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Not a love story—and yet a story of love. Love for a city, the artist’s way, and dreams. When the indomitable, though introverted, Honora Gorman moves to New York City to pursue the writer’s path, she is both awed and overwhelmed by the city’s beauty and energy. Yet she’s convinced that this is the place where her true self will finally emerge. Her beloved notebooks will chronicle her at-long-last journey. Over the course of several decades, her path often veers and detours as she stumbles over the obstacles of jobs, love, places to live, growing older, and the sense that time is running out. Yet pushing her ever forward is the exuberant persistence of storytelling—her “conversation with life”—and her do-or-die determination to stay true to her dreams. Will she triumph in the end? Are such dreams attainable? The result is the fanciful story of Honora’s writing life woven together with fairytales, whimsy, and wonder.
Reproduces in their entirety the text of the extant notebooks of the English poet, Samuel Taylor Coleridge, from the years 1794-1804.
George Starkey—chymistry tutor to Robert Boyle, author of immensely popular alchemical treatises, and probably early America's most important scientist—reveals in these pages the daily laboratory experimentation of a seventeenth-century alchemist. The editors present in this volume transcriptions of Starkey's texts, their translations, and valuable commentary for the modern reader. Dispelling the myth that alchemy was an irrational enterprise, this remarkable collection of laboratory notebooks and correspondence reveals the otherwise hidden methodologies of one of the seventeenth century's most influential alchemists.
During his adult life until his death in 1834, Coleridge made entries in more than sixty notebooks. Neither commonplace books nor diaries, but something of both, they contain notes on literary, theological, philosophical, scientific, social, and psychological matters, plans for and fragments of works, and many other items of great interest. This fourth double volume of the Notebooks covers the years 1819 to 1826. The range of Coleridge's reading, his endless questioning, and his recondite sources continue to fascinate the reader. Included here are drafts and full versions of the later poems. Many passages reflect the theological interests that led to Coleridge's writing of Aids to Reflection, later to become an important source for the transcendentalists. Another development in this volume is the startling expansion of Coleridge's interest in 'the theory of life' and in chemistry - the laboratory chemistry of the Royal Institute and the theoretical chemistry of German transcendentalists such as Oken, Steffens, and Oersted.
theological, philosophical, scientific, social, and psychological matters, plans for and fragments of works, and many other items of great interest. This fourth double volume of the Notebooks covers the years 1819 through 1826. The range of Coleridge's reading, his endless questioning, and his recondite sources continue to fascinate the readers. Included here are drafts and full versions of the later poems. Many passages reflect the technological interests that led to Coleridge's writing of Aids of Reflection, later to become an important source for the Transcendentalists. Another development in this volume is the startling expansion of Coleridge's interest in "the theory of life" and in chemistry--the laboratory chemistry of the Royal Institution fo Great Britain and the theoretical chemistry of German transcendentalists such as Okea, Steffens, and Oersted. Also contained in this volume is an important section on the meaning of marriage. Kathleen Coburn is Professor Emeritus at Victoria College of the University of Toronto. Merton Christensen was Professor of English at the University of Delaware. Bollingen Series L:4. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
First published in 2002. Volume 4 of the Notes on the Notebooks of Samuel Taylor Coleridge, spanning from 1819 to 1826. The volume is in two parts, text and notes. During his adult life until his death in 1834, Coleridge made entries in more than sixty notebooks. Neither commonplace books nor diaries, but something of both, they contain notes on literary, theological, philosophical, scientific, social and psychological matters, plans for and fragments of works and many other items of great interest. Shortly after World War II, Kathleen Coburn, formerly of Victoria College in Toronto, rediscovered this great collection of unpublished manuscripts. With the support of the Coleridge estate, she embarked on a career of editing and publishing these volumes and was awarded with many honours for her work, including: a Leverhulme Award (1948), a Guggenheim Fellowship (1953), a Fellowship in the Royal Society of Canada (1958), the Order of Canada (1974) and an honorary doctorate from her own university. Originally projected as a five volume set (each volume consisting of a book of text and a book of notes).
Chrysotype is about photographic printing in gold on paper. This 19th century printing process, modified for contemporary use, provides artists with an affordable way to produce permanent prints in gold. By using film or digital negatives, striking hand-coated prints can be created in monochromatic hues ranging from pink, violet, magenta and purple, to green, blue, grey and black. Chrysotype offers a how-to guide for intermediate practitioners with illustrated examples and simple explanations for each stage of the chrysotype process. The book is divided into three sections: history; preparation and how-to; and the work of contemporary artists using chrysotype. This book includes: A concise account of the invention and modification of the chrysotype process, including early discoveries about gold and colour and the significance of moisture for printing in gold How to set up your workspace for printing, including useful equipment and materials Advice on safe chemical practice A step-by-step guide to creating suitable digital and film negatives Guidance on paper selection and how to successfully coat paper An overview guide to creating a chrysotype print Step-by step directions for creating the chrysotype solutions An explanation of mixing ratios and solution volumes that control contrast An illustrated explanation of the effect of humidity on colour, including split tone colours and ways to control humidity Step-by-step directions on post-exposure hydration to lengthen tonal range and lower contrast Step-by-step tray processing directions Advanced techniques such as handling translucent papers, additional chrysotype formulas and procedures, and alternative developing agents that support longer development, colour formation and remedy problems that affect image quality Troubleshooting chrysotype printing, including advice and photographic examples Illustrated profiles of contemporary artists making chrysotype prints, including their methods and tips Chrysotype serves to inform, encourage and challenge a new generation of alternate process practitioners and a growing chrysotype community, from the newly curious to the experienced professional.
Five from Pennsylvania, a diverse group themselves, join one of the most eclectic and talented group ever assembled that includes exU.S. Military fresh from victories in both the Cold War and Desert Storm; young PhDs from the United States, Asia, India, Europe, and Israel, the recent surge of technical women in the workforce; and AT&T Bell Labs expatriates in the 1990s Silicon Valley. This team and their company do what pundits long believed impossiblebeat the Japanese in computer chip semiconductor equipment manufacturing. Defying both the government-subsidized consortium and the presumed inexorable American technical decline, the group takes on all comers in a risky and audacious strategy to dominate an industry long given up as lost. The passionate clashes, heartbreaking losses, and stunning achievements highlight the lives, hopes, and dreams in one of the great untold stories of the 1990s. This novel is part of the Good Fight Series and continues the stories of the characters from Marx & Ford, Loud & Clear, and Fear & Hope. The Good Fight Series follows these characters into the tumultuous early years of the twenty-first century in the upcoming Thump & Riposte.