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For the many children torn from their families, taken miles from home and placed with strangers, the evacuation at the outbreak of the Second World War was a life-changing experience. In Goodnight Children, Everywhere, men and women who were children at the time recall their poignant memories of being labelled, lined up and taken away. Their parents, urged by the government not to see the children off on the buses and trains, had no assurance that they would ever see their sons and daughters again. No lives were lost and no one was injured. Not so considered was the psychological wellbeing of these suddenly dislocated children. Some children were advantaged by the dramatic change in their lives; others, separated from all they knew and loved, suffered unendurable heartbreak. This is their story.
Goodnight Children Everywhere "Richard Nelson’s new play announces itself almost as if it were Chekhovian . . . the play, like all plays of discovery and purgation, has a translucency and a density that nag, hurt and heal."—London Sunday Times New England "Smart, sharp, acridly funny . . . in the sweetest of all ironies, it’s an American writer at the peak of his form who has given London’s RSC the major new play that has eluded them all year."—Variety Some Americans Abroad "A sequel to The Innocents Abroad, Mark Twain’s caustic view of pretentious Americans abroad: both works indict the well-educated American middle-class for its supine and superficial relationship to Old World culture."—New York Times Two Shakespearean Actors "Nelson’s provocative account of the deadly rivalry between two great 18th-century actors."—Variety Franny’s Way "Boundaries warp and melt in the dense urban heat that pervades Franny’s Way, Richard Nelson’s sensitively drawn portrait of love in the age of J.D. Salinger."—New York Times A prolific and varied writer, Richard Nelson is also the author of a screenplay, a television play, the books for musicals and plays for young audiences, as well as a string of radio plays and powerful adaptations from the classic European repertory of Beaumarchais, Brecht, Chekhov, Goldoni, Molière and Strindberg, all of which have influenced the development of his own craft. Among his many awards include the London Time Out Award, two OBIEs, two Giles Cooper awards and numerous grants and fellowships. He is an honorary associate of the Royal Shakespeare Company.
Set against the chaotic aftermath of World War II, this play intimately explores the emotional and sexual fragility of family relationships. In 1945, five years after being evacuated to Canada, 17-year-old Peter returns to London. His parents are now dead and his three sisters await his arrival.
For the many children torn from their families, taken miles from home and placed with strangers, the evacuation at the outbreak of the Second World War was a life-changing experience. In 'Goodnight Children, Everywhere', men and women who were children at the time recall their poignant memories of being labelled, lined up and taken away. Their parents, urged by the government not to see the children off on the buses and trains, had no assurance that they would ever see their sons and daughters again. No lives were lost and no one was injured. Not so considered was the psychological wellbeing of these suddenly dislocated children. Some children were advantaged by the dramatic change in their lives; others, separated from all they knew and loved, suffered unendurable heartbreak. This is their story.
Life after World War I was carefree and full of gaiety and cabaret, and for the upper and middle classes the emphasis was on pleasure. But all good things come to an end and by the 1930s life was once again very hard. There was now deep depression over England and most of Europe. By 1939, England was at war with Germany - it was to last six years. This book has been written for anyone who lived through the six years of World War II. It is written from the memory of a young London girl who was six when the war started. She recounts what happened before and during the war, what happened when the war ended, and the terrible consequences.