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In an era of rising nationalism and geopolitical instability, Megan Fernandes’s Good Boys offers a complex portrait of messy feminist rage, negotiations with race and travel, and existential dread in the Anthropocene. The collection follows a restless, nervy, cosmically abandoned speaker failing at the aspirational markers of adulthood as she flips from city to city, from enchantment to disgust, always reemerging—just barely—on the trains and bridges and bar stools of New York City. A child of the Indian Ocean diaspora, Fernandes enacts the humor and devastation of what it means to exist as a body of contradictions. Her interpretations are muddied. Her feminism is accusatory, messy. Her homelands are theoretical and rootless. The poet converses with goats and throws a fit at a tarot reading; she loves the intimacy of strangers during turbulent plane rides and has dark fantasies about the “hydrogen fruit” of nuclear fallout. Ultimately, these poems possess an affection for the doomed: false beloveds, the hounded earth, civilizations intent on their own ruin. Fernandes skillfully interrogates where to put our fury and, more importantly, where to direct our mercy.
The instant New York Times bestseller featured on NPR's Weekend Edition with Scott Simon! B. J. Novak (bestselling author of The Book With No Pictures) described this groundbreaking poetry collection as "Smart and sweet, wild and wicked, brilliantly funny--it's everything a book for kids should be." Lauded by critics as a worthy heir to such greats as Silverstein, Seuss, Nash and Lear, Harris's hilarious debut molds wit and wordplay, nonsense and oxymoron, and visual and verbal sleight-of-hand in masterful ways that make you look at the world in a whole new wonderfully upside-down way. With enthusiastic endorsements from bestselling luminaries such as Lemony Snicket, Judith Viorst, Andrea Beaty, and many others, this entirely unique collection offers a surprise around every corner. Adding to the fun: Lane Smith, bestselling creator of beloved hits like It's a Book and The Stinky Cheese Man and Other Fairly Stupid Tales, has spectacularly illustrated this extraordinary collection with nearly one hundred pieces of appropriately absurd art. It's a mischievous match made in heaven! "Ridiculous, nonsensical, peculiar, outrageous, possibly deranged--and utterly, totally, absolutely delicious. Read it! Immediately!" --Judith Viorst, bestselling author of Alexander and the Terrible, Horrible, No Good, Very Bad Day
“Glowing with warmth, vulnerability, and a heavy heart, Arsenia’s intimate reflections depict the past and present wrestling within the individual as he endeavors to chart his own course in the world.”—Atwood Magazine Both a journey of individual healing and a call for action, these poems show that, with a little love and acceptance, anyone can flourish. From one of Kansas City’s most exciting singers Calvin Arsenia, comes a debut book of poetry and prose Every Good Boy Does Fine. Named for the classic mnemonic used to teach the lines of the treble clef (EGBDF), his collection speaks to his passion as a musician and also his deep and tumultuous history in the Evangelical community. Arsenia includes elements of queer poetry, writings on racial awakening, Christian de-conversion, and sexual awakenings in a homophobic community with the hopes that, when finished reading, readers will feel ready to start their own journey of self-expression through music and performance. A profoundly thoughtful and enlightening work, Arsenia uses his lyrical talent to show that there is always somewhere to go no matter where you are coming from.
Reading any great poem for the first time is always a thrilling discovery, even if it's only four lines long, and this collection brings together some of the best ever to read, memorize, or recite. Boys of all ages will enjoy reading poems catered specifically to them, whether it means discovering great heroes and dangerous animals, or simply laughing at pure nonsense and hilarious rhymes. The book is divided into seven sections: Animals, Fun to Read Aloud, Battlefields and Heroes, Things to Think About, Limericks, Tongue Twisters, Just for Laughs. 100 BEST POEMS FOR BOYS is a perfect introduction for those encountering poetry for the first time, but readers who grew up with poems will also cherish this treasury of classics.
An anthology of stories, poems, and essays by adolescent boys on issues that concern them, including identity, girls, death, anger, appearance, and family.
David Lehman, a poet of wit, ingenuity, and formidable skill, draws upon his heritage as a grandson of Holocaust victims and offers a stirring autobiographical collection of poems that is his most ambitious work to date. Yeshiva Boys covers an expansive range of subjects -- from love, sex, and romance to repentance, humility, the meaning of democracy, Existentialism, modern European history, military intelligence, and the rituals associated with faith and prayer. The title poem is a work in twelve parts that blends the elements of espionage fiction, memory, history, and moral philosophy. It reflects David's experience as a student in an orthodox Yeshiva, and it, along with many other poems in the book, explores what it means to be a Jew in America, what is gained and lost in assimilating to secular culture, how to understand the peculiar destiny of the Jewish people, and how to reconcile the existence of God with the knowledge of evil. Beautiful, provocative, and accessible, this is David Lehman's most inspired collection.
This is an utterly original and completely beguiling prose novel about a boy who has to write a poem, and then another, and then even more. Soon the little boy is writing about all sorts of things he has not really come to terms with, and astounding things start to happen.
From Tanzania to Portugal, from India to Iraq, this volume charts the twenty-first century imaginative echo of empire and displacement in our current moment of terror and globalization. These poems articulate a complex portrait of female sexuality and personhood. They excavate the legacy of empire with philosophical rigor, but also dwell in humiliation and wonder, accusation and regret, while trying to envision what indeed remains "after" the era of Kingdoms and Kinghood.