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Four key new translations of plays (including three previously unpublished works) written at the turn of the 20th century, charting the descent of Russia into revolution Hailed by Chekhov as the voice of his time, Gorky's four plays offer a panoramic view of Russia in the throes of revolution. THE ZYKOVS is set shortly before the Bolshevik Revolution of October 1917. Antipa Zykov is a merchant adventurer. His young wife, Pavla is an unworldly convent-bred girl, too weak to realise these ideals in her stormy marriage. EGOR BULYCHOV is set on the eve of revolution as the rich businessman of the title is given power, after the Tsar's abdication. But the songs of the demonstrating crowds outside his window show that his days are numbered. Subtitled 'The Mother' and hugely controversial at the time of its first production VASSA ZHELEZNOVA, is a tragic portrait of a woman with an iron will determined to root out the corruption in her family in order to keep control of the family business. Written during his most religious phase, THE LAST ONES is about a corrupt police chief and his family who face death at the hands of revolutionaries as he tries to fight back by lynching a young man.
Maxim Gorky was dubbed the father of socialist realism in the Soviet period, but he had forged his career as an internationally known novelist and dramatist some three or more decades earlier. Posing questions that Soviet critics found difficult to confront, the author examines the effects of exile and religion on the content and form of the plays as well as the role played by women, and the personal and political implications of motherhood. All sixteen of Gorky's published plays are covered, and the book explores whether this body of work has themes and styles to unify it. While conflict is central to the core political themes and also infiltrates many aspects of the dramatic style (cartoonish and grotesque), other less expected themes and styles emerge. Viewing the post-revolutionary plays as a development of earlier work leads to a question rarely posed: are the plays written by Gorky in the process of defining the new Party-inspired socialist realism in fact less about socialist realist issues of conformity, and more about Gorky's own painful life experience? And what is equally under the microscope is a search for the monumental style frequently associated with socialist realist theatre: the proposed origins of the spatial grandeur in Gorky's plays come as a surprise.
The “gripping, romantic, and dazzlingly original” (Cosmopolitan) Arkady Renko book that started it all: the #1 bestseller Gorky Park, an espionage classic that begins the series, by Martin Cruz Smith, “the master of the international thriller” (The New York Times). It begins with a triple murder in a Moscow amusement center: three corpses found frozen in the snow, faces and fingers missing. Chief homicide investigator Arkady Renko is brilliant, sensitive, honest, and cynical about everything except his profession. To identify the victims and uncover the truth, he must battle the KGB, FBI, and the New York City police as he pursues a rich, ruthless, and well-connected American fur dealer. Meanwhile, Renko is falling in love with a beautiful, headstrong dissident for whom he may risk everything. “Brilliant...there are enough enigmas within enigmas within enigmas to reel the mind” (The New Yorker) in this wonderfully textured, vivid look behind the Iron Curtain. “Once one gets going, one doesn’t want to stop...The action is gritty, the plot complicated, and the overriding quality is intelligence” (The Washington Post). The first in a classic series, Gorky Park “reminds you just how satisfying a smoothly turned thriller can be” (The New York Times Book Review).
"In the World" by Maksim Gorky (translated by Gertrude M. Foakes). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
From the Author of Frida, the Moving and Heroic Story of One of the Central Painters of the Twentieth Century Born in Turkey around 1900, Vosdanik Adoian escaped the massacres of Armenians in 1915 only to watch his mother die of starvation and his family scatter in their flight from the Turks. Arriving in America in 1920, Adoian invented the pseudonym Arshile Gorky-and obliterated his past. Claiming to be a distant cousin of the novelist Maxim Gorky, he found work as an art teacher and undertook a program of rigorous study, schooling himself in the modern painters he most admired, especially Cézanne and Picasso. By the early forties, Gorky had entered his most fruitful period and developed the style that is seen as the link between European modernism and American abstract expressionism. His masterpieces influenced the great generation of American painters in the late forties, even as Gorky faced a series of personal catastrophes: a studio fire, cancer, and a car accident that temporarily paralyzed his painting arm. Further demoralized by the dissolution of his seven-year marriage, Gorky hanged himself in 1948. A sympathetic, sensitive account of artistic and personal triumph as well as tragedy, Hayden Herrera's biography is the first to interpret Gorky's work in depth. The result of more than three decades of scholarship-and a lifelong engagement with Gorky's paintings-Arshile Gorky traces the progress from apprentice to master of the man André Breton called "the most important painter in American history."
"Enemies" is a play by Maxim Gorky produced in Moscow in 1935.Maxim Gorky (1868-1936) was one of the greatest Russian writers. He inherited the best traditions of 19th century classical Russian literature and was at the same time the creator of a new art, socialist realism; he laid the foundations of the young Soviet Literature.In the early years of the 20th century Gorky came under the influence of Anton Chekhov and through him established contact with Konstantin Stanislavsky and Vladimir Nemirovish-Danchenko, the leading figures of the Moscow Art Theatre; for this theatre he wrote his plays "Philistines" and "The Lower Depths." "The Lower" Depths made a triumphant tour of many European countries and brought the writer world fame.
Four key new translations of plays (including three previously unpublished works) written at the turn of the 20th century, charting the descent of Russia into revolution Hailed by Chekhov as the voice of his time, Gorky's four plays offer a panoramic view of Russia in the throes of revolution. THE ZYKOVS is set shortly before the Bolshevik Revolution of October 1917. Antipa Zykov is a merchant adventurer. His young wife, Pavla is an unworldly convent-bred girl, too weak to realise these ideals in her stormy marriage. EGOR BULYCHOV is set on the eve of revolution as the rich businessman of the title is given power, after the Tsar's abdication. But the songs of the demonstrating crowds outside his window show that his days are numbered. Subtitled 'The Mother' and hugely controversial at the time of its first production VASSA ZHELEZNOVA, is a tragic portrait of a woman with an iron will determined to root out the corruption in her family in order to keep control of the family business. Written during his most religious phase, THE LAST ONES is about a corrupt police chief and his family who face death at the hands of revolutionaries as he tries to fight back by lynching a young man.
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