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It's almost graduation, and New York's wealthiest private school jet-setters are into college admissions and parties. Will Blair and Nate's love affair continue? Will Blair get into Yale, or will Nate and Serena hook up in New Haven and leave Blair alone in the city?
The uptown girls are headed downtown as Serena and Jenny take on their new fabulous roles as rock-star model girlfriends of New York's hottest band, The Raves. Meanwhile, Dan is to busy drowning his sorrows in empty bottles to notice a mysterious French beauty who has a penchant for dirty, Jim Morrison-wannabe lead singers. Blair takes residence at the Plaza to think about her future. Will she become a gun-toting international spy or Manhattan's snobbiest society hostess? Decisions are so difficult! Sounds like everyone needs a day off at the spa. And Senior Spa Day promises to serve up further doses of scandal for New York's busiest private-school vixens.
Welcome to New York City's Upper East Side where my friends and I live, and go to school, and play, and sleep - sometimes with each other.We all live in huge apartments with our own bedrooms and bathrooms and phone lines.We're smart, we've inherited classic good looks, we have fantastic clothes, and we know how to party... Continuing the #1 New York Times bestselling series about the provocative lives of New York City's most prestigious private school young adults. Sharp wit, intriguing characters, and high stakes melodrama drive the action of this addictive series that have made Gossip Girl the lit world's coveted "it" girl.
The Carlyle triplets have made a lot of new friends in Manhattan-and more than a few enemies. O stole his best friend's girlfriend, and A dethroned the queen bee. Now a line has been drawn down Fifth Avenue, and it's all-out war. Only here, the battles are fought with icy glares and vicious rumors. It's the Upper East Side, and all's fair in love and scandal... You know you love me, Gossip Girl
Don't You Forget About Me continues the #1 New York Times bestselling series about the provocative lives of New York City's most prestigious private school young adults. Sharp wit, intriguing characters, and high stakes melodrama drive the action of this addictive series that have made Gossip Girl the lit world's coveted "it" girl.
The further adventures of New York's busiest private-school vixens.
'Welcome to New York's Upper East Side, where my friends and I all live in huge, fabulous apartments and go to exclusive private schools. It's a luxe life, but someone's got to live it.' This is the eighth book in the internationally bestselling series.
Gossip Girl: A Critical Understanding provides a critical analysis of The CW’s hit teen television drama Gossip Girl. Lori Bindig analyzes episodes as a set of media texts that blur the boundaries between hegemonic and counter-hegemonic content. Using political economy, textual and audience analyses, Bindig dissects how the show presents ideological content in regard to gender, race, class, sexuality, and consumerism, ultimately unearthing potential ramifications of Gossip Girl and other popular media texts. In addition, Bindig examines the expansive fan community and its engagement with the show through online forums and YouTube. Gossip Girl: A Critical Understanding will appeal to scholars of media, audience studies, and popular culture.
This book focuses on girls and girlhoods, texts for and about girls, and the cultural contexts that shape girls’ experience. It brings together scholars from girls’ studies and children’s literature, fields that have traditionally conducted their research separately, and the collaboration showcases the breadth and complexity of girl-related studies. Contributors from disciplines such as sociology, literature, education, and gender studies combine these disciplinary approaches in novel ways with insights from international studies, postcolonial studies, game studies, and other fields. Several of the authors engage in activist and policy-development work around girls who experience poverty and marginalization. Each essay is concerned in one way or another with the politics of girlhood as they manifest in national and cultural contexts, in the everyday practices of girls, and in textual ideologies and agendas. In contemporary Western societies girls and girlhood function to some degree as markers of cultural reproduction and change. The essays in this book proceed from the assumption that girls are active participants in the production of texts and cultural forms; they offer accounts of the diversity of girls’ experience and complex significances of texts by, for, and about girls.