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This book contains a detailed analytical catalogue of 171 terracotta figurines and figural vessels. These are represented in every period at Gordion from the Early Bronze Age. The majority dates from the Late Phrygian/Hellenistic period when there was a proliferation of imports from Greece. Gordion's long and rich history, from a Bronze Age center to a Phrygian capital to a market town and Graeco-Celtic center, makes it unique in the archaeological and historical record of central Turkey. University Museum Monograph, 86
These nonverbal marks do not form identifiable words but provide clues to the literacy and daily life at Gordion from the Bronze Age through the Hellenistic Period. The corpus is presented by type with description, interpretation, and functions of the various categories. University Museum Monograph, 63
This volume contains the excavation report for 15 inhumation burials from the Phrygian site of Gordion in central Anatolia. These tombs, dating from the late eighth through the third quarter of the sixth century B.C., were excavated by The University Museum in 1950, 1951, 1955-1957, and 1969. The processes for internment through construction of tumulus are carefully detailed, followed by an analysis of associated finds. Chapters deal with a general overview of constructional methods, grave assemblages, and chronology. University Museum Monograph, 88
Accompanying CD-ROM contains ... "[a]dditional figures accompanying the volume." -- disc label.
The nine papers in this volume, presented by former colleagues and students of the late Rodney S. Young, are representative of Young's archaeological interests: Athens, where he received his archaeological training, and Gordion, where he achieved his greatest successes. This book will prove valuable to students and scholars interested in the interconnections between Greece and Anatolia from the Bronze Age through classical times. University Museum Papers 1
Gordion is a paramount site for understanding the culture of central Anatolia over more than 3,000 years, from the Bronze Age to the Medieval period, but is most renowned for its Iron Age horizon, when it was royal capital of the mighty Phrygian kingdom. The hundreds of bone and ivory artifacts excavated at Gordion constitute a highly diverse body of material, and this publication presents one of the largest and most important assemblages of its kind in the Near East. The artifacts give remarkable insight into the tools used in crafts and manufacturing processes, a variety of decorative items, the artistic developments among local craftspeople, as well as indications of trading connections with other regions to the east and west. Ivory was a highly valued material used for decorative pieces in many areas around the eastern Mediterranean. The objects from Gordion are a significant addition to this corpus and illustrate both widely dispersed features common in other contemporary ivory-working centers, as well as the singular motifs and styles that developed in the Phrygian milieu. A unique assemblage of ivory horse trappings from the Early Phrygian Citadel are an important illustration of this cultural confluence. While bone was primarily used for strictly utilitarian objects, there are numerous pieces that show this lowly material could be used for high quality items such as inlays set into the wooden furniture exceptionally attested at Gordion. Even the sheep knuckle bone (astragal), decorated with incised designs and letters, gives a glimpse into the daily life in the community.
This volume contains the excavation report for 12 cremation burials from the Phrygian site of Gordion in central Anatolia. These tombs, dating from the later seventh century to the third quarter of the 6th century BCE, were excavated by The University Museum between 1950 and 1969, and by the German brothers Alfred and Gustav Korte in 1900. The processes for interment through construction of tumulus and cremation procedure are carefully detailed, followed by an analysis of associated finds. Two tumuli of the Hellenistic period, both covering stone chambers with inhumation burials within, are included in an appendix. Further appendices discuss other specific materials excavated from the cremation burials. A discussion of the contemporary inhumation and cremation tumulus burials at Gordion in the Phrygian period, highlighting their continuities and significant differences, forms part of the conclusion, as does discussion of sociocultural developments at Gordion between ca. 650-525 BCE as illuminated by the mortuary remains. The tumuli afford insights into questions related to gender, religion, adult/child identity, trade, social status, ethnicity, transcultural affiliations, ceramic developments, jewelry manufacture, high-status artifact display (including ivory), feasting behaviors, animal sacrifice, hero cult, and widespread "killing" of artifacts associated with the cremation burials. This entirely new publication of Gordion's tumuli makes available at last the elite cremation burials of the later Middle and early Late Phrygian (Achaemenid) periods excavated by The University Museum. By including the two Korte tumuli, it provides a complete assemblage of the cremation tumuli at Gordion. They afford remarkable new insights into life, death, and an elaborate system of value at Gordion during this most turbulent century.
This book examines the hero-cults of Sparta on the basis of the archaeological and literary sources. Nicolette Pavlides explores the local idiosyncrasies of a pan-Hellenic phenomenon, which itself can help us understand the place and function of heroes in Greek religion. Although it has long been noted that hero-cult was especially popular in Sparta, there is little known about the cults, both in terms of material evidence and the historical context for their popularity. The evidence from the cult of Helen and Menelaos at the Menelaion, the worship of Agamemnon and Alexandra/Kassandra, the Dioskouroi, and others who remain anonymous to us, is viewed as a local phenomenon reflective of the developing communal and social consciousness of the polis. What is more, through an analysis of the typology of cults, it is concluded that in Sparta, the boundaries of the divine/heroic/mortal were fluid, which allowed a great variation in the expression of cults. The votive patterns, topography, and architectural evidence permit an analysis of the kinds of offerings to hero-cults and an evaluation of the architecture that housed such cults. Due to the material and spatial distribution of the votive deposits, it is argued that Sparta had a large number of hero shrines scattered throughout the polis, which attests to an enthusiastic and long-lasting local votive practice at a popular level.
The Furniture from Tumulus MM, The Gordion Wooden Objects, volume 1, is a study of the furniture from the largest tomb at Gordion, Turkey, excavated in 1957 by the University of Pennsylvania Museum. The tomb dates to the eighth century BC and is thought to be the burial of the great Phrygian king Midas or his father. The objects, initially misunderstood, are now identified as nine tables, two serving stands, two stools, a chair, and an open log coffin. Three pieces are ornately carved and inlaid with religious symbols and complex geometric motifs. The wooden objects from Gordion are now recognized as the most important collection of well preserved wooden artifacts excavated from the Near East. Included in this volume are new photographs, reconstruction drawings, and eight scientific/technical appendices. Contributors include: Harry Alden, Burhan Aytuğ, Mary W. Ballard, Robert A. Blanchette, Roland Cunningham, Laure Dussubieux, Patrick E. McGovern, Benjamin Held, Walter Hopwood, Joseph Koles, Lynn E. Roller, Krysia Spirydowicz. "...this work goes well beyond a typical site-specific object catalogue and makes important contributions to a wide range of scholarly fields, both technical and conceptual, from textile and wood analysis to anthropological and religious studies." Elizabeth P. Baughan, University of Richmond “The book succeeds in its main aims of making available every scrap of information about the finds, and it illuminates form, techniques, and function in a most convincing and stimulating manner.” Catherine M. Draycott, Courtauld Institute of Art
This first complete published catalogue of one of the most important classical sculpture collections in the United States includes 154 works from Italy, Greece, Cyprus, Asia Minor, North Africa, Roman Syria and Palestine, Egypt, and Babylonia, ranging in date from the late seventh century B.C. to the fourth century A.D. Each piece receives a complete description with measurements and report of condition, a list of the previous published sources, and a commentary reflecting the most recent scholarship, along with extensive photographic documentation. Various audiences will appreciate the accessibility of the scholarship presented here—students may engage in further study on some of topics raised by individual pieces or groups of sculptures, and the scholarly community will welcome a work that provides an up-to-date and comprehensive examination of a significant classical sculpture collection in one of the world's great archaeology museums.