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This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.
In 1995, the People’s Republic of China resurrected a Qing-era law mandating that the reincarnations of prominent Tibetan Buddhist monks be identified by drawing lots from a golden urn. The Chinese Communist Party hoped to limit the ability of the Dalai Lama and the Tibetan government-in-exile to independently identify reincarnations. In so doing, they elevated a long-forgotten ceremony into a controversial symbol of Chinese sovereignty in Tibet. In Forging the Golden Urn, Max Oidtmann ventures into the polyglot world of the Qing empire in search of the origins of the golden urn tradition. He seeks to understand the relationship between the Qing state and its most powerful partner in Inner Asia—the Geluk school of Tibetan Buddhism. Why did the Qianlong emperor invent the golden urn lottery in 1792? What ability did the Qing state have to alter Tibetan religious and political traditions? What did this law mean to Qing rulers, their advisors, and Tibetan Buddhists? Working with both the Manchu-language archives of the empire’s colonial bureaucracy and the chronicles of Tibetan elites, Oidtmann traces how a Chinese bureaucratic technology—a lottery for assigning administrative posts—was exported to the Tibetan and Mongolian regions of the Qing empire and transformed into a ritual for identifying and authenticating reincarnations. Forging the Golden Urn sheds new light on how the empire’s frontier officers grappled with matters of sovereignty, faith, and law and reveals the role that Tibetan elites played in the production of new religious traditions in the context of Qing rule.
"The Silla Kingdom, which flourished in Korea from 57 B.C. to 935 A.D., is known for its intricately crafted ornaments, many in resplendent gold, and for the creation of prominent Buddhist temples. Silla focuses on the striking artistic traditions of the Old and Unified Silla Kingdoms (4th-8th century), and is the first publication in English to explore the artistic and cultural legacy of this ancient realm. Among the topics explored are Korea's position as the eastern culmination of the Silk Road in the first millennium A.D. and the character and evolution of Buddhism, as illuminated by objects from major monuments, temples, and tombs. The book also presents new research about Silla's ancient capital, Gyeongju, which is known for the Gyerim-ro Dagger, as well as the pottery, glass, and beads discovered in tombs located there." -- Publisher's description.
From a master chronicler of Spanish history comes a magnificent work about the pivotal years from 1522 to 1566, when Spain was the greatest European power. Hugh Thomas has written a rich and riveting narrative of exploration, progress, and plunder. At its center is the unforgettable ruler who fought the French and expanded the Spanish empire, and the bold conquistadors who were his agents. Thomas brings to life King Charles V—first as a gangly and easygoing youth, then as a liberal statesman who exceeded all his predecessors in his ambitions for conquest (while making sure to maintain the humanity of his new subjects in the Americas), and finally as a besieged Catholic leader obsessed with Protestant heresy and interested only in profiting from those he presided over. The Golden Empire also presents the legendary men whom King Charles V sent on perilous and unprecedented expeditions: Hernán Cortés, who ruled the “New Spain” of Mexico as an absolute monarch—and whose rebuilding of its capital, Tenochtitlan, was Spain’s greatest achievement in the sixteenth century; Francisco Pizarro, who set out with fewer than two hundred men for Peru, infamously executed the last independent Inca ruler, Atahualpa, and was finally murdered amid intrigue; and Hernando de Soto, whose glittering journey to settle land between Rio de la Palmas in Mexico and the southernmost keys of Florida ended in disappointment and death. Hugh Thomas reveals as never before their torturous journeys through jungles, their brutal sea voyages amid appalling storms and pirate attacks, and how a cash-hungry Charles backed them with loans—and bribes—obtained from his German banking friends. A sweeping, compulsively readable saga of kings and conquests, armies and armadas, dominance and power, The Golden Empire is a crowning achievement of the Spanish world’s foremost historian.
Alexander Cold, his grandmother Kate, and his closest friend Nadia return in the follow-up to City of the Beasts on a new quest to find the fabled Golden Dragon of the Himalayas, another fantastical voyage of suspense, magic, and awe-inspiring adventure from internationally celebrated novelist Isabel Allende. Not many months have passed since teenager Alexander Cold followed his bold grandmother into the heart of the Amazon to uncover its legendary Beast. This time, reporter Kate Cold escorts her grandson and his closest friend, Nadia, along with the photographers from International Geographic, on a journey to another location far from home. Entering a forbidden sovereignty tucked in the frosty peaks of the Himalayas, the team's task is to locate a sacred statue and priceless oracle that can foretell the future of the kingdom, known as the Golden Dragon. In their scramble to reach the statue, Alexander and Nadia must use the transcendent power of their totemic animal spirits—Jaguar and Eagle. With the aid of a sage Buddhist monk, his young royal disciple, and a fierce tribe of Yeti warriors, Alexander and Nadia fight to protect the holy rule of the Golden Dragon—before it can be destroyed by the greed of an outsider.
Never fall in love with the enemy. If only it were that simple. When the king is kidnapped, the kingdom turns to the only person who could possibly find him: the woman tied to him by magic. Etta. Life-altering secrets. Magical duels. A love that could tear two kingdoms apart.
A curse. A hidden identity. A dangerous love. Ten-year-old Persinette Basile was forced to flee the palace of Gaule for her life. Now at eighteen, she must find a way to return in order to obey a curse on her family line. Made to fight for her life to earn her place, she vows to find a way to break the curse no matter the cost.
“No series since George R.R. Martin’s A Song of Ice and Fire has quite captured both palace intrigue and the way that tribal infighting and war hurt the vulnerable the most.” —Paste Magazine The final chapter in the bestselling, critically acclaimed Daevabad Trilogy, in which a con-woman and an idealistic djinn prince join forces to save a magical kingdom from a devastating civil war. Daevabad has fallen. After a brutal conquest stripped the city of its magic, Nahid leader Banu Manizheh and her resurrected commander, Dara, must try to repair their fraying alliance and stabilize a fractious, warring people. But the bloodletting and loss of his beloved Nahri have unleashed the worst demons of Dara’s dark past. To vanquish them, he must face some ugly truths about his history and put himself at the mercy of those he once considered enemies. Having narrowly escaped their murderous families and Daevabad’s deadly politics, Nahri and Ali, now safe in Cairo, face difficult choices of their own. While Nahri finds peace in the old rhythms and familiar comforts of her human home, she is haunted by the knowledge that the loved ones she left behind and the people who considered her a savior are at the mercy of a new tyrant. Ali, too, cannot help but look back, and is determined to return to rescue his city and the family that remains. Seeking support in his mother’s homeland, he discovers that his connection to the marid goes far deeper than expected and threatens not only his relationship with Nahri, but his very faith. As peace grows more elusive and old players return, Nahri, Ali, and Dara come to understand that in order to remake the world, they may need to fight those they once loved . . . and take a stand for those they once hurt.
A fascinating tale which breathes into the heart of the child, a deep understanding of Holy Communion and an intimate affection for Our Lord in the Blessed Sacrament.
In his breakthrough first novel, Robert Gruber takes us to Aquapoint, a distant planet in the Witch's Broom Nebula. Here we learn of the plight of the dwarves and elves who live under the harsh rule of cruel warlocks and witches. But a powerful force known as the Golden Kingdom is aiding the little people. In this fight for survival, the young witch Maria and her warlock brother Braunski are faced with the decision of their lives. Watch as a grim plot slowly unfolds to silence the weak. If you like CS Lewis' The Lion, The Witch, and the Wardrobe, then you will love the enchanted buzzard, the fiendish witch, and the golden catapults in this tale. Come along for the ride, and fire up both canisters of your long-distance broom. Ultimately, this book is about courage, compassion, and the power that leads to freedom. Read The Golden Kingdom, and enter the dangerous world Maria and Braunski have inherited.