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FICTION/FANTASY
Join everyone's favorite succubus and her half-fiend boyfriend—introduced in the War of the Spider Queen series—in the first installment of their own exciting trilogy Aliisza and Kaanyr Vhok return from their attempted invasion of Menzoberranzan feeling the sting of defeat. No sooner have they licked their wounds than they have set their sights on a different quest: conquer Sundabar, one of the wealthiest military cities in Faerûn and the home of Vhok’s foe. But before Aliisza can complete her mission in that besieged city, she finds herself in the one place a demon would never want to go, no matter how sure she is of her wits and cunning: the very heart of Celestia. Trapped beyond the gates of heaven, Aliisza reflects upon her past—a past riddled with selfishness and crime—and begins to see the error of her ways. As she learns more about herself, coming more fully into her own, she finds allies where she least expects.
Winner of the 2020 Aurora Award for Best Novel, this fantasy epic tells the tale of one mage who must stand against a Deathless Goddess who controls all magic. Only in Tananen do people worship a single deity: the Deathless Goddess. Only in this small, forbidden realm are there those haunted by words of no language known to woman or man. The words are Her Gift, and they summon magic. Mage scribes learn to write Her words as intentions: spells to make beasts or plants, designed to any purpose. If an intention is flawed, what the mage creates is a gossamer: a magical creature as wild and free as it is costly for the mage. For Her Gift comes at a steep price. Each successful intention ages a mage until they dare no more. But her magic demands to be used; the Deathless Goddess will take her fee, and mages will die. To end this terrible toll, the greatest mage in Tananen vows to find and destroy Her. He has yet to learn She is all that protects Tananen from what waits outside. And all that keeps magic alive.
When a door in her professor's office becomes a portal to another world, grad student Suzanne Helling is transformed into a warrior battling to restore order to the once-great land of Gryylth.
Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.
The ultimate coven handbook, Coven Craft was written by a well-known and respected Wiccan High Priestess, who guides you through the workings of covens from Altars to Zoning. Over the course of twenty-seven chapters and forty-two appendices, Amber K shares with you her vast coven know-how, with plenty of veteran insights and straight-up advice on: --Finding or organizing a coven --Tools and supplies --Finances and incorporation --Coven offices --New members --The coven calendar --Pagan ritual --The sabbats and esbats --Training and intiation --Group dynamics --Counseling --Elders --Traditions --Networking and affiliation --Covens in the community It has been said that leading a coven is like herding cats. Whether you're searching for fresh ways to meet those challenges or you're thinking about joining your first magical group, consult this friendly, knowledgeable companion for guidance.
Engaged, passionate, and consistently entertaining, An Informal History of the Hugos is a book about the renowned science fiction award for the many who enjoyed Jo Walton's previous collection of writing from Tor.com, the Locus Award-winning What Makes This Book So Great. The Hugo Awards, named after pioneer science-fiction publisher Hugo Gernsback, and voted on by members of the World Science Fiction Society, have been presented since 1953. They are widely considered the most prestigious awards in science fiction. Between 2010 and 2013, Jo Walton wrote a series of posts for Tor.com, surveying the Hugo finalists and winners from the award's inception up to the year 2000. Her contention was that each year's full set of finalists generally tells a meaningful story about the state of science fiction at that time. Walton's cheerfully opinionated and vastly well-informed posts provoked valuable conversation among the field's historians. Now these posts, lightly revised, have been gathered into this book, along with a small selection of the comments posted by SF luminaries such as Rich Horton, Gardner Dozois, and David G. Hartwell. "A remarkable guided tour through the field—a kind of nonfiction companion to Among Others. It's very good. It's great."—New York Times bestselling author Cory Doctorow, Boing Boing on What Makes This Book So Great At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Edgar Allan Poe's "The Black Cat" is a short story that explores themes of guilt and perversity. The narrator, haunted by cruelty to his black cat and acts of domestic violence, is consumed by paranoia and madness. His attempt to conceal a crime leads to his own disgrace.
'Where are you from?' was the question hounding Hazel Carby as a girl in post-World War II London. One of the so-called brown babies of the Windrush generation, born to a Jamaican father and Welsh mother, Carby's place in her home, her neighbourhood, and her country of birth was always in doubt. Emerging from this setting, Carby untangles the threads connecting members of her family to each other in a web woven by the British Empire across the Atlantic. We meet Carby's working-class grandmother Beatrice, a seamstress challenged by poverty and disease. In England, she was thrilled by the cosmopolitan fantasies of empire, by cities built with slave-trade profits, and by street peddlers selling fashionable Jamaican delicacies. In Jamaica, we follow the lives of both the 'white Carbys' and the 'black Carbys', as Mary Ivey, a free woman of colour, whose children are fathered by Lilly Carby, a British soldier who arrived in Jamaica in 1789 to be absorbed into the plantation aristocracy. And we discover the hidden stories of Bridget and Nancy, two women owned by Lilly who survived the Middle Passage from Africa to the Caribbean. Moving between the Jamaican plantations, the hills of Devon, the port cities of Bristol, Cardiff, and Kingston, and the working-class estates of South London, Carby's family story is at once an intimate personal history and a sweeping summation of the violent entanglement of two islands. In charting British empire's interweaving of capital and bodies, public language and private feeling, Carby will find herself reckoning with what she can tell, what she can remember, and what she can bear to know.