it flourished from Univeral's early-thirties cycle and which culminated in Alfred Hitchcock's 1960 masterpiece Psycho, a film which forever changed and expanded the possibilities of horror cinema.
Bringing together the work of such writers as Edgar Allan Poe, Nathaniel Hawthorne, Arthur Conan Doyle, Eudora Welty, Thomas Hardy, William Faulkner, Isak Dinesen, and Joyce Carol Oates, The Oxford Book of Gothic Tales presents 37 sinister and unsettling tales for all lovers of ghost stories, fantasy, and horror.
The theme is Gothic-- the horror of Gothic romance. Throughout the mid-century, paperback Gothic romance books dominated the shelves, always featuring a woman running away from a house. (Go ahead, Google "women running from houses.") Gothic romances tended to tell stories of women coming into conflict with old families, old houses and old traditions. So we've asked a bevy of best-selling writers to celebrate the movement with their own horrific takes on gothic. Run from the house with us! In Churl Yo offers a Bradburyesque sci-fi take on the Gothic, Alethea Kontis also chooses sci-fi in her tale of a futuristic medical procedure gone awry, John Ohno brings a classic governess-arrives-and-things-go-bad story, Jim Towns sets his story in 1972 with his movie-world horror tale, Amanda DeWees has a Gothic tale with an ingenious and tech-savvy female, Jeremiah Dylan Cook gives us a mysterious mansion-and sexy maybe-ghost, Leanna Renee Hieber brings us a ballad-like ghost origin story, Rob Nisbet makes a Lovecraft story out of Lovecraft himself, Bonnie Jo Stufflebeam comes to us with a ghost story of a house with its own ideas, Jason Henderson brings the beginning of a serialized story about an expedition into the fabled and haunted House of Usher, Charles R. Rutledge returns with a Carter Decamp psychic mystery, Henry Herz turns to folklore with his tale of a supernatural being wreaking vengeance on Scottish shores, Tony Jones spins us in the direction of violent, supernatural creatures with a taste for the nightlife, Michael Aronovitz weaves a tale about a person coming to terms with what it takes to escape an attic, Sam Knight perfectly evokes the smells and textures of life at an orchard, and Scott Pearson returns us once again to the contemporary era with his feminist commentary on the Modern Gothic.
DigiCat present to you a collection of the greatest gothic & macabre classics of all time: Content: Frankenstein The Orphan of the Rhine Nightmare Abbey The Tell-Tale Heart The Fall of the House of Usher The Cask of Amontillado The Masque of the Red Death The Castle of Otranto Vathek The Castle of Wolfenbach Caleb Williams The Mysteries of Udolpho The Italian The Monk Wieland Northanger Abbey The Black Cat The Murders in the Rue Morgue The Vampyre The Legend of Sleepy Hollow Melmoth the Wanderer The Private Memoirs and Confessions of a Justified Sinner The Hunchback of Notre-Dame The Phantom Ship St, John's Eve Viy The Mysterious Portrait Jane Eyre Wuthering Heights Sweeney Todd, the Demon Barber of Fleet Street The House of the Seven Gables Rappaccini's Daughter The Birth Mark The Lifted Veil The Woman in White Strange Case of Dr Jekyll and Mr Hyde The Mystery of Edwin Drood Carmilla Uncle Silas The Hound of the Baskervilles The Picture of Dorian Gray The Horla The Forsaken Inn The Great God Pan Lilith The Lost Stradivarius The Island of Doctor Moreau The Beetle The Turn of the Screw Dracula The Jewel of Seven Stars (Original 1903 Edition) The Monkey's Paw The Necromancers The Phantom of the Opera Clarimonde The Mummy's Foot The House on the Borderland The Boats of the Glen Carrig Wolverden Tower The Case of Charles Dexter Ward The Call of Cthulhu
'He was a man of fairly firm fibre, but there was something in this sudden, uncontrollable shriek of horror which chilled his blood and pringled in his skin. Coming in such a place and at such an hour, it brought a thousand fantastic possibilities into his head...' The Victorian fin de siècle: the era of Decadence, The Yellow Book, the New Woman, the scandalous Oscar Wilde, the Empire on which the sun never set. This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
For the first time in one volume, a collection of Shirley Jackson’s scariest stories, with a foreword by PEN/Hemingway Award winner Ottessa Moshfegh After the publication of her short story “The Lottery” in the New Yorker in 1948 received an unprecedented amount of attention, Shirley Jackson was quickly established as a master horror storyteller. This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the “The Possibility of Evil” and “The Summer People.” In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There’s something sinister in suburbia. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The British horror film is almost as old as cinema itself. 'English Gothic' traces the rise and fall of the genre from its 19th century beginnings, encompassing the lost films of the silent era, the Karloff and Lugosi chillers of the 1930s, the lurid Hammer classics, and the explicit shockers of the 1970s.
"The Gothic Tradition is a new title in the Cambridge Contexts in Literature series. It is designed to support the needs of advanced level students of English literature. Each title in the series has the quality, content and level endorsed by the OCR examination board. However, the texts provide the background and focus suitable for any examination board at advanced level. The series explores the contextual study of texts by concentrating on key periods, topics and comparisons in literature. Each book adopts an interactive approach and provides the background for understanding the significance of literary, historical and social contexts. Students are encouraged to investigate different interpretations that may be applied to literary texts by different readers, through a variety of activities and questions, the use of study aids, such as chronologies and glossaries, and the inclusion of anthology sections to exemplify issues." http://www.loc.gov/catdir/description/cam022/2001278650.html.