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This volume collects two separate cases of the Gotham Special Crimes Unit. Detective Renee Montoya investigates the disappearance of important evidence amid a gang war and travels to Keystone City in an attempt to unveil the truth about Officer Kelly's strange mutation. Plus, the dead body of Robin, the Boy Wonder is found on the streets. Now the detectives of Gotham Central must try to solve the mystery of his death while dealing with his former associates, Batman and the Teen Titans!
Writer Devin Grayson's final issue follows Bruce Wayne through a typical day to see just how many lives Batman—and Bruce—have an impact upon. Plus, a Batman Black & White backup tale by Mark Askwith and Michael Kaluta!
Princess Diana—Wonder Woman—is a hero to the world. But there are those who see her very differently. And one of those, Veronica Cale, the leader of the all-powerful Godwatch, will stop at nothing to use Diana to get what she wants: revenge on the gods themselves! As the story unfolds from year to year, bridging the gap between the YEAR ONE story to present day, Wonder Woman faces off against not just scheming Cale, but also the powerful witch Circe and her own former friend Barbara Ann Minerva, now known as the Cheetah! The celebrated run from writer Greg Rucka (GOTHAM CENTRAL) ends with WONDER WOMAN VOL. 4: GODWATCH, with art from Bilquis Evely, Mirka Andolfo and Nicola Scott. Collects stories from WONDER WOMAN even issues #16-24 and WONDER WOMAN ANNUAL #1.
For years, Selina Kyle has prowled the skyline of Gotham City as its most famous thief, Catwoman. But when word spreads of Catwoman's demise, Selina decides to leave the costumed world behind and continue her trade cloaked in the shadows. Unable to enjoy her newfound anonymity for too long though, Selina decides that she must return to her infamous persona. Donning a new costume and attitude, Catwoman returns to the streets and sets her sights on the serial killer that has been preying upon the streetwalkers she calls friends.
This penultimate work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American cartoonists and their work. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.
Forged by rage. Taken as a child and trained in the ways of the Sith, he became the apprentice to the greatest evil the galaxy has ever known... Honed by the dark side. After years of plotting in secrecy, he and his Master will take revenge on the Jedi Order--and the once-mighty Republic will tremble... The savage story of Darth Maul has been shrouded in mystery--until now.
In this new volume collecting CATWOMAN #10-24 and CATWOMAN SECRET FILES #1, The Black Mask, longtime foe of Batman, has his sights set on Gotham City’s East End to house his drug trafficking empire. When Selina Kyle discovers the Black Mask’s intentions, she declares war against his operation. Don’t miss the noir-style tales written by Ed Brubaker!
Gotham City Police Commissioner Jim Gordon stars in this new collection of crime stories from the 1990s that stars the colorful, determined cops of Batman's hometown. Collects BATMAN: GORDON OF GOTHAM #1-4, BATMAN: GCPD #1-4 and BATMAN: GORDON'S LAW #1-4.
Contributions by Daniel J. Connell, Esther De Dauw, Craig Haslop, Drew Murphy, Richard Reynolds, Janne Salminen, Karen Sugrue, and James C. Taylor The superhero permeates popular culture from comic books to film and television to internet memes, merchandise, and street art. Toxic Masculinity: Mapping the Monstrous in Our Heroes asks what kind of men these heroes are and if they are worthy of the unbalanced amount of attention. Contributors to the volume investigate how the (super)hero in popular culture conveys messages about heroism and masculinity, considering the social implications of this narrative within a cultural (re)production of dominant, hegemonic values and the possibility of subaltern ideas, norms, and values to be imagined within that (re)production. Divided into three sections, the volume takes an interdisciplinary approach, positioning the impact of hypermasculinity on toxic masculinity and the vilification of “other” identities through such mediums as film, TV, and print comic book literature. The first part, “Understanding Super Men,” analyzes hegemonic masculinity and the spectrum of hypermasculinity through comics, television, and film, while the second part, “The Monstrous Other,” focuses on queer identity and femininity in these same mediums. The final section, “Strategies of Resistance,” offers criticism and solutions to the existing lack of diversity through targeted studies on the performance of gender. Ultimately, the volume identifies the ways in which superhero narratives have promulgated and glorified toxic masculinity and offers alternative strategies to consider how characters can resist the hegemonic model and productively demonstrate new masculinities.
Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante, including: Does Batman have PTSD? Why does he fight crime? Why as a vigilante? Why the mask, the bat, and the underage partner? Why are his most intimate relationships with “bad girls” he ought to lock up? And why won't he kill that homicidal, green-haired clown? Combining psychological theory with the latest in psychological research, Batman and Psychology takes you on an unprecedented journey behind the mask and into the dark mind of your favorite Caped Crusader and his never-ending war on crime.