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Grace believed she went from losing it all to having it all. In a desperate attempt to put her life back together, Grace, divorced and jobless, leaves Tucson to return to Chicago-a place she never planned to call home again. She also never planned to fall for Benjamin Hayward. Drawn into the fairytale existence of his power and wealth, Grace is unable to see what her family and friends see, and ignores the warning signs of Dr. Benjamin Hayward's dark side. Benjamin's secrets-the death of his mentally ill wife and the disappearance of his daughter-push Grace into an abyss deeper than the one that brought her home in the first place, and she risks losing even more. Pieces of Grace is a complicated story of relationships confused by undercurrents of mental illness. Readers find themselves hoping family and friends can carry Grace through her most difficult moments.
Published in 1957, German Expressionist Painting was the first comprehensive study of one of the most pivotal movements in the art of this century. When it was written, however, German Expressionism seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art. But as historians well know, each generation alters the concept of mainstream to encompass those aspects of the past which seem most relevant to the present. The impact of German Expressionism on the art and thought of later generations could never have been anticipated at the time of the original writing of this book. During the subsequent years an enormous body of scholarly research and an even larger number of popular books on German expressionist art has been printed. Numerous monographs and detailed studies on most of the artists exist now and countless exhibitions with accompanying catalogues have taken place. Much of this new research could have been incorporated in a revised edition and the bibliography certainly could have been greatly expanded to include the important writings which have been published in Germany, the United States and elsewhere since this book was originally issued. The author, however, was faced with the choice of reprinting the original text with only the most necessary alterations-such as updating the captions to indicate present locations of the paintings-or the preparation of a revised text and bibliography. Desirable as a revision appeared, present printing costs would have priced the paperback out of reach for students. It is for this reason that I decided to reissue the original text which stands on its own as a primary investigation of German Expressionist Painting.
The January number of v. 1- contains the annual reports of the officers of the board and the director.
John Doyle Lee (1812-1877) was one of the most controversial figures of early Mormon history. A fervent convert, he was adopted by Brigham Young and rose to become a leading member of the church's hierarchy. Lee left behind a number of colorful diaries that reveal in fascinating clarity and detail the everyday life of Utah's pioneer settlers. In them, he describes his close relationship with Brigham Young, his experiences in converting Native Americans to Mormonism, his trials with farming and livestock, his encounters with his 19 wives, and his eventual exile to the barren wastelands of Lee's Ferry. In the 1950s, five of Lee's diaries in the Huntington collections were meticulously edited and annotated by historians Robert Glass Cleland and Juanita Brooks and published in two volumes by the Huntington Library in 1955 to great acclaim as A Mormon Chronicle, The Diaries of John D. Lee, 1848-1876. The University of Utah Press kept the book in print until the 1990s; it has now been reprinted as a Huntington Library Classic with a new foreword by Andrew Rolle, a Huntington research fellow and retired Cleland Professor of History from Occidental College. In his foreword, Rolle discusses the collaboration between Cleland, a leading historian of the Southwest, and Brooks, a notable scholar of Mormon history.
This volume fills an important gap in the analysis of early modern history and culture by reintroducing scholars to the significance of the horse. A more complete understanding of the role of horses and horsemanship is absolutely crucial to our understanding of the early modern world. Each essay in the collection provides a snapshot of how horse culture and the broader culture - that tapestry of images, objects, structures, sounds, gestures, texts, and ideas - articulate. Without knowledge of how the horse figured in all these aspects, no version of political, material, or intellectual culture in the period can be entirely accurate.