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Natalie Lindstrom has a gift: the power to speak to the dead, to solve crimes by interviewing murder victims. But now Natalie wants to escape. Escape from the voices that fill her head. Escape from the organization that has used her as a crime-solving tool…and now wants to recruit her daughter. So Natalie takes a job as far from crime and punishment as she can get: with an archaeologist in the mountains of Peru. Her job: to find a trove of priceless artifacts–by channeling those who lived and died at an ancient Incan site. But in the towering Andes, Natalie enters a 500-year-old storm of betrayal, murder, greed, and rage–and she cannot silence the voices of the dead. The slaughtered reach out to her. The slaughterers boast of their crimes. Alone, cut off from her family, Natalie faces a chilling realization: every truth she uncovers is leading her one step closer to a terror beyond imagining.
In 1540, conquistador Balthazar Jiménez de Quesada embarks on a quest for gold but encounters an ancient evil in the jungles of Colombia, La Pastola, transforming him into an immortal vampire. Centuries later, as Napoleon's army clashes with the British in 1815, a brutal massacre near Walloon births a new vampire desperate to break her curse. In present-day Los Angeles, a man with the rarest blood type—Golden Blood—enters a dangerous world where the line between predator and prey blurs, as a secret society of vampires hunts for the key to their salvation…or their destruction. Golden Blood is a gripping tale of horror, history, and the eternal struggle for redemption, spanning from the New World's blood-soaked jungles to the underbelly of modern L.A. Golden Blood is the story about one vampire's search for Golden Blood that can reverse the vampiric curse and her need for revenge against the vampire that slaughtered her family and turned her into a vampire centuries before. Set in the jungles of Colombia in the 1500s, the Caribbean in the 1700s, Europe in the 1800s and 1900s, and present-day Los Angeles, Golden Blood is a dark, bleak, and gothic story.
From the jungles of Panama to the gold fields of California, a young man searches for justice In 1849, there are 2 ways to reach California: overland or by sea. Traveling by land is safer—a long, slow journey across the American plains—but the water is faster. Would-be prospectors in a hurry to reach California and strike it rich, sail down the Atlantic, cross the deadly jungles of Panama on foot, and proceed north by boat to find their fortune. Willie Dwinelle, who is 18 years old, chooses this Panama route because he must reach California as soon as possible. But it is not gold that he seeks; it is justice. Willie has vowed revenge upon an unsavory character in his hometown who mistreated one of his friends. So with his impulsive ally Ben at his side, Willie braves every danger the gold rush throws at him. But the most perilous hazard is one he never expected to confront: the lure of greed.
San Francisco in 1849 was a time and place like no other in American history. As word of the discovery of gold in California spread, people from all over the world descended on San Francisco--ground zero for the avalanche of humanity and goods pouring into the fabled El Dorado. There have been many books on the Gold Rush, but Mud, Blood, and Gold is the first to focus solely on San Francisco as it was at the peak of the gold frenzy. With a 'you are there' immediacy author Rand Richards vividly brings to life what San Francisco was like during the landmark year of 1849. Based on eyewitness accounts and previously overlooked official records, Richards chronicles the explosive growth of a wide-open town rife with violence, gambling, and prostitution, all of it fueled by unbridled greed.
SOON TO BE A MAJOR TV SHOW, FROM THE NETWORK BEHIND THE WALKING DEAD '[W]hen I found Rice's work I absolutely loved how she took that genre and (...) made [it] feel so contemporary and relevant' Sarah Pinborough, bestselling author of Behind Her Eyes '[Rice wrote] in the great tradition of the gothic' Ramsey Campbell, bestselling author of The Hungry Moon The 8th novel in Anne Rice's internationally bestselling Vampire Chronicles Here is the glorious and sinister life of Marius: patrician by birth, scholar by choice and one of the oldest vampires of them all. From his genesis in ancient Rome, to his present day we follow the story of this aristocratic and powerful killer. His is a tale that spans the breadth of time. When the Visigoths sack his city, Marius is there; with the resurgence of the glory of Rome, he is there, still searching for his lost love Pandora. So prevalent is Marius that it is he who gives the dark gift to the illustrious vampire Armand. Intertwined with the stories of a magnificent Pantheon of the undead this account of Marius is the most wondrous and mind-blowing of them all.
Today, a century and a half after the abolition of slavery across most of the Americas, the idea of monetary reparations for former slaves and their descendants continues to be a controversial one. Lost among these debates, however, is the fact that such payments were widespread in the nineteenth century—except the “victims” were not slaves, but the slaveholders deprived of their labor. This landmark comparative study analyzes the debates over compensation within France and Great Britain. It lays out in unprecedented detail the philosophical, legal-political, and economic factors at play, establishing a powerful new model for understanding the aftermath of slavery in the Americas.
Most people would be hard pressed to name a famous artist from Renaissance France. Yet sixteenth-century French kings believed they were the heirs of imperial Rome and commissioned a magnificent array of visual arts to secure their hopes of political ascendancy with images of overflowing abundance. With a wide-ranging yet richly detailed interdisciplinary approach, Rebecca Zorach examines the visual culture of the French Renaissance, where depictions of sacrifice, luxury, fertility, violence, metamorphosis, and sexual excess are central. Zorach looks at the cultural, political, and individual roles that played out in these artistic themes and how, eventually, these aesthetics of exuberant abundance disintegrated amidst perceptions of decadent excess. Throughout the book, abundance and excess flow in liquids-blood, milk, ink, and gold-that highlight the materiality of objects and the human body, and explore the value (and values) accorded to them. The arts of the lavish royal court at Fontainebleau and in urban centers are here explored in a vibrant tableau that illuminates our own contemporary relationship to excess and desire. From marvelous works by Francois Clouet to oversexed ornamental prints to Benvenuto Cellini's golden saltcellar fashioned for Francis I, Blood, Milk, Ink, Gold covers an astounding range of subjects with precision and panache, producing the most lucid, well-rounded portrait of the cultural politics of the French Renaissance to date.
The opening of the world's first railroad in Britain and America in 1830 marked the dawn of a new age. Within the course of a decade, tracks were being laid as far afield as Australia and Cuba, and by the outbreak of World War I, the United States alone boasted over a quarter of a million miles. With unrelenting determination, architectural innovation, and under gruesome labor conditions, a global railroad network was built that forever changed the way people lived. From Panama to Punjab, from Tasmania to Turin, Christian Wolmar shows how cultures were enriched, and destroyed, by one of the greatest global transport revolutions of our time, and celebrates the visionaries and laborers responsible for its creation.
A FICTION HOUSE PRESS REPRINT: GOLD--AND DEATH! Price Durand's heart lifted as he hefted the great axe, Korlu. Ahead, across the desert, was a forbidding mountain, topped by a castle of marble and gold. Within that castle, the girl he loved was a prisoner. There was a scream of fright from somewhere beside him. A brilliant fan of rose and topaz light was lifting into the indigo sky ahead. In its rays a picture appeared. A gigantic yellow snake, vast as a cloud, coiled in the air above the mountain. Her body was as yellow as the snake, and it had something of the same slender, sinuous grace. Her full lips were voluptuous and cruel. Price Durand knew they were fated to meet in the flesh. It was part of a huge struggle in which science and sorcery were weirdly blended, the prize was incalculable--and no man could foresee the outcome!
Burma is one of the largest countries in Southeast Asia and was once one of its richest. Under successive military regimes, however, the country eventually ended up as one of the poorest countries in Asia, a byword for repression and ethnic violence. Richard Cockett spent years in the region as a correspondent for The Economist and witnessed firsthand the vicious sectarian politics of the Burmese government, and later, also, its surprising attempts at political and social reform. Cockett’s enlightening history, from the colonial era on, explains how Burma descended into decades of civil war and authoritarian government. Taking advantage of the opening up of the country since 2011, Cockett has interviewed hundreds of former political prisoners, guerilla fighters, ministers, monks, and others to give a vivid account of life under one of the most brutal regimes in the world. In many cases, this is the first time that they have been able to tell their stories to the outside world. Cockett also explains why the regime has started to reform, and why these reforms will not go as far as many people had hoped. This is the most rounded survey to date of this volatile Asian nation.