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Fresh Dialogue 6: Friendly Fire inaugurates a bold new direction for this popular series of roundtable discussions by emerging designers. The new design is leaner and meanermore like a manifesto than a catalogand ready to inspire. The 62 is a Brooklyn-based design and art collective that works with designers, artists, and social and not-for-profit organizations on projects that involve a vision of sustainable culture within a contemporary urban environment. Crye Associates design, engineer, and fabricate everything from light switches and handheld PCs to handgun components and GP racing motorcycles. As lead contractors on the U.S. military's Project Scorpion they are reinventing everything worn or carried by asoldier. In Fresh Dialogue 6, The 62 and Crye Associates discuss their similarities and differences with special emphasis on the large gray area in between.
**WINNER, Sperber Prize 2018, for the best biography of a journalist** The first and definitive biography of an audacious adventurer—the most famous journalist of his time—who more than anyone invented contemporary journalism. Tom Brokaw says: "Lowell Thomas so deserves this lively account of his legendary life. He was a man for all seasons." “Mitchell Stephens’s The Voice of America is a first-rate and much-needed biography of the great Lowell Thomas. Nobody can properly understand broadcast journalism without reading Stephens’s riveting account of this larger-than-life globetrotting radio legend.” —Douglas Brinkley, Professor of History at Rice University and author of Cronkite Few Americans today recognize his name, but Lowell Thomas was as well known in his time as any American journalist ever has been. Raised in a Colorado gold-rush town, Thomas covered crimes and scandals for local then Chicago newspapers. He began lecturing on Alaska, after spending eight days in Alaska. Then he assigned himself to report on World War I and returned with an exclusive: the story of “Lawrence of Arabia.” In 1930, Lowell Thomas began delivering America’s initial radio newscast. His was the trusted voice that kept Americans abreast of world events in turbulent decades – his face familiar, too, as the narrator of the most popular newsreels. His contemporaries were also dazzled by his life. In a prime-time special after Thomas died in 1981, Walter Cronkite said that Thomas had “crammed a couple of centuries worth of living” into his eighty-nine years. Thomas delighted in entering “forbidden” countries—Tibet, for example, where he met the teenaged Dalai Lama. The Explorers Club has named its building, its awards, and its annual dinner after him. Journalists in the last decades of the twentieth century—including Cronkite and Tom Brokaw—acknowledged a profound debt to Thomas. Though they may not know it, journalists today too are following a path he blazed. In The Voice of America, Mitchell Stephens offers a hugely entertaining, sometimes critical portrait of this larger than life figure.
Some people will do anything for power—and Jimmy will do anything to stop them Jimmy is ready to tell the world the truth—about the government, his role in the bombing, and his own genetic alteration. But it may be too much knowledge for people to handle. Still, his country is under attack, his body is poisoned, and time is running out. Jimmy needs to fight back with all the assassin skills he has without becoming the killer he was trained to be. With the clock ticking, he discovers that some people will do anything for power. And to stop them, he will have to use some power of his own—even if it turns him into a killer once and for all.
The biggest crime story in American history began on the night of March 1, 1932, when the twenty-month-old son of Charles and Anne Lindbergh was snatched from his crib in Hopewell, New Jersey. The news shocked a nation enthralled with the aviator, the first person to fly solo nonstop across the Atlantic. American law enforcement marshalled all its resources to return “Little Lindy” to the arms of his parents—and perhaps even more energized were the legions of journalists catering to a public whose appetite for Lindbergh news was insatiable. In Little Lindy Is Kidnapped, Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction and its aftermath. Beginning with Lindbergh’s ascent to fame and proceeding through the trial and execution of the accused kidnapper, Doherty traces how newspapers, radio, and newsreels reported on what was dubbed the “crime of the century.” He casts the affair as a transformative moment for American journalism, analyzing how the case presented new challenges and opportunities for each branch of the media in the days before the rise of television. Coverage of the Lindbergh story, Doherty reveals, set the template for the way the media would treat breaking news ever after. An engrossing account of an endlessly fascinating case, Little Lindy Is Kidnapped sheds new light on an enduring quality of journalism ever since: the media’s eye on a crucial part of the story—itself.
The story of an alcoholic Jesuit priest, Father Jim Collins, who, after a string of unsuccessful attempts at a cure, finally joins AA, is cured, and helps others find cures.