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The story of the tempestuous romance between Rhett Butler and Scarlet O'Hara is set amid the drama of the Civil War.
“Exquisitely imagined, deeply researched . . . brings to the foreground the most enigmatic and fascinating figure in Gone with the Wind. This is a brave work of literary empathy by a writer at the height of his powers, who demonstrates a magisterial understanding of the period, its clashing cultures, and its heartbreaking crises. ” —Geraldine Brooks, author of March The only authorized prequel to Margaret Mitchell’s Gone with the Wind—the unforgettable story of Mammy. On a Caribbean island consumed by the flames of revolution, an infant girl falls under the care of two French émigrés, Henri and Solange Fournier, who take the beautiful child they call Ruth to the bustling American city of Savannah. What follows is the sweeping tale of Ruth’s life as shaped first by her strong-willed mistress, and then by Solange’s daughter Ellen and Gerald O’Hara, the rough Irishman Ellen chooses to marry; the Butler family of Charleston and their unexpected connection to Mammy Ruth; and finally Scarlett O’Hara—the irrepressible Southern belle Mammy raises from birth. As we witness the lives of three generations of women, gifted storyteller Donald McCaig reveals a nuanced portrait of Mammy, at once a proud woman and a captive, a strict disciplinarian who has never experienced freedom herself. Through it all, Mammy endures, a rock in the river of time. Set against the backdrop of the South from the 1820s until the dawn of the Civil War, here is a remarkable story of fortitude, heartbreak, and indomitable will—and a tale that will forever illuminate your reading of Margaret Mitchell’s Gone with the Wind.
This is the definitive collection of data about all aspects of this film. The ten sections focus on characters in the novel, the players and their own histories, costuming (every major garment worn), major set furnishings, the filming schedule, etc. Also: bibliographies, discographies, filmographies of the actors and actresses, and collectibles. An appendix lists available still photographs.
Haskell keeps both novel and movie at hand, moving from one to the other, comparing and distinguishing what Margaret Mitchell expresses from what obsessive producer David O. Selznick, directors George Cukor and Victor Fleming, screenplaywrights Sidney Howard and a host of fixers (including Ben Hecht and Scott Fitzgerald), and actors Vivien Leigh, Clark Gable, Hattie McDaniel, and others convey. She emphasizes the contributions of Selznick, Leigh, and in an entire chapter, Mitchell, drawing heavily and analytically on existing biographies, the literature of women and the Civil War, Civil War films (especially Birth of a Nation and Jezebel), and film criticism to such engaging effect as to not just revisit GWTW but to revive and intensify the enduring fascination of what Selznick dubbed the American Bible. --Olson, Ray Copyright 2009 Booklist.
Companion publication to the Harry Ransom Center's exhibition, September 9, 2014-January 4, 2015, marking the seventy-fifth anniversary of the film's release.
From the author of The Strange and Beautiful Sorrows of Ava Lavender comes a haunting maelstrom of magic and murder in the lush, moody Pacific Northwest. When Rona Blackburn landed on Anathema Island more than a century ago, her otherworldly skills might have benefited friendlier neighbors. Guilt and fear instead led the island’s original eight settlers to burn “the witch” out of her home. So Rona cursed them. Fast-forward one hundred–some years: All Nor Blackburn wants is to live an unremarkable teenage life. She has reason to hope: First, her supernatural powers, if they can be called that, are unexceptional. Second, her love life is nonexistent, which means she might escape the other perverse side effect of the matriarch’s backfiring curse, too. But then a mysterious book comes out, promising to cast any spell for the right price. Nor senses a storm coming and is pretty sure she’ll be smack in the eye of it. In her second novel, Leslye Walton spins a dark, mesmerizing tale of a girl stumbling along the path toward self-acceptance and first love, even as the Price Guide’s malevolent author — Nor’s own mother — looms and threatens to strangle any hope for happiness.
A 2021 Foreword INDIES Award Winner in Romance and Finalist in Fantasy A 2022 Benjamin Franklin Award Runner-Up in Best New Voice: Fiction “The heat and romance of the desert, the push and the pull of Emel’s desperation, and the magic and humanity of a caustic jinni make Daughter of the Salt King an irresistible ride.” —Amy Harmon, New York Times bestselling author “This riveting debut novel will leave readers eagerly awaiting Thornton’s future works.” —Booklist A girl of the desert and a jinni born long ago by the sea, both enslaved to the Salt King—but with this capricious magic, only one can be set free. As a daughter of the Salt King, Emel ought to be among the most powerful women in the desert. Instead, she and her sisters have less freedom than even her father's slaves . . . for the Salt King uses his own daughters to seduce visiting noblemen into becoming powerful allies by marriage. Escape from her father’s court seems impossible, and Emel dreams of a life where she can choose her fate. When members of a secret rebellion attack, Emel stumbles upon an alluring escape route: her father’s best-kept secret—a wish-granting jinni, Saalim. But in the land of the Salt King, wishes are never what they seem. Saalim’s magic is volatile. Emel could lose everything with a wish for her freedom as the rebellion intensifies around her. She soon finds herself playing a dangerous game that pits dreams against responsibility and love against the promise of freedom. As she finds herself drawn to the jinni for more than his magic, captivated by both him and the world he shows her outside her desert village, she has to decide if freedom is worth the loss of her family, her home and Saalim, the only man she’s ever loved. For readers who enjoy epic desert fantasies and forbidden romance like The Forbidden Wish by Jessica Khoury, The Wrath & the Dawn by Renée Ahdieh, and Empire of Sand by Tasha Suri.
A Must-Have for Gone With the Wind Fans! From Margaret Mitchell’s tattered manuscript to the film’s seventy-fifth anniversary, this book is a behind-the-scenes chronicle of Gone With the Wind—the book, the movie, and the phenomenon that continues today. Related in loving detail are inside stories of the writing and publishing of the novel; the Hollywood frenzy of transforming the book into film, including casting headaches, on-set tensions, and jinxed scenes; the premiere; and the Academy Awards. This updated edition also contains the scoop on the publication of two GWTW sequels; the disastrous debut of the Scarlett television miniseries; the post–GWTW lives of cast members, such as the news of Gable’s secret lovechild; the restoration of three original costumes in time for GWTW’s seventy-fifth anniversary; and much, much more. The reader-friendly format—fact-packed features, profiles, quizzes, and photographs—will delight any GWTW fan and make this the one book that no “Windie” can do without.
Celebrate the 50th Anniversary of an American Classic. Published in the spring of 1936, Margaret Mitchell's Gone With the Wind was an immediate and overwhelming success; millions of copies were sold in its first year alone. By the time the film opened on December 15, 1939, the anticipation and excitement were so great that the city of Atlanta declared the day an official holiday. Since then, more than 300 million people have seen the film and every year hundreds of thousands of copies of the novel are sold in dozens of languages. This lavishly illustrated book is the ultimate behind-the-scenes history of the novel, the film, and the phenomenon of Gone With the Wind. It includes wonderful anecdotes, original quotes from the stars and the directors souvenir programs from the original premiere, many rare never-before published photographs, and more, from the smell of the smoke and the heat of the flames during the filming of the "burning of Atlanta" sequence to the soft touch of the red dust at the location Tara; from the fangue on the faces of cast and crew after grueling months of shooting to the thrill of premiere night, you will experience the unfolding drama as if you were there.
Gone with the Wind (1939) is one of the greatest films of all time - the best-known of Hollywood's Golden Age and a work that has, in popular imagination, defined southern American history for three-quarters of a century. Drawing on three decades of pertinent research, Helen Taylor charts the film's production history, reception and legacy.