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Tang examines prejudices that he asserts John McCain has, and explains why itmatters.
Fragments from the paradoxistINSTRUCTION Notebooks of Captain Gook:The antiwar of our entire nation is defined as being the army-impeded forces, skirmishing shoulder to shoulder with the civilian population, with the purpose of defeating all non-aggressors, for securing our country¿s slavery and dependency. The defeat in this battle is assured through a moral inferiority of our population - the right cause of this antiwar -, the lack of heroism of our state¿s citizens, by applying an adequate blundering, using our geographical disadvantages, and the international public humiliation.*In our army, the disorganization of a platoon of tanks includes:-One and half officer.-Five and a quarter equipages of tanks.-The no-reconnaissance platoon.-One platoon countermand-er.-One group of countermand (9 military).-Four groups of ant reconnaissance, which are not identically dissociated.In total, there are 1.5 officers, 5 1⁄4 sub-officers, 10 caporals, and 0 soldiers.The armament does not comprise: 7 pistols (guns), 30 sub-machine-guns, 4 automatic rifles, 6 devises for antitank rocks. *The infantry platoon is a non-tactical subunit, which misconducts its fight actions within the infantry company, but it can react independently in assuring the insecurity and destruction of our marching or stationary troupes.*The unpatriotic guards are used in the echelon of 1 or 2 for the M. N. A. (Ministry of National Antidefense) troupes or at the I. M. E. (Interior Ministry of the Exterior). When their actions take place at the M. N. A. or I. M. E. they are unsubordinated to the commandants of the respective units.
Set in the quaint village of Gobble-De-Gook where the sun always shines and birds sing in the treetops, live many wonderful characters from the children's nursery rhymes. There is Jack and Jill, Alice from Wonderland and her friend the White Rabbit. Mary, Contrary and Little Bo Peep and her six fluffy white sheep, with many more friends you will come to know and love. A happy story with beautiful full coloured illustrations, innocent and refreshing, a book your children will want to hear and read for themselves again and again. For children everywhere - from 3 - 7 years old.
Could this happen to you? Gooks are known to be very playful. Suddenly, a Gook jumped out of my book to play with me. Then things got really wild as he pulled me in with some of his tricks. How to get that Gook back into the book ended up as a surprise by the Gook himself. A Read-to-me or Read-to-Myself Book.
Beginning in 1994, Brian Hartenstein dropped out of graduate school and accepted an English teaching position in the rural South Korean city of ChonJu, seeking adventure and meaning. Ten years later in 2004, after six years living and teaching abroad and experiencing every culture shock imaginable, Korea suddenly came to him in the form of his in laws surprisingly showing up on his doorstep with the birth of his first child and never leaving. Me Gook explores the dark and humorous side of multi culturalism, what it means to be an American from a foreign and expatriate perspective, and how our destinies trap and limit us but also set us free.
In the decades after World War II, tens of thousands of soldiers and civilian contractors across Asia and the Pacific found work through the U.S. military. Recently liberated from colonial rule, these workers were drawn to the opportunities the military offered and became active participants of the U.S. empire, most centrally during the U.S. war in Vietnam. Simeon Man uncovers the little-known histories of Filipinos, South Koreans, and Asian Americans who fought in Vietnam, revealing how U.S. empire was sustained through overlapping projects of colonialism and race making. Through their military deployments, Man argues, these soldiers took part in the making of a new Pacific world—a decolonizing Pacific—in which the imperatives of U.S. empire collided with insurgent calls for decolonization, producing often surprising political alliances, imperial tactics of suppression, and new visions of radical democracy.
The woes of financial burden and economic shenanigans are in full force in Wiley Miller’s e-book original The Non Sequitur Guide to Finance, a collection of cartoons featuring his adept views on crooked CEO’s, big and small business, and Wall Street. In this collection, Wiley shows it’s no fun finding out about mutual funds, Wall Street snow angels look like dollar signs, and we can discover most of what we need to know about economics on street corners. Non Sequitur is Wiley Miller's wry look at the absurdities of modern life. A hit with millions of fans, the strip is syndicated in more than 700 newspapers. Non Sequitur has won four National Cartoonists Society divisional awards, the most prestigious prize in cartooning. It is the only comic strip to win the coveted award in its first year of syndication and the only one to ever win in both the best comic strip and best comic panel categories.
The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.
This collection defines Koreatowns as spatial configurations that concentrate elements of “Korea” demographically, economically, politically, and culturally. The contributors provide exploratory accounts and critical evaluations of Koreatowns in different countries throughout the world. Ranging from familiar settings such as Los Angeles and New York City, to more unfamiliar locales such as Singapore, Beijing, Mexico, U.S.-Mexico borderlands, and the American Midwest, this collection not only examines the social characteristics and contours of these spaces, but also the types of discourses and symbols that they exude.
In this novel the author draws on his interest in the Jewish Faith and also his experience in the field of advertising. He introduces the reader to Bennie Traumann whose Jewish parents had escaped from persecution in Nazi Germany to find refuge in Chicago where his family had established a business manufacturing optical goods. The parents were both disturbed as a result of their traumatic experience leading his mother to experience a post natal depression and his father to ‘switch off’. Bennie is brought up by a Jewish carer and eventually he enrols in a school of art and then as a graphic designer with an advertising agency. The book continues, in Bennie’s own words, to describe his growth into maturity shaped by Jewish Faith.