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Who is the ‘Good Indian Girl’? What does she look like? How does she dress? Is she real — or is she a myth? In this funny, wicked, touching, irreverent, poignant collection of stories, Annie Zaidi and Smriti Ravindra lift the veil (or sari pallu) on the lives and loves of girls who have been born or raised in the subcontinent. The niceties have to be observed, but the urge to subvert is often overwhelming. As they shimmy down drainpipes at midnight, or steal covert glances at the boys across the street, the real life incidents from which these stories are drawn will ring a bell with any woman who has negotiated the minefield of family love and romantic longing and desire that lies between childhood and womanhood. Fiction—but based on fact. Searingly funny—with a serious edge. Exploding stereotypes—and creating a few new ones. This is the Good Indian Girl as she has never been seen before—fiesty, imaginative, a little crazy, smart, vulnerable. Prepare to be surprised. Published by Zubaan.
In twelve startling and vividly imagined stories, Ranbir Singh Sidhu overturns the lives of ordinary Indians living in America to bring us a bold debut collection, Good Indian Girls. A woman attends a de-cluttering class in search of love. A low-level, drunkard diplomat finds himself mysteriously transferred to the Consulate in San Francisco, where everyone believes he is a great, lost poet. An anthropological expedition searching for early human fossils goes disastrously wrong and the leader turns to searching for the very first sounds made by humans. The wife of a retiring Consul pays tribute to her pet python by preparing to serve him to her dinner guests. A strange skull discovered outside an orphanage results in the creation of a cult around one of the charismatic young residents. Unsettling, moving, insightful, humorous — these beautifully written stories travel between despair and redemption as they illuminate the lives of often deeply flawed characters, and mark the emergence of a major new voice in American fiction.
On a summer night in 2014, Padma and Lalli went missing from Katra Sadatganj, an eye-blink of a village in western Uttar Pradesh. Hours later they were found hanging in the orchard behind their home. Who they were, and what had happened to them, was already less important than what their disappearance meant to the people left behind. Slipping deftly behind political maneuvering, caste systems and codes of honor in a village in northern India, The Good Girls returns to the scene of their short lives and shameful deaths, and dares to ask: What is the human cost of shame?
Chetan Bhagaot is author of one blockbuster book, "One Indian Girl." The New York times did not call him anything yet, USA detains him in airport every time he visits USA, Bhagaot got fired from an "Investment Bank" and trying to make a living out of writing books, Chetan Bhagaot is currently double timing his two Half Girlfriends Panusha and Ranusha. Please buy his book to support him maintaining his two half girlfriends. Here is one paragraph excerpt from the book "One Indian Girl." Sonja is a divorced and attractive Indian girl. She is working as a software engineer in an investment bank, USA. She has money ($$$$), she can afford sex outside marriage. She also has opinion on everything. She is dating various marriage prospects, will she get her dream guy?
In twelve startling and vividly imagined stories, Ranbir Singh Sidhu overturns the lives of ordinary Indians living in America to bring us a bold debut collection, Good Indian Girls. A woman attends a de-cluttering class in search of love. A low-level, drunkard diplomat finds himself mysteriously transferred to the Consulate in San Francisco, where everyone believes he is a great, lost poet. An anthropological expedition searching for early human fossils goes disastrously wrong and the leader turns to searching for the very first sounds made by humans. The wife of a retiring Consul pays tribute to her pet python by preparing to serve him to her dinner guests. A strange skull discovered outside an orphanage results in the creation of a cult around one of the charismatic young residents. Unsettling, moving, insightful, humorous — these beautifully written stories travel between despair and redemption as they illuminate the lives of often deeply flawed characters, and mark the emergence of a major new voice in American fiction.
A good girl wouldn't sleep with an older man; a good girl shouldn't sleep with a married man... a good Indian girl couldn't possibly sleep with anybody before he's put a ring on her finger - right? I don't think so.For Leni, it's finally time to take the plunge, to shatter the rules that have dictated and confined her desires for so long and kept her from experiencing a taste of what she craves, so desperately - a taste of submission. Written from the genuine perspective of an inexperienced Submissive, Leni's first Taste of Submission will carry you blissfully through the angst, thrills, and sentiments of that oh so delicious first encounter.
Susham Dillon has a talent of making a fool of herself, and she is forever crumbling people's social expectations of what it is to be a good Indian girl. Stumbling from one faux pas to the next, she talks of her adolescence, observing the differences that set her apart.
Empowerment of North American Indian Girls is an examination of coming-of-age-ceremonies for American Indian girls past and present, featuring an in-depth look at Native ideas about human development and puberty. Many North American Indian cultures regard the transition from childhood to adulthood as a pivotal and potentially vulnerable phase of life and have accordingly devised coming-of-age rituals to affirm traditional values and community support for its members. Such rituals are a positive and enabling social force in many modern Native communities whose younger generations are wrestling with substance abuse, mental health problems, suicide, and school dropout. Developmental psychologist Carol A. Markstrom reviews indigenous, historical, and anthropological literatures and conveys the results of her fieldwork to provide descriptive accounts of North American Indian coming-of-age rituals. She gives special attention to the female puberty rituals in four communities: Apache, Navajo, Lakota, and Ojibwa. Of particular interest is the distinctive Apache Sunrise Dance, which is described and analyzed in detail. Also included are American Indian feminist interpretations of menstruation and menstrual taboos, the feminine in cosmology, and the significance of puberty customs and rites for the development of young women.