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From the New York Times bestselling author of Fifth Avenue, Five A.M. and Fosse comes the revelatory account of the making of a modern American masterpiece Chinatown is the Holy Grail of 1970s cinema. Its twist ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of the most colorful characters in the most colorful period of Hollywood history. Here is Jack Nicholson at the height of his powers, as compelling a movie star as there has ever been, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage death of his wife, returning to Los Angeles, the scene of the crime, where the seeds of his own self-destruction are quickly planted. Here is the fevered dealmaking of "The Kid" Robert Evans, the most consummate of producers. Here too is Robert Towne's fabled script, widely considered the greatest original screenplay ever written. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today. In telling that larger story, The Big Goodbye will take its place alongside classics like Easy Riders, Raging Bulls and The Devil's Candy as one of the great movie-world books ever written. Praise for Sam Wasson: "Wasson is a canny chronicler of old Hollywood and its outsize personalities...More than that, he understands that style matters, and, like his subjects, he has a flair for it." - The New Yorker "Sam Wasson is a fabulous social historian because he finds meaning in situations and stories that would otherwise be forgotten if he didn't sleuth them out, lovingly." - Hilton Als
An updated edition including new color photographs and a new afterword looking back at the journeyAlastair Humphreys' around-the-world journey of 46,000 miles was an old-fashioned adventure: long, lonely, low-budget, and spontaneous. Cycling across five continents and sailing over the oceans, his ride took four years to complete, on a tiny budget of hoarded student loans. Here is the story of the first remarkable stage of the expedition. Just two weeks into the ride the September 11th attacks changed everything. All Humphreys' plans went out the window and, instead of riding towards Australia, he suddenly found himself pedaling through the Middle East and Africa and on toward Cape Town. This book recounts an epic journey that succeeded through Humphreys' trust in the kindness of strangers, at a time where the interactions of our global community are more confused and troubled than ever.
"The Story of Paul Boyton: Voyages on All the Great Rivers of the World" by Paul Boyton chronicles the remarkable adventures of a daring explorer. Boyton's gripping memoir takes readers on thrilling journeys along the world's major rivers, offering a unique perspective on the diverse landscapes, cultures, and challenges encountered along the way. With vivid descriptions and an adventurous spirit, Boyton's storytelling transports readers to the heart of each river, capturing the excitement and dangers he faced. Whether navigating treacherous rapids or encountering exotic wildlife, Boyton's tales ignite the imagination and inspire a sense of wanderlust. "The Story of Paul Boyton" is a riveting memoir that celebrates the spirit of exploration and the beauty of our planet's great rivers.
Reproduction of the original: The Story of Paul Boyton by Paul Boyton
Moments after their wedding reception, Ray Hoover and his wife, Lucy, began a lifelong quest to see the world. To date, they have logged six million miles, taken two thousand trips to seven continents, and filled over four hundred passport pages with thousands of stamps and visas. In a fascinating travelogue, Ray chronicles their most profound exploits to some of the world’s most unusual destinations, often under unique circumstances, that taught them not just about the geography of a location, but also the spirit derived from it. Throughout his narrative, Ray details their travels to the City of Gold, the Middle East including a cruise on the Nile, some of the most conflicted places on Earth, India and Imperial China, Vietnam and Cambodia, Nepal, Egypt, East Berlin, Ireland and Greece, Africa, Australia, North America, Antarctica, and much more. Adventures to the World’s Hidden Corners chronicles the lifelong quest of an architect and his wife as they embarked on an odyssey to the world’s most intriguing and out-of-the-way places.
Public Issues, Private Tensions suggests the intellectual scope and esthetic parameters of this book: a critical exploration of the public issues and private tensions that seem central to American drama and theater since 1945. The critical point of departure for these seventeen essayists is the delicate moral balance between the civic function of the theater and its relationship to the spirit of the individual. Playwrights observed include Tennessee Williams, Arthur Miller, Edward Albee, Lillian Hellman, Sam Shepard, David Mamet, David Rabe, Lanford Wilson, Wallace Shawn, Megan Terry, Denise Hamilton, Maria Irene Fornes, Arthur Kopit, Emily Mann, Israel Horovitz, Charles Fuller, and others. Some of the contributors address questions of performance theory, audience reception, semiotics and theater, and feminist ideology.