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For the first time, the full story of a crime that has haunted New England since 1873. The cold-blooded ax murder of two innocent Norwegian women at their island home off the coast of New Hampshire has gripped the region since 1873, beguiling tourists, inspiring artists, and fueling conspiracy theorists. The killer, a handsome Prussian fisherman down on his luck, was quickly captured, convicted in a widely publicized trial, and hanged in an unforgettable gallows spectacle. But he never confessed and, while in prison, gained a circle of admirers whose blind faith in his innocence still casts a shadow of doubt. A fictionalized bestselling novel and a Hollywood film have further clouded the truth. Finally a definitive "whydunnit" account of the Smuttynose Island ax murders has arrived. Popular historian J. Dennis Robinson fleshes out the facts surrounding this tragic robbery gone wrong in a captivating true crime page-turner. Robinson delves into the backstory at the rocky Isles of Shoals as an isolated centuries-old fishing village was being destroyed by a modern luxury hotel. He explores the neighboring island of Appledore where Victorian poet Celia Thaxter entertained the elite artists and writers of Boston. It was Thaxter's powerful essay about the murders in the Atlantic Monthly that shocked the American public. Robinson goes beyond the headlines of the burgeoning yellow press to explore the deeper lessons about American crime, justice, economics, and hero worship. Ten years before the Lizzie Borden ax murder trial and the fictional Sherlock Holmes, Americans met a sociopath named Louis Wagner—and many came to love him.
The plea of insanity in criminal cases can be traced back at least to the Babylonian Code of Hammurabi, which dates from 1755-1759 BC. It is a complicated defence, and its origins in modern law lie with what are called the 'M'Naghten Rules' of 1843, formulated by British judges as a jury instruction in cases where a plea of insanity had been entered. Daniel M'Naghten shot and killed one Edward Drummond, believing him to be the British Prime Minister, Sir Robert Peel, and was acquitted on the grounds of insanity, and the M'Naghten Rules still exert considerable influence over defences today. Clearly a plea of insanity in murder cases is of critical importance when the death penalty is still applied, and even today it may still be the difference between a life sentence in a high-security prison, or an indeterminate one in a secure psychiatric hospital. Meanwhile, 27 of the USA's 50 states have retained or readopted the death penalty, and at least 54 other countries, including China, Russia, India, Iran and Saudi Arabia, also retain it. Naturally, a criminal who was liable to swing for murder could, and sometimes did, make every attempt to appear insane, and this book examines some of these cases, as well as trials in which the accused was indeed judged to be insane. The failure rate is high; of seven American serial killers who deployed the defence in their trials, only two were successful, ending their days in secure psychiatric facilities; two were executed, and the other three either died or were killed while serving full-life sentences, or are still in gaol.
In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.
This is a study of the history of global refugee movements over the 20th century, ranging from east European Jews fleeing Tsarist oppression at the turn of the century to asylum seekers from the former Zaire and Yugoslavia. Recognizing that the problem of refugees is a universal one, the authors emphasize the human element which should be at the forefront of both the study of refugees and responses to them.
When a series of murders rock Edinburgh city, Detective Andrews and his young protege, Detective Reynolds, struggle to make sense of the crimes. The more they investigate, the more cryptic the case becomes. Not only does the killer seem to be meticulous in his acts, but each of his victims has direct links with one man - Michael Ted Mersdone. Having lived his entire life with a secret he never fully understood, a plot of a more serious nature is uncovered. Shrouded in ancient prophecies and riddles, it becomes a race against time to save Michael and his closely guarded secret.
'One of the nation's favourite wartime saga writers ... warm and engrossing' Lancashire Evening Post Spring 1944, and the war shows no sign of stopping. In Hampshire, Elsie is desperate for a new start after her husband leaves her. When her friend Izzy, herself planning an escape from her abusive boyfriend, tells her about the wartime jobs going for women on the canal boats, she jumps at the chance. Their new boss, Dorothy, is kind and fair, but it's clear she has a secret of her own. Their crew is completed by Tolly, searching for a new vocation now that her dream job has been snatched away. The work is hard, but together they pitch in, and through shared ups and downs they forge close friendships that will see them through the darkest times. What none of them could have predicted is just how much working on the canals will change their lives. Could it really be that what started as a means of escape will end up giving each of them everything they ever wanted?