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This book a offers a multitude of provocative new perspectives on one of the most iconic composers in the Western classical tradition. Its collective rethinking of some of our most cherished narratives and deeply held beliefs about Johann Sebastian Bach will allow readers to see the man in a new light and to hear his music with new ears.
(Piano). Mozart's 'Variations for Piano' are like a diary of his entire creative life. From K.24 of the nine-year old to K.613 composed only a few months prior to his death, these variations reveal ideas and traits that have come to be known as his unique style. Contents: 8 Variations On Laat Ons Juichen, K. 24 * 7 Variations On Willem Von Nassau, K. 25 * 12 Variations On A Minuet By Fischer, K. 179 * 6 Variations On Mio Caro Adone, K. 180 * 9 Variations On Lison Dormait, K. 264 * 8 Variations On Dieu D'Amour, K. 352 * 12 Variations On La Belle Francoise, K. 353 * 12 Variations On Je Suis Lindoe, K. 354 * 5 Variations On Salve Tu Domine, K. 398 * 10 Variations On Les Hommes Pieusement, K. 455 * 8 Variations On Come Un Agnello, K. 460 * 6 Variations In F Major, K. 54 * 9 Variations On A Minuet By Duport, K. 573 * 8 Variations On Ein Weib Ist Das Herrlichste Ding, K. 613 * 12 Variations On A, Vous Dirai-Je Maman, K. 265
The Capriccio in B-flat Major, "On the Departure of a Friend," is an unusually romantic-styled composition by Johann Sebastian Bach when he was 19 years of age, written upon the departure of his brother, Johann Jacob Bach, for his new duties in the service of King Carl XII of Sweden. Titles: * 1. An Affectionate Plea to the Friend not to Embark * 2. Reflections on the Misfortunes of Travel * 3. Mutual Lamentations * 4. The Farewell * 5. Aria and Fugue on the Post Horn Call
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Goldberg Variations, BWV 988 is based on Bischoff's analysis of the first edition, a copy of the "Aria" contained in the Clavierbüchlein of Anna Magdalena Bach, and several manuscripts from the Royal Library in Berlin. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Keith Jarrett is one of the great pianists of our times. Before achieving worldwide fame for his solo improvisations, he had already collaborated with Art Blakey, Charles Lloyd and Miles Davis. His 'Köln Concert' album (1975) has now sold around four million copies and become the most successful solo recording in jazz history. His interpretations of the music of Bach, Händel, Bartók or Shostakovich, have also received much attention in later years. Jarrett is considered difficult and inaccessible, and has often abandoned the stage during his concerts due to restless audiences or disturbing photographers.Few writers have come as close to Keith Jarrett as Wolfgang Sandner, who has not only closely followed Jarrett's remarkable career from the 1960s, but has also had the opportunity to visit him in his home in the United States. For this biography, which is full of detailed musical analysis and cross-references to other artistic genres, Sandner has collected new information about Jarrett's family background, much of which is thanks to the translator, Keith Jarrett's youngest brother Chris. The book explores Jarrett's work with other musicians, in particular the members of his American and European Quartets and his Standards Trio, it charts the development of his solo concerts, and it also investigates his work in the classical sphere, as well as the highly original music he has created in his own home studio. It also covers his associations with his various record labels and producers, notably his unparalleled relationship with ECM and its founder Manfred Eicher. This English edition is a significantly extended and updated version of the German original.
This book offers the first detailed reception history of adaptations of Johann Sebastian Bach's Goldberg Variations from 1800-2020. By focusing on ways the piece has been arranged, transcribed, and reworked, or quoted in in film, dance, literature, visual art, and digital media, it reveals changing views about the role of the composer and score that have impacted recent performance practices and notions of the work concept. Beyond this, it features the work of composers, many from underrepresented backgrounds, who have recently deconstructed Bach by reimagining the subjects, compositional procedures, and forms, using contemporary compositional approaches.
Classic 1919 arrangements of four keyboard masterpieces — Goldberg Variations, Chromatic Fantasy and Fugue, The Art of the Fugue, and Concerto for Piano and String Orchestra in D Minor. Breitkopf & Härtel edition.