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"It is Coney Island in February and old Max SIlverman, recovering from a coronary, is planning to reopen his long-closed beach bar-- with the entrapped assistance of his daughter Nancy, who has changed her name and her nose, deserted her husband and is searching for a new identity. Into their dreams and lives wanders Arthur Korman, a youngish, amiable sunrise-watcher who hates his job, but never seems able to make a decision to quit."--Publisher.
Everyone Knows Tootsie by Michael Hankins __________________________________
This musical captures on stage the story of America's greatest entertainer during his years as a star in the 1920s and his comeback in the 1940s. While Al Jolson recalls colorful moments from his life during an interview, two actors play all of the other characters, including some show business luminaries and his wives, Ruby Keeler among them. The vivid memories his mother, vaudeville, Broadway, feature films and five marriages together with unforgettable renditions of "Swanee," "You Made Me Love You," "Sonny Boy," "California Here I Come," "April Showers," "Mammy" and other Jolson standards made this sparkling bio musical a hit Off-Broadway and in London.
(Applause Books). Here, gathered for the first time, is the highly lauded work of one of America's most beloved playwrights. Introductory essays to each work by some of theatre's most distinguished artists give historical and critical perspective to Gardner's achievement. Includes: A THOUSAND CLOWNS * THE GOODBYE PEOPLE * THIEVES * I'M NOT RAPPAPORT * CONVERSATIONS WITH MY FATHER * WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME?.
The play opens in the arid summer of 1929 with an American farmer, Joe MacDonald and his family living in poverty on a run-down rented farm in the dustbowl. The ramshackle farm buildings are overshadowed by a large tree growing next to the house. The farm is owned by a local businessman, Cornelius Spenk, who has fingers in every pie. Spenk’s son is friendly with one of MacDonald’s sons, Billy. The MacDonalds also have a daughter, Becky, another small son nicknamed Peewee and an ornery grandmother living with them. There is a sandstorm in progress and during the storm we see MacDonald in his daily struggle as he carries in a heavy sack of grain. After he’s gone a black vagrant comes on and hides in the woodshed. The storm abates and the children come out to play a game of baseball. When the ball goes into the woodshed the vagrant is discovered and the alarm raised. Joe rushes out with a gun and with his wife, Mattie, he confronts the hobo who is asked what he was doing in the shed. He apparently refuses to speak until Mattie points out that he’s actually unable to speak because he hasn’t got a tongue. They find out that the hobo’s name is Abe, short for “Absalom, bringer of peace.” The kindly Mattie decides to take the vagrant in, against her husband’s better judgment and he slowly becomes a friend of the family, which is very much against the wishes of the racist farm owner, Cornelius Spenk The latter has a twin brother, Franklyn, who is the local doctor, treating grandmother, and has all the kindly qualities that Cornelius doesn’t have. In the first act we see all the pressures on the luckless Joe, the back-rent owed to Spenk, the problems of farming in the dustbowl, etc and when he is persuaded by his wife that their daughter is in need of a separate room constructing away from the boys, he brings in a load of timber but is caught in his preparations by Spenk who denies him permission to build. The tree next to the farm is a magnet for the mischievous Peewee who has his mind set on moving to a better life in the promised land of California. He is constantly climbing the tree to see if he can see that far. On once occasion he is rescued from falling by the hobo, Abe, but eventually he climbs the tree once too often and at the end of the first act we hear him fall to the earth with a thud. Billy rushes to town to tell his pa who, unknown to him, is being forced to pay off some of the back-rent he owes Spenk by working as a temporary hotel doorman. Act Two finds the injured Peewee being visited by the kindly doctor who wants to help but the family are without insurance cover and at the time there is no national health service so the boy’s healing is left in the hands of Mother Nature. The child is now paralyzed and on one of his unpaid visits the doctor suggests that the parents should try and think of something to encourage Peewee to get better. They scratch their heads for an answer until Joe comes up with an idea that sounds absurd to his wife – he decides to build a tree house. Much against his wife wishes the construction begins with Abe helping and the end result is a very simple platform with a ladder, which is shown to Peewee but is so plain that it doesn’t have the desired result. Joe becomes even more depressed until Abe points to a quote in his pocket bible “My father’s house has many rooms,” which is a message to Joe to extend the tree house. Joe decides to try Abe’s suggestion and between them they set off to build the biggest tree house anyone has ever seen. The improved version is eventually shown to Peewee and Joe is pleased to see that it gets some response from him but unfortunately word goes round the area and sightseers begin to come from far and wide. Gran is disturbed one day by the sightseers whilst trying to eat her meal and has to be physically restrained from shooting one of them. Then Cornelius Spenk picks up his son and says that he will be back later to speak to Joe about the construction. Joe thinks that he’s in for trouble but his situation with the injured Peewee has strengthened his resolve not to take the tree house down, even if and when Spenk tells him to. Much to his surprise Spenk does just the opposite, he likes it and has realized that he can make money from the sightseers so he offers Joe a business partnership with Joe to be the sitting caretaker. To persuade Joe, Spenk offers to try to get him into a secret local organization that he’s in. Joe knows this won’t go down well with Mattie and he stalls for time. While all this has been going on their daughter Becky is preparing for the annual Speaking Competition and is taken to town to do some research by Abe on the tractor. When she is late back and eventually turns up they learn that Becky has had trouble from some of the other girls and that there’s been a fight in which she has been helped by Abe. Cornelius Spenk then arrives and wants to take Abe back to town. Joe thinks it’s about the fight and tries to put it off till the next day until Spenk draws a pistol and takes Abe in by force. It transpires that an allegation has been made by one of the girls against Abe of a serious sexual assault behind the library and the vagrant is kept in custody while the Speaking Competition is being held. Joe calls to see Abe in the jail and on leaving is given a handwritten note by him. He then goes on with the family to the speaking competition and learns from Spenk that in the allegations against Abe he is supposed to have sweet-talked the girl into going behind the library with him and Joe realizes Abe has been set up. He points out to Spenk that Abe doesn’t have a tongue with which to sweet-talk anybody but Spenk dodges the issue and tells Joe to keep his mouth shut, that he’ll sort out the evidence and that the tree house is now a legally registered company on Wall Street. Joe then has a big moral dilemma because he really does need the money from the sightseers in order to get treatment for Peewee. Becky gives her talk and surprises the audience by outlining how badly black folks have been treated in American history. While she is delivering her speech we hear in the background the sound of a lynch mob and see someone dressed in the white robes of the KKK go to Abe’s cell and take him out. Billy rushes to the Competition to tell his pa but by then it is too late. Joe then has the difficult decision of what to do – he decides to face his demons and tells the audience everything that has happened and reads the note that Abe gave him, which describes how he lost his tongue. The last scene sees Joe rushing home to pack the truck for a new life in California and his last defiant act is to take an axe to the tree house. This is the same day that the infamous Wall Street Crash took place.
First Published in 1999. This is the first supplement to the initial SongCite publication and serves as an index to recently published collections of popular songs. 201 music books have been included, with over 6,500 different compositions listed. The vast majority of the collections is comprised entirely of vocal music, although, on occasion, instrumental works have been included.
In this funny and tender memoir, John Freely reflects on a remarkable life. Splitting his early childhood between the U.S. and Ireland inspired in Freely a lifelong desire to see the world and its inhabitants. At age six he settled in Brooklyn, where he spent a sometimes tumultuous boyhood amidst a large extended family: moving from house to house, the family’s belongings packed in an uncle’s hearse. Growing up poor, in his teens, Freely took whatever jobs he could when times got tough, always shaking off his losses and moving on, hungry for new experiences and adventures. He joined the U.S. Navy at seventeen to “see the world” and did just that. As a member of an elite commando unit, he was sent to one of the most remote places in Asia where he served alongside Chiang Kai-shek’s Chinese forces during the last weeks of World War II. A vivid recollection on a world that now exists only in memory, The House of Memory is a lasting tribute to a life well lived, and to all of the immigrant families who have struggled, endured, and enriched our country.
The weekly source of African American political and entertainment news.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.