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"Trespassers will be gutted and hung!" --Slagton's unofficial town motto spray-painted on the old company store. Normally, not even drunk on a bet would Violet Parker go to Slagton, a creepy ghost town inhabited by those too stubborn--or deranged--to leave. But a certain bullheaded Deadwood detective has a problem--his informant from Slagton has gone missing. When Violet is shanghaied into taking a hunting trip to the ghost town to search for the missing snitch, she stumbles into trouble that will take more than a double-barreled shotgun to escape. Will Violet survive this new Hell that haunts her, or will she end up on Slagton's growing list of those "gutted and hung"?
Someone is spreading rumors around Deadwood that Violet Parker likes to chat with dead folks. With her reputation endangered, her bank account on the verge of extinction, and her career at risk of going up in flames, Violet is desperate. When the opportunity to sell another vintage home materializes, she grabs it, even though this “haunted” house was recently the stage for a two-act, murder-suicide tragedy. Ghost or no ghost, Violet knows this can’t be as bad as the last house of horrors she tried to sell, but sexy Doc Nyce has serious doubts. Her only hope of hanging on to her job is to prove that the so-called, ghostly sightings are merely the eccentric owner’s optical delusions. But someone—or something—in the house wants Violet stopped...dead.
All Violet Parker wants is a day off. Better yet, just a “normal” day. But things never go as planned, especially in Deadwood. Someone—or rather something—broke into the local taxidermy shop and took bites out of the critter displays before racing off into the dark. But this is no random crime and Violet knows it. With a bounty on her head and troublemakers zeroing in on her, she soon goes from being the hunter to the hunted. “Burly muscled and rawhide tough don’t matter. Never tangle with a Scharfrichter!” ~Violet Parker
One dead body. One century-old haunted opera house. One zombie musical. One pissed-off detective. Will Violet “Spooky” Parker keep her tail out of trouble or will she end up as one of Deadwood’s walking dead?
“Nothing good ever happens at the butt-crack of dawn. No doubt, the headless corpse on the autopsy table in front of me would agree.”—Violet Parker Real estate agent, Violet “Spooky” Parker stumbles upon a body-part theft ring at the local funeral parlor and suspects her caustic coworker has a hand in it—or maybe a foot. Can Violet discover what’s in the crates the crooks are sneaking out of the mortuary in the dark of night? Or will she end up in one of them herself … in pieces?
A scrappy, hot-blooded woman can only take so much! Violet Parker is on fire … or rather under fire yet again. New evidence has fanned the embers of a cold murder case, and her alibi is smoldering at the corners. While battling a dogged detective determined to pin the murder on her, Violet scrambles to find the real killer. Will she escape “the heat” with singed tail feathers? Or will Violet go down in flames?
“Hell is empty and all the devils are here.” ~William Shakespeare Violet Parker knows better than to play with devils. They always cheat, especially when lives are at stake. Deadwood’s charming, troublemaking, and soul-sucking devils are no different, and they’re biting at her heels. But the clock is ticking and Violet has no choice—she must risk her life to save her treasured Aunt Zoe. With any luck, she might be able to trick the devils and beat the old terrors at their own game. If not, Deadwood could end up short one Executioner. “Executioners don't duck, they swing.” ~Violet Parker
"The first time I came to Deadwood, I got shot in the ass."--Violet Parker Little girls are vanishing from Deadwood, South Dakota, and Violet Parker's daughter could be next. She's desperate to find the monster behind the abductions. But if she's not careful, Violet just might end up as one of Deadwood's dearly departed
The 10th anniversary edition, now with a new preface by the author "A wonderfully smart, lively, and culturally astute survey." - The New York Times Book Review "Grand entertainment...fascinating for anyone curious about the perplexing miracles of how great television comes to be." - The Wall Street Journal "I love this book...It's the kind of thing I wish I'd been able to read in film school, back before such books existed." - Vince Gilligan, creator of Breaking Bad and co-creator of Better Call Saul In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television’s narrative inventiveness, emotional resonance, and creative ambition. Combining deep reportage with critical analysis and historical context, Brett Martin recounts the rise and inner workings of this artistic watershed - a golden age of TV that continues to transform America's cultural landscape. Difficult Men features extensive interviews with all the major players - including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), David Milch (NYPD Blue, Deadwood), Alan Ball (Six Feet Under), and Vince Gilligan (Breaking Bad, Better Call Saul) - and reveals how television became a truly significant and influential part of our culture.
Book Pipeline 2017 Grand Prize Winner Winner of the Audiofile Magazine 2018 Earphones Award for Fiction For fans of Lauren Oliver and Kazuo Ishiguro, The Last to See Me is a spellbinding American ghost story deftly weaving past and present into an unforgettable narrative about a young woman's fight for a life of her own—long after her life is over. Over one hundred years ago, Emma Rose Finnis was born and died in the remote northern California town she now haunts. When she was alive, she was a lowly chambermaid and worse, a Finnis. Now, no one remembers her hardworking life and her grand dreams—because there are none left to remember. In a world where phantoms are considered "unclean," the spirits of her town have already been swept away. All except Emma Rose. But when a determined hunter arrives with instructions to extinguish her once and for all, Emma Rose refuses to be hounded from her haunt, the stately Lambry Mansion. She's earned her place and she’ll keep it—even if it means waging a war on the living. After all, she's got nothing left to lose. The same might not be said for those who still enjoy the luxury of a breath . . .