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A best seller in Italy, Maurizio Ferraris's Goodbye, Kant! delivers a nontechnical, entertaining, and occasionally irreverent overview of Immanuel Kant's Critique of Pure Reason. He borrows his title from Wolfgang Becker's Goodbye Lenin!, the 2003 film about East Germany after the fall of the Berlin Wall, which depicts both relief at the passing of the Soviet era and affection for the ideals it embodied. Ferraris approaches Kant in similar spirits, demonstrating how the structure that Kant elaborates for the understanding of human knowledge can generate nostalgia for lost aspirations, while still leaving room for constructive criticism. Isolating key themes and concerns in the work, Ferraris evaluates Kant's claims relative to what science and philosophy have come to regard as the conditions for knowledge and experience in the intervening two centuries. He remains attentive to the historical context and ideals from which Kant's Critique emerged but also resolute in identifying what he sees as the limits and blind spots in the work. The result is an accessible account of a notoriously difficult book that will both provoke experts and introduce students to the work and to these important philosophical debates about the relations of experience to science.
Immanuel Kant, the most influential philosopher of the modern age, transformed our entire conception of philosophy. His radical reframing of philosophical questions placed the finitude of the human subject at the centre of philosophical enquiry and, at the same time, left reality in itself forever inaccessible. His impact was to restrict metaphysical pretensions and even to induce real despair. Famously the poet Heinrich von Kleist committed suicide in part due to the profound rupture induced by Kant's 'Copernican revolution'; and, more recently, the French philosopher Quentin Meillassoux has referred to it as 'the Kantian catastrophe'. This collection of lively and accessible interviews with fifteen top Kantian and post-Kantian philosophers offers a balanced and wide-ranging survey that takes us into the very heart of contemporary debates relating to our Kantian inheritance. It questions the ever-evolving legacy of this giant of modern thought, a legacy that exposes the Janus-faced character of philosophy as it finds itself both obsessed with establishing limits and, at the same time, inexorably drawn to transgress them. Contributions from: Lucy Allais, A.W. Moore, Stella Sandford, Stephen Mulhall, Joseph Schear, Beatrice Han-Pile,Tom Sparrow, Marie-Eve Morin, Bruno Bosteels, Adrian Johnston, Simon O'Sullivan, John Ó Maoilearca, Catherine Malabou, Graham Harman, Ray Brassier
Engages with one of the oldest philosophical problems—the relationship between thought and being—and offers a fresh perspective with which to approach the long history of this puzzle. In After Parmenides, Tom Rockmore takes us all the way back to the beginning of Western philosophy, when Parmenides asserted that thought and being are the same. This idea created a division between what the mind constructs as knowable entities and the idea that there is also a mind-independent real, which we can know or fail to know. Rockmore argues that we need to give up on the idea of knowing the real as it is, and instead focus on the objects of cognition that our mind constructs. Though we cannot know mind-independent objects as they “really” are, we can and do know objects as they appear to us. After Parmenides charts the continual engagement with these ideas of the real and the knowable throughout philosophical history from Plato and Aristotle to Descartes, Kant, Fichte, Hegel, Schopenhauer, Marx, and others. This ambitious book shows how new connections can be made in the history of philosophy when it is reread through a new lens.
The goal of the present book is nothing less than to correct what Alfredo Ferrarin calls the standard reading of Kant s. Ferrarin argues that this widespread form of interpretation has failed to do justice to Kant s philosophy primarily because it is rooted in several uncritical and unjustified assumptions. Two are particularly egregious: a compartmentalization of the First Critique, and an isolation of each Critique from the others. Ultimately these two assumptions cause one to lose sight of the fact that the cognitive/epistemological functions laid out in the Transcendental Aesthetic and Analytic are functions of an overarching pure reason of which the constitution of experience (and of a science of nature) is only one problem among others. This book, by contrast, argues that the main problem, which pervades the entire first critique, is the power that reason has to reach beyond itself and legislate over the world. Ferrarin pays close attention to both the Transcendental Dialectic and the Doctrine of Method where Kant lays out his conception of cosmic philosophy as embodied in the ideal philosopher."
The interest in what can be considered ‘posthumanism’ has surged over the past few years. There is no surprise as to why, given the urgency and immanence of a likely sixth mass extinction event, and the catastrophic consequences of global warming. These processes, all of which fundamentally rest on the foundations of human practices and abuses, are forcing us to rethink our place in existence. The foundations of this position have a history firmly rooted in the daily practices and beliefs of Western cultures. The Contemporary Posthuman confronts these assumptions of truth, head-on. The author follows his conceptual journey with practical steps for putting his philosophy into practice, by drawing on philosophy, design, art, and architecture. The Contemporary Posthuman was originally published in Italian by Einaudi, and was translated from the Italian by Dr Steven Umbrello.
This book describes the reception of the Nietzschean Death of God within the Italian philosophical debate, an ambit traditionally concerned with emphasising the practical-political meaning of philosophical thinking. Nietzsche's abyssal announcement of the Death of God - "mein Wort für Ideale" - highlights the necessity to rethink the connection between theory and praxis. This is particularly evident in the works of Italian thinkers such as Vattimo, Cacciari, Colli, Masini e Severino, who in large part have read Nietzsche's philosophy through the philosophical filter of Marxian culture, trying to show the emancipatory charge present in Nietzsche's work and the necessity to rethink the boundaries of the political, over the limits of political theology. Emilio Carlo Corriero demonstrates how the reception of Nietzsche's pronouncement, with its theoretical consequences, reveals the specific character of Italian philosophy, its eclectic attitude and its attention to the practical-political meaning of philosophical thought, but also its constant reflection on the concept of history and the origin of Being.
This companion provides original, scholarly, and cutting-edge essays that cover the whole range of Hegel’s mature thought and his lasting influence. A comprehensive guide to one of the most important modern philosophers Essays are written in an accessible manner and draw on the most up-to-date Hegel research Contributions are drawn from across the world and from a wide variety of philosophical approaches and traditions Examines Hegel’s influence on a range of thinkers, from Kierkegaard and Marx to Heidegger, Adorno and Derrida Begins with a chronology of Hegel’s life and work and is then split into sections covering topics such as Philosophy of Nature, Aesthetics, and Philosophy of Religion
How can we overcome the rapidly ageing postmodernist paradigm, which has become sterile orthodoxy in marketing? This book answers this crucial question using fresh philosophical tools developed by New Realism. It indicates the opportunities missed by marketing due to the pervasive postmodernist ideology and proposes a new and fruitful approach pivoting on the significance of reality to marketing analyses and models. Intensifying reference to reality will boost marketing research and practice, rather than impair them; conversely, neglecting such a reference will prevent marketing from realising its full potential, in several contexts. The aim of the book is foundational: its purpose is not a return to traditional realism but to break new ground and overcome theoretical obstacles in marketing and management by revising some of their assumptions and enriching their categories, thereby paving the way to fresh approaches and methodological innovations. In that sense, the book encourages theoretical innovation and experimentation and introduces new concepts, like invitation and attrition, which can find fruitful applications in marketing theory and practice. That is meant to be conductive to the solution of important difficulties and to the uncovering of new phenomena. The last chapter of the book applies the new approach to eight case studies from business contexts. This book will be of interest to philosophers interested in New Realism and to researchers, scholars and marketing professionals sensitive to the importance and fruitfulness of reference to reality, for their own purposes.
Introduction to New Realism provides an overview of the movement of contemporary thought named New Realism, by its creator and most celebrated practitioner, Maurizio Ferraris. Sharing significant concerns and features with Speculative Realism and Object Oriented Ontology, New Realism can be said to be one of the most prescient philosophical positions today. Its desire to overcome the postmodern antirealism of Kantian origin, and to reassert the importance of truth and objectivity in the name of a new Enlightenment, has had an enormous resonance both in Europe and in the US. Introduction to New Realism is the first volume dedicated to exposing this continental movement to an anglophone audience. Featuring a foreword by the eminent contemporary philosopher and leading exponent of Speculative Realism, Iain Hamilton Grant, the book begins by tracing the genesis of New Realism, and outlining its central theoretical tenets, before opening onto three distinct sections. The first, 'Negativity', is a critique of the postmodern idea that the world is constructed by our conceptual schemas, all the more so as we have entered the age of digitality and virtuality. The second thesis, 'positivity', proposes the fundamental ontological assertion of New Realism, namely that not only are there parts of reality that are independent of thought, but these parts are also able to act causally over thought and the human world. The third thesis, 'normativity,' applies New Realism to the sphere of the social world. Finally, an afterword written by two young scholars explains in more detail the relationship between New Realism and other forms of contemporary realism.