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From the Author of Frida, the Moving and Heroic Story of One of the Central Painters of the Twentieth Century Born in Turkey around 1900, Vosdanik Adoian escaped the massacres of Armenians in 1915 only to watch his mother die of starvation and his family scatter in their flight from the Turks. Arriving in America in 1920, Adoian invented the pseudonym Arshile Gorky-and obliterated his past. Claiming to be a distant cousin of the novelist Maxim Gorky, he found work as an art teacher and undertook a program of rigorous study, schooling himself in the modern painters he most admired, especially Cézanne and Picasso. By the early forties, Gorky had entered his most fruitful period and developed the style that is seen as the link between European modernism and American abstract expressionism. His masterpieces influenced the great generation of American painters in the late forties, even as Gorky faced a series of personal catastrophes: a studio fire, cancer, and a car accident that temporarily paralyzed his painting arm. Further demoralized by the dissolution of his seven-year marriage, Gorky hanged himself in 1948. A sympathetic, sensitive account of artistic and personal triumph as well as tragedy, Hayden Herrera's biography is the first to interpret Gorky's work in depth. The result of more than three decades of scholarship-and a lifelong engagement with Gorky's paintings-Arshile Gorky traces the progress from apprentice to master of the man André Breton called "the most important painter in American history."
The “gripping, romantic, and dazzlingly original” (Cosmopolitan) Arkady Renko book that started it all: the #1 bestseller Gorky Park, an espionage classic that begins the series, by Martin Cruz Smith, “the master of the international thriller” (The New York Times). It begins with a triple murder in a Moscow amusement center: three corpses found frozen in the snow, faces and fingers missing. Chief homicide investigator Arkady Renko is brilliant, sensitive, honest, and cynical about everything except his profession. To identify the victims and uncover the truth, he must battle the KGB, FBI, and the New York City police as he pursues a rich, ruthless, and well-connected American fur dealer. Meanwhile, Renko is falling in love with a beautiful, headstrong dissident for whom he may risk everything. “Brilliant...there are enough enigmas within enigmas within enigmas to reel the mind” (The New Yorker) in this wonderfully textured, vivid look behind the Iron Curtain. “Once one gets going, one doesn’t want to stop...The action is gritty, the plot complicated, and the overriding quality is intelligence” (The Washington Post). The first in a classic series, Gorky Park “reminds you just how satisfying a smoothly turned thriller can be” (The New York Times Book Review).
One fresh and fair summer day, as soon as his parents go out, Gorky sets up his laboratory by the kitchen sink to have another try at concocting a magic potion. This time he strikes upon the missing ingredient--half a bottle of his mother's attar of roses--and he knows it's success at last. While he is waiting for the bubbly, glinting liquid to show what it can do, he heads over to Elephant Rock, "his best spot for doing nothing." But on the way he stops to bask in the sun, soon falls asleep--and wakes to find himself floating in the immensely blue sky, clutching his bottle of magic. There follows the most astonishing, bewildering, and bedazzling adventure a young frog could possibly have. Orbiting the globe has its ups and downs, however, and Gorky soon begins to wonder if he'll ever get back to earth. He does manage to outwit the magic; but the potion saves a last surprise until Gorky reaches Elephant Rock, just on day later than he had planned. Gorky Rises is a 1980 New York Times Book Review Best Illustrated Book of the Year, Notable Children's Book of the Year, and Outstanding Book of the Year.
A reexamination of the art of Arshile Gorky (1904-1948), and an exploration of his role in the development of modern abstraction in America.
"In the World" by Maksim Gorky (translated by Gertrude M. Foakes). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Maxim Gorky, born Aleksei Maksimovich Peshkov in 1868 to the low stratum of Russian society, rose to prominence early in life as a writer and publicist. Gorky, who did not have a formal education, became famous in his country and abroad. Writing could not satisfy the rebellious Gorky who soon became involved in revolutionary movements. After a short period with the populist/narodnik movement, Gorky became disillusioned with the peasant class, and, instead, he chose the nascent class of workers as the vehicle for change. It is as if Gorky and capitalism arrived in Russia together. In his view the intelligentsia and the workers would bring about the change in the political, social, and cultural life of the country. Gorky came close to Lenin and the Bolsheviks, taking an active part in the Revolution of 1905 and going into an exile that lasted until 1913. Gorky, returning home on the eve of World War I and the following revolutions of February and October 1917, became involved in the momentous developments. He vehemently opposed Lenin's socialist revolution, maintaining that Russia was not ready for it. A second exile followed in 1921. After returning in 1928 to Stalin's Soviet Union, Gorky was made into an icon, with the eye of the inquisition watching over him. And here began what is often called The Tragedy of Maxim Gorky. He died in 1936, but the circumstances of his death as well as the question whither Gorky is still debated Based on hitherto unavailable primary sources, Yedlin has cut through the Gorky legend to show the real person, the Gorky of contradictions and oscillations. Fascinating reading for scholars and students of Russian history and literature as well as the general public.
Harry Rand's critically acclaimed study of Gorky's brief, troubled life and artistic development is finally available in paperback. All of Gorky's major themes are touched on and his major paintings dealt with in some depth, with attention to the details of the individual works, and frequently to the drawings and preliminary studies from which the paintings evolved. The discussion centers on the images that united the pieces as they develop from work to work. Rand explores Gorky as well as possible sources and their relationship to the body of Gorky's art. A concluding chapter reassesses Gorky's impact on the New York School in light of a new understanding of his aims and methods. Through close study of Gorky's oeuvre, the author deciphers an iconography revealing the unexpected and systematic use of explicit ideas and symbols as well as commonplace objects, settings, and personas from the artist's life. Harry Rand's critically acclaimed study of Gorky's brief, troubled life and artistic development is finally available in paperback. All of Gorky's major themes are touched on and his major paintings dealt with in some depth, with attention to the details of the individual works, and frequently to the drawings and preliminary studies from which the paintings evolved. The discussion centers on the images that united the pieces as they develop from work to work. Rand explores Gorky as well as possible sources and their relationship to the body of Gorky's art. A concluding chapter reassesses Gorky's impact on the New York School in light of a new understanding of his aims and methods. Through close study of Gorky's oeuvre, the author deciphers an iconography revealing the unexpected and systematic use of explicit ideas and symbols as well as commonplace objects, settings, and personas from the artist's life.
" ... a broad and generalized picture of life in Russia on the eve of the Revolution of 1905"--P. [4] of cover.