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The #1 New York Times bestselling series returns with a fresh new cover in time for the highly anticipated HBO MAX series reboot. 'Believe me, I'll be the first to find out, and you'll be the second. It's not like I'm good at keeping secrets ... you know you love me, gossip girl.' The third in the established and bestselling Gossip Girl series about the most popular high school crowd. Christmas parties, the end of exams, revenge-plotting and the most talked about New Year's Eve party might spell big trouble for Upper East Side's elite. Set in New York the narrative takes a voyeuristic look into the troubled, raw and indulgent lives of Manhattan's super-rich.
The #1 New York Times bestselling series returns with a fresh new cover in time for the highly anticipated HBO MAX TV series reboot – 3 books in 1 'Welcome to New York City's Upper East Side, where my friends and I live and go to school and play and sleep – sometimes with each other. We're smart, we've inherited classic good looks and we know how to party. It's a luxe life, but someone's got to live it.' The first three novels in the established and well-loved Gossip Girl series about the most popular high school crowd. Set in glamorous New York City the narrative takes a voyeuristic look into the troubled, raw and indulgent lives of Upper East Side's finest.
'Welcome to New York's Upper East Side, where my friends and I all live in huge, fabulous apartments and go to exclusive private schools. It's a luxe life, but someone's got to live it.' This is the second book in the internationally bestselling series - now a major TV series.
Welcome to New York City's Upper East Side, where my friends and I live in luxe Fifth Avenue apartments and attend Manhattan's most exclusive private schools. We're smart, we've inherited classic good looks, we wear fantastic clothes, and we know how to party. We can't help it-we were born this way. Our story begins with three inseparable, completely gorgeous fifteen-year-olds, Serena van der Woodsen, Blair Waldorf, and Nate Archibald. Blair's loved Nate and his glittering green eyes since she was in Bonpoint onesies. Too bad Nate wishes Blair's beautiful best friend, Serena, was the one with the crush. And Serena has a secret she's keeping from them both. Hmmm, something tells me these best friends may not be as close as we thought. . . . How do I know all this? Because I know everything-and lucky for you, I can't keep a secret. So sit back while I untangle this messy little tale and tell you how it all began. Admit it, you're already falling for me. You know you love me. gossip girl
It ends with a bang! While Queen B has returned to the lap of luxury, she's keeping on the down-low to exact her sweet revenge on everyone who wronged her. But when she outs little J's secret at the school auction - going so far as to involve the police - V thinks the Queen has gone too far and leaks clips of the film she's been making showcasing B's domestic talents. Now V has disappeared, and B is left to pick through the wreckage of her high school career as everyone is gearing up for the next stage of their lives. Are there any relationships left for B to salvage as she faces the future?
Set in New York City's Upper East Side, this book tells the story of the thrills and spills of its richest and most beautiful teenage residents. These girls are smart, good-looking and know how to party, It's a luxorious life but someone's got to live it!
Queen B has fallen off her throne and landed in Brooklyn (of all places!), where she's sharing an apartment with V. It's hell at first, but somehow they find a way to make it work - and B even discovers that she has some domestic talents she never knew existed! But now N and S are a couple, and heartbroken B's desperate attempts to maintain her reputation have put her on "sweet" little J's foul side. And when it comes to these girls, revenge is a dish best served HOT! Can you take a little heat?
Examines social and cultural phenomena through the lens of different television shows We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it ‘good’ or ‘bad.’ Rather, criticism uses the close examination of a television program to explore that program’s cultural significance, creative strategies, and its place in a broader social context. How to Watch Television brings together forty original essays from today’s leading scholars on television culture, writing about the programs they care (and think) the most about. Each essay focuses on a particular television show, demonstrating one way to read the program and, through it, our media culture. The essays model how to practice media criticism in accessible language, providing critical insights through analysis—suggesting a way of looking at TV that students and interested viewers might emulate. The contributors discuss a wide range of television programs past and present, covering many formats and genres, spanning fiction and non-fiction, broadcast and cable, providing a broad representation of the programs that are likely to be covered in a media studies course. While the book primarily focuses on American television, important programs with international origins and transnational circulation are also covered. Addressing television series from the medium’s earliest days to contemporary online transformations of television, How to Watch Television is designed to engender classroom discussion among television critics of all backgrounds.
KIRKUS REVIEWS called this winning tale of a queen-sized queen bee "Hilarious and fresh."Manhattan It Girl Riley Swain is no pudgy wallflower. She's brash, bold, fashionable, and yes, fabulous. Riley has no qualms about kissing her best friend's crush, or bribing her dad's lawyer. But this spring break, Riley's dad and wicked stepmother are shipping her off to New Horizons, a two-week fat camp in upstate New York. And it's miserable: like military school without carbs. But then Riley gets to know adorable Eric, who sees beyond Riley's tough exterior. Soon, Riley might just realize that maybe it's not her shape that will change at New Horizons. . . but her heart.
A significant body of scholarship examines the production of children's literature by women and minorities, as well as the representation of gender, race, and sexuality. But few scholars have previously analyzed class in children's literature. This definitive collection remedies that by defining and exemplifying historical materialist approaches to children's literature. The introduction of Little Red Readings lucidly discusses characteristics of historical materialism, the methodological approach to the study of literature and culture first outlined by Karl Marx, defining key concepts and analyzing factors that have marginalized this tradition, particularly in the United States. The thirteen essays here analyze a wide range of texts—from children's bibles to Mary Poppins to The Hunger Games—using concepts in historical materialism from class struggle to the commodity. Essayists apply the work of Marxist theorists such as Ernst Bloch and Fredric Jameson to children's literature and film. Others examine the work of leftist writers in India, Germany, England, and the United States. The authors argue that historical materialist methodology is critical to the study of children's literature, as children often suffer most from inequality. Some of the critics in this collection reveal the ways that literature for children often functions to naturalize capitalist economic and social relations. Other critics champion literature that reveals to readers the construction of social reality and point to texts that enable an understanding of the role ordinary people might play in creating a more just future. The collection adds substantially to our understanding of the political and class character of children's literature worldwide and contributes to the development of a radical history of children's literature.