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When a downhearted ghost becomes the "invisible friend" of an eleven-year-old boy who is an outcast in his new school, the two help each other find their place in their respective worlds.
In addition to continuing their work to stop school bullies, eleven-year-old Tom Golden and Grey Arthur--along with several spectral friends--try to discover why ghosts across England are vanishing.
When a downhearted ghost becomes the "invisible friend" of an eleven-year-old boy who is an outcast in his new school, the two help each other find their place in their respective worlds.
After his triumph over a ghost collector and a doctor who does no good, Tom Golden thinks life is finally...well, golden. Grey Arthur and his ghostly crew have happily settled into their roles as Invisible Friends while Tom has made a new human friend with Pick-Nose Pete. But when one friendly ghost is overly enthusiastic about his duties, the TV show Exceedingly Haunted Homes of England is called in to investigate. A hysterical fear of ghosts takes over the school, and the Invisible Friends are glad that they witness the chaos unheard and unseen. Too bad that the same cannot be said for the ghosts in the world beyond. The disappearance of the Crown Jewels in a rather Poltergeist-like manner is trouble enough, but a frightening specter caught on film and a knight seen charging through streets and pedestrians spell trouble. Restoration of the peace between the ghostly and human realms may be too much for one boy to handle, but Tom hopes that the help of Grey Arthur and the Invisible Friends may be just what he needs to track down the cause of this supernatural chaos. In this third installment to the Golden & Grey series, Louise Arnold takes the reader on an exciting adventure full of Laundry Runs, ancient castles, and the ever dark and dangerous woods.
Grey Arthur is a ghost who hasn't found his place in the world. Tom Golden is a boy who doesn't fit in at school. When Tom and Grey Arthur mutter the same three words, "Life isn't fair," at exactly the same moment, a connection is made between them. Suddenly Grey Arthur knows what he must do: He must become Tom's Invisible Friend. It seems like such a brilliant idea! Grey Arthur can take teasing signs off Tom's back, make sure he has a pen in class, keep the bullies at bay, and generally take care of everything a best friend would do. He feels a great satisfaction in helping his new friend (despite the fact that Tom doesn't even know he exists), but then everything changes when an accident gives Tom the ability to see Grey Arthur and the rest of the ghost world. Now everyone wants a piece of Tom! Poltergeists, Faintly Reals, Sadness Summoners, Snorgles, Chain Rattlers...they're all lined up for their moment with the famous Tom Golden. Add two confused parents, a kidnapping, and a few embarrassing moments at school, and soon Tom and Grey Arthur are pushed to their limit, leading them to discover what true friendship is all about. Louise Arnold's fantastic, funny, heartwarming debut novel will have readers laughing out loud and cheering as Grey Arthur and Tom, outcasts in their separate worlds, join forces to turn their luck around.
When human boy Tom Golden and ghost boy Grey Arthur encounter one another, they immediately begin an unlikely friendship that, despite their great differences, makes perfect sense to them. Reprint.
At the same time that Matt and Parker find the body of the dead man in the creek, they recognize George Evans, the owner of the antique shop where Parker's mother works.
In the class of the high school English teacher she has been haunting, Helen feels them: for the first time in 130 years, human eyes are looking at her. They belong to a boy, a boy who has not seemed remarkable until now. And Helen—terrified, but intrigued—is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to possess.
A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013
The funny thing about stop signs is that they're also start signs. Mayzie is the brainy middle sister, Brooks is the beautiful but conflicted oldest, and Palmer's the quirky baby of the family. In spite of their differences, the Gold sisters have always been close. When their father dies, everything begins to fall apart. Level–headed May is left to fend for herself (and somehow learn to drive), while her two sisters struggle with their own demons. But the girls learn that while there are a lot of rules for the road, there are no rules when it comes to the heart. Together, they discover the key to moving on – and it's the key to their father's Pontiac Firebird. This critically acclaimed, totally compelling book is perfect for readers looking for both a fun ride and a life–changing journey from one of today's best new YA writers. And it fits perfectly in the glove compartment.