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Phenomenology and analytic philosophy have skirmished often, but seldom in ways conducive to dialectical progress. Generally, the skirmishes seem more "political" than philosophical, as when one side ridicules the methods of the other or criticizes the viability of the other's issues and assump tions. Analytic interest in third person objectivity is often spurned by Continental philosophers as being unduly abstract. Continental interest in first person subjectivity is often criticized by analysts as being muddled and imprecise. Logical analysis confronts the power of metaphor and judges it "too ambiguous" for rigorous philosophical activity. The language of metaphor confronts the power of logical analysis and deems it "too restric tive" for describing the nature and structures of authentic human exper ience. But are the two approaches really incompatible? Perhaps because each side of the "divide" has been working at problems largely uninteresting to the "opposition" it has been easy to ignore or underestimate the importance of this issue. But now each side is being led into a common field of problems associated with the nature of mind, and there is a new urgency to the need for examining carefully the question of conceptual compatibility and the potential for dialogue. Analytic thinkers are typically in the business of concept clarification and objective certi fication. Continental philosophers employ introspection in the interest of a project of description and classification that aims to be true to the full subtlety and complexity of the human condition.
Tale Three of the Shade Chronicles... A band of western slave traders think they have struck gold when they pull a half-dead Dark Elf out of the swirling sands of the Great Waste. They shackle him with the long lines of other night mortals and ship him overseas. Little do they know that inside this Dark Elf’s glowing yellow eyes lies the patient glimmer of a killer… *****WITH COVERWORK NOW BY ROB JOSEPH*****
The history of the Balkans incorporates all the major historical themes of the 20th Century--the rise of nationalism, communism and fascism, state-sponsored genocide and urban warfare. Focusing on the centuries opening decades, War in the Balkans seeks to shed new light on the Balkan Wars through approaching each regional and ethnic conflict as a separate actor, before placing them in a wider context. Although top-down 'Great Powers' historiography is often used to describe the beginnings of the World War I, not enough attention has been paid to the events in the region in the years preceding the Archduke Ferdinand's assassination. The Balkan Wars saw the defeat of the Ottoman Empire, the end of the Bulgarian Kingdom (then one of the most powerful military countries in the region), an unprecedented hardening of Serbian nationalism, the swallowing up of Slovenes, Croats and Slovaks in a larger Balkan entity, and thus set in place the pattern of border realignments which would become familiar for much of the twentieth century.
Based on the global hit Clash of Clans and penned by superstar graphic novelist Gene Luen Yang, this third volume of a new action-packed series brings the characters from everyone's favorite mobile gaming sensation to life! Sonny the golem is tired of being stepped on by his teammates—literally! His Royale team, the JazzyPickleton Cucumbers, has a new move that leaves him with footprints on his face! And when he needs backup, Sonny is left to fend for himself...and literally gets split into TWO Golems! Can his best friend, the Cucumbers' star wizard, help him now? And does he even want the help of his so-called friend? Continuing the epic graphic novel series set in the world of Clash of Clans and Clash Royale, Gene Luen Yang pens an offbeat and action-packed tale that turns the fantasy-adventure genre on its head!
In the fall of 1912, the Ottoman Empire was in turmoil. In addition to the Albanian and the Yemen rebellions, the Empire was at war with Italy over the Libyan territory. Worse yet, cholera was spreading throughout the country, leaving a decimated population in its wake. In its weakness, the Ottoman Empire was ripe to be attacked, and the Balkan countries did so. On October 8, 1912, Montenegro declared war on the Ottoman Empire, beginning the first of the Balkan Wars. Embracing maturity and setting their differences aside, four nations joined together to form the Balkan League-Serbia, Greece, Montenegro, and Bulgaria. Despite the tremendous land victory celebrated by the Balkan League, disputes over dividing the won territory soon arose. Dissatisfied with its share of the Macedonia, Bulgaria attacked its former allies Serbia and Greece. On August 10, 1913, the Treaty of Bucharest ended the second conflict, but it did not bring the peace. In the First World War, which was initiated by Sarajevo assassination, Balkan again became theater of the war. The Balkan wars have been a popular topic for scholarly research since their resolution. Despite the attention this topic has received, however, the research is far from complete. In this study contributing to the documentation and understanding of this conflict, author Igor Despot has not only reviews the events of the wars, but also considers these events in light of pertinent cultural aspects, identifying the commonalities and differences that may have determined alliances or sparked conflict throughout Balkan history.
This book, first published in 1983, is a practical resource for standardized union catalogues of serials that gives useful guidance on the components in the preparation and production of a union catalogue of serials, the administrative machinery required to bring each project to fruition, and the interface with other serials control systems and other information networks.
This book explores the historial role of the Balkan Wars. In Eastern Europe, the two Balkan Wars of 1912/13 had greater importance than the First World War for the construction of nations and states. This volume shows how these “short” wars profoundly changed the sociopolitical situation in the Balkans, with consequences that are still felt today. More than one hundred years later, the successors of the belligerent states in Southeastern Europe memorialize the wars as heroic highlights of their respective pasts. Furthermore, the metaphor that the Balkans were Europe’s “powder keg”, perpetuated at the beginning of the twentieth century in the face of these wars, was reactivated in both the West and the East up through the Yugoslav wars of the 1990s. The authors entangle the hitherto exclusive national master narratives and analyse them cogently and trenchantly for an international readership. They make an indispensable contribution to the proper integration of the Balkan Wars into the European historical memory of twentieth-century warfare.
The Reception of Charles Dickens in Europe offers a full historical survey of Dickens's reception in all the major European countries and many of the smaller ones, filling a major gap in Dickens scholarship, which has by and large neglected Dickens's fortunes in Europe, and his impact on major European authors and movements. Essays by leading international critics and translators give full attention to cultural changes and fashions, such as the decline of Dickens's fortunes at the end of the nineteenth century in the period of Naturalism and Aestheticism, and the subsequent upswing in the period of Modernism, in part as a consequence of the rise of film in the era of Chaplin and Eisenstein. It will also offer accounts of Dickens's reception in periods of political upheaval and revolution such as during the communist era in Eastern Europe or under fascism in Germany and Italy in particular.
Alfred Lord Tennyson (1809-1892) has often been considered a particularly British writer in part as his official post as Poet Laureate inevitably committed him to a certain amount of patriotic writing. This volume focuses on his impact on the continent, presenting a major scholarly analysis of Tennyson's wider reception in different areas of Europe. It considers reader and critical responses and explores the effect of his poetry upon his contemporaries and later writers, as well as his influence upon illustrators, painters and musicians. The leading international contributors raise questions of translation and publication and of the choices made for this purpose along with the way in which his ideas and style influenced European writing and culture. Tennyson's reputation in Anglophone countries is now assured, following a decline in the years after his death. This volume enables us to chart the changes in Tennyson's European reputation during the later 19th, 20th and 21st centuries.