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Fictional memoirs of a young curate in the Welsh valleys towards the end of the Second World War. Sequel to H̀ow green was my curate' storyline, and, C̀urate for all seasons'.
10 poems. 10 sonnets. 10 haikus. 10 letters. 10 scenes. 10 objects. 10 definitions. 10 directions. 10 entries. 10 recipes. The Goodbye Song is a powerful volume that "tightens your throat." Author, Karl Kristian Flores, masterfully guides readers across a stunning collection of thought. This book is like an important adventure that carries you everywhere. In today's world, penetrating one's heart may not work with an axe, a shout, or a lecture, but rather a haiku, a recipe, and a dialogue. Flores gazes on the complexities of our time here on earth. Its unique form targets the depths of soul-shattering topics including but not limited to: humiliation, morality, friendship, intuition, manual labor, and loneliness. Flores' writing is accompanied by illustrator Maya Concepción, whose imagination leaves a precise and poignant mark in each reader. From urgent fictional letters written a hundred years ago to short stories about humanity's future, The Goodbye Song is brave, direct, and beautiful. Excerpts: "People are born on this planet with no choice at all And have to spend most of their life working to pay it off." "I think life is one big fluctuation between horniness and a sincere quest for meaning. We just call one the other." "Seems like a long time, but what are nine years except for breakfast, lunch, dinner, and thinking about the past?" "We meant to each other the way trophies do: on the day of."
This is an omnibus edition of the first three books in Fred Secombe's entertaining and nostalgic series. It comprises How Green Was My Curate, A Curate for All Seasons and Goodbye Curate.
Ira is surprised to discover that his best friend Reggie feels happy about having to move to a new town.
Frank Wentworth is the Perpetual Curate; the daughters of the Wodehouse family are his special friends; and his church clerk, Mr. Elsworthy, runs the local shop. And each family, it appears, has its “skeleton in the cupboard.” Mr. Wentworth is familiar to readers of the Chronicles of Carlingford: he is among the first characters introduced in the series, and has been a constant presence as a prominent member of society in the small town. But there is a new Rector in Carlingford, and this circumstance brings with it the first cloud in the otherwise clear skies of Mr. Wentworth’s station in life. To be sure, a “perpetual curate”—an Anglican clergyman serving a church without any accompanying parish—does not enjoy a lofty position. But his mission to the working-class poor near his church brings him satisfaction, fulfillment, and a more intimate relationship with the younger Miss Wodehouse, who joins in the work. All this is threatened by the new Rector, who is adamant that only a mission authorized by him should be carried out in his parish. That is only the beginning of the Perpetual Curate’s troubles, however. Those “skeletons” in the three families prove to be very much active, and involve Frank in affairs that not only disturb his working life, but threaten to bring it to an end altogether. Once again Margaret Oliphant brings her particular skills to bear on some of the female characters in the novel. The elder Miss Wodehouse, each of Frank’s maiden aunts, and especially Mrs. Morgan, the newly married and middle-aged wife of the new Rector, are deftly portrayed. Oliphant also weaves in some salient features of Victorian church life, from low church Anglican evangelicalism, to high church Anglo-Catholicism, to the lure of conversion to Rome itself—each without the degree prejudice and caricature that sometimes emerges even in the work of Anthony Trollope, whose work bears comparison with Oliphant’s. The high drama of this carefully plotted novel attests to Oliphant’s affection for her creation of Frank Wentworth: “I mean to bestow the very greatest care upon him,” she wrote to her publisher. As a result, The Perpetual Curate remains one of Oliphant’s most popular works. This book is part of the Standard Ebooks project, which produces free public domain ebooks.