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Funny, sexy, and full of heart, this follow-up to Monroe's "Come Up and See Me Sometime" reunites two former lovers who both have secrets to hide. Original.
Sex goddess Mae West is responsible for some of the most quoted lines in film history: * Is that a gun in your pocket or are you just happy to see me? * When I'm good, I'm very good, but when I'm bad, I'm better. * It's not the men in my life that counts - it's the life in my men. She was a performer from childhood and debuted on Broadway in a play she wrote entitled "Sex" which was a success until it was raided for immorality and Mae was jailed for ten days. This book is packed with stars from George Raft to Cary Grant and W.C. Fields, with whom she made "My Little Chickadee", the most successful film of Fields' career. Charlotte Chandler recorded Mae West over a period of roughly a month towards the end of the star's life. She was still as vital and lively as ever, and this book will convey all of Mae West's legendary attitude.
“[The] Ukrainian American heroine of this sweet-bitter debut is a wisecracking fatalist who can be counted on to say the inappropriate thing, a tendency that becomes more pronounced as doomed crushes and family crises pile up on the road to adulthood.”—O: The Oprah Magazine When Oksana and her family move from the Ukraine to Florida to begin a new American life, her physicist father delivers pizza at night to make ends meet, her cranky mother sits at home all day worrying, and her flamboyant grandmother relishes the attention she gets from men. All Oksana wants is to be as far away from her family as possible, to have friends, and to be normal—and though she constantly tries to do the right thing, she keeps getting in trouble. As she grows up, she continues to misbehave, from somewhat accidentally maiming the school-bus bully, to stealing the much-coveted key to New York City’s Gramercy Park, to falling in love with a married man. After her grandmother moves back to Ukraine, Oksana longs for the motherland that looms large in her imagination but is a country she never really knew. When she visits her grandmother in Yalta and learns about her romantic past, Oksana comes to a new understanding of how to live without causing harm to the people she loves. But will Oksana ever quite learn to behave? Praise for Oksana, Behave! “Tragicomic and bittersweet . . . an immigrant's coming-of-age tale done with brio.”—Kirkus Reviews “What luck for readers that Oksana can’t behave! Little devil, infinite imbecile, poor futureless child—all the names her displaced, loving family give to her as she crashes and burns and wanders the wilderness of her inheritance, fit perfectly. As outrageous as she is, as funny and as awful as she can be, though, in Oksana, Maria Kuznetsova has also created a character of great passion and depth—of tragedy, even, too—the very sort that populate the stories of Chekhov and Tolstoy, the poems of Anna Akhmatova, and all the other Russian writers Oksana looks to for comfort and company and some sort of bearing in this absurd world. This novel is a stark, hilarious delight.”—Paul Harding, Pulitzer Prize–winning author of Tinkers
Everyone wants to think of themselves as good. But what does a good life look like? And how do people become good? Are there multiple, competing possibilities for what counts as a good life, all equally worthy? Or, is there a unified idea of the good that should guide our judgment of the possibilities? This book answers these questions.