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Reprint of the original, first published in 1863.
Previously published as a special issue of Globalizations, this collection of essays addresses what is arguably the most pressing and urgent issue of our day - the continuing development of global environmental crises and the need for new and urgent responses to them by the world community. The contributors include social scientists, environmental historians, anthropologists, and science policy researchers, and together they give an overview of the history of the globalization of environmental crisis over the past several decades, both in terms of the science of measurement and the types of policy and public responses that have emerged to date. The specific issue areas addressed in the book cover a wide range of topics, including international environmental governance, North-South inequalities, climate change, global warming, tropical forests, air pollution, economic and paradigm shifts, sustainability, indigenous peoples and eco-conservation, EU environmental policy, the United States and politicized climate science, and more. The Globalization of Environmental Crisis will be of particular interest to all those concerned with the on-going debate over the state of the global environment and what to do about it.
“The Contrast“, which premiered at New York City's John Street Theater in 1787, was the first American play performed in public by a professional theater company. The play, written by New England-born, Harvard-educated, Royall Tyler was timely, funny, and extremely popular. When the play appeared in print in 1790, George Washington himself appeared at the head of its list of hundreds of subscribers. Reprinted here with annotated footnotes by historian Cynthia A. Kierner, Tyler’s play explores the debate over manners, morals, and cultural authority in the decades following American Revolution. Did the American colonists' rejection of monarchy in 1776 mean they should abolish all European social traditions and hierarchies? What sorts of etiquette, amusements, and fashions were appropriate and beneficial? Most important, to be a nation, did Americans need to distinguish themselves from Europeans—and, if so, how? Tyler was not the only American pondering these questions, and Kierner situates the play in its broader historical and cultural contexts. An extensive introduction provides readers with a background on life and politics in the United States in 1787, when Americans were in the midst of nation-building. The book also features a section with selections from contemporary letters, essays, novels, conduct books, and public documents, which debate issues of the era.
First published in 1972, the second edition of this highly respected classic of Trollope criticism will be welcomed by Trollope scholars everywhere. David Skilton examines the literary background against which Trollope wrote, and drawing on the vast evidence of mid-Victorian periodical criticism, he shows how this criticism controlled the novelist's creativity. He then goes on to examine Trollope's particular type of realism in the context of the theories of literary imagination current in the 1860s. 'A book I admire. It has been of great value to me.' - J. Hillis Miller 'The first and still the best study of Trollope's relationships, connections and interactions with the literary world of his own time. Skilton's is the necessary introduction to any serious investigation of Trollope's fiction.' - John Sutherland
On American democracy
Every story starts with a character who is motivated by a need and has a goal that can resolve it. Whether their objective is to find a life partner, bring a killer to justice, overthrow a cruel regime, or something else, conflict transforms a story premise into something fresh. Physical obstacles, adversaries, moral dilemmas, deep-seated doubts and personal struggles…these not only block a character’s external progress, they become a gateway for internal growth. The right conflict will build tension and high stakes, challenge characters as they traverse their arcs, and most importantly, keep readers emotionally invested from beginning to end. Inside Volume 1 of The Conflict Thesaurus, you’ll find: * A myriad of conflict options in the form of relationship friction, failures and mistakes, moral dilemmas and temptations, pressure and ticking clocks, and no-win scenarios * An analysis of each scenario that maps out possible complications and catastrophes, internal struggles, and the stressful impacts on a character’s basic human needs * Guidance on using conflict to influence your protagonist's character arc through opportunities for failure and success * Master class instruction on internal conflict: what it is, why it's important, and how to incorporate it at the scene and story levels * Information about the role conflict plays in generating high stakes that are personally significant to the character, upping the tension for readers * A breakdown of the various adversaries your character might encounter along the way Don't give your character a break. Keep the hits coming with a variety of obstacles that will force them to work harder to get what they want. With over 100 entries arranged in a user-friendly format, The Conflict Thesaurus is the guide you need to write intense and satisfying fiction readers won’t forget.