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Told in narrative form, this book chronicles the experience of the author, who is also a social worker, when she becomes a foster parent in hopes of providing abused children with the care and nurturing an overburdened social worker cannot supply. The author records the children's arrival, adjustment, acting out of abuse and abandonment issues, and their eventual painful departure. Mansfield painfully records the unsupportive network upon which her family and the foster children must depend for communication with the social service system. The book affords a personal look at the lives of three abused children, the effects of child abuse on their personality development, and the dismal failure of the foster care system to meet their emotional or physical needs.
(Fake Book). This 4th edition is the ultimate collection of 600 pop/rock hits in one amazing book in arrangements appropriate for all C instruments! Includes: Adia * Against All Odds (Take a Look at Me Now) * Ain't No Mountain High Enough * All Shook Up * Amazed * Angel * Another One Bites the Dust * At the Hop * Breathe * California Girls * Can You Feel the Love Tonight * Can't Help Falling in Love * Come Sail Away * December 1963 (Oh What a Night) * Don't Cry Out Loud * Don't Know Much * Dust in the Wind * Earth Angel * Every Breath You Take * Fast Car * Great Balls of Fire * A Groovy Kind of Love * Hero * Hey Jude * How Sweet It Is (To Be Loved by You) * Imagine * Iris * Layla * The Loco-Motion * Love Will Keep Us Together * Maggie May * Me and Bobby McGee * Memory * Mission: Impossible Theme * My Heart Will Go On * Oh, Pretty Woman * On Broadway * The Power of Love * Raindrops Keep Fallin' on My Head * The River of Dreams * Save the Best for Last * Sea of Love * The Shoop Shoop Song (It's in His Kiss) * Something * Spinning Wheel * Stand by Me * Stayin' Alive * Surfin' U.S.A. * Tears in Heaven * True Colors * The Twist * The Way We Were * We've Only Just Begun * What a Wonderful World * What's Going On * When I Fall in Love * Wild Thing * Wooly Bully * Yesterday * You've Got a Friend * You've Lost That Lovin' Feelin' * and many hundreds more!
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Provides lists of hit songs by date with information on the artist, songwriter, producer, label, and offering interviews with popular artists.
One night after midnight social workers brought a baby girl to the author's home, and her life as a foster mother began. A social worker herself, Gerstenzang discovered that raising Cecilia, deespite all the personal joys, would be a complex and frustrating process of "co-parenting" with the foster care system in New York City. Foster parents are in great demand, but they are not necessarily treated well. We follow the author through the home visits, the Early Intervention evaluation, the WIC program that (with much bureaucratic hassle) provides free formula and cereal, and the mandatory parenting training sessions. She comments, "When Michael and I became foster parents, we learned how stigmatizing, demoralizing, and just plain inconvenient and time-consuming being part of the 'unentitled' population can be. With the exception of Early Intervention, we often felt that the programs were more concerned with regulating our behavior than with providing services." Regular meetings with the birth family were also part of the process. Not only were they awkward for all concerned, but each visit involved a commute of several hours. One social worker admitted that she preferred a foster parent who didn't work because that person could more easily comply with the time-consuming regulations. Sarah and her husband Michael also agonize over complying with special regulations about hiring babysitters or traveling ("anytime we left New York State we needed to ask the agency's permission, which in turn had to get the signed consent from the birth mother"). Central to Another Mother is the issue of transracial placement. Sarah remembers, "That first day the contrast between my pale skin and Cecilia's brown skin seemed glaring. Not only did I feel that I had someone else's child, I felt that I had a child from another culture. Would I owe someone an explanation?" (Gerstenzang is recalling the 1972 opposition of the National Association of Black Social Workers.) Her account is full of anecdotes and reflections about race: acceptance and prejudice from others; the feelings of her two children about having a sibling of a different race; and culture keeping, beginning with skin and hair care.