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“Gold to Rust: Monuments, Icons and Whitewashed History” is author Marques Vickers’ offbeat commentary and unconventional photographic journal. The edition includes travel impressions accumulated from over thirty years of travel spanning four continents. His photography documents and isolates unusual signage, monuments, and unorthodox sights frequently overlooked by traditional travel guides and journals. Over seventy cultural monuments are highlighted including: Alexandria Hotel Los Angeles Architectural Bones Artist Cemetery Statuary Bach’s Leipzig Church Gig Berlin Burial Dilemma Berlin: Memorializing Dividing Demons Bob Arneson’s Bricks Bridge Love Locks Bubblegum Alleys California Admission Day Monument California State Capitol Building California’s Wine Industry Cascade Mountain Abandoned Railroad Tunnels Celebrity Burial Pilgrimages Chambers Bay Monolithic Ruins Charles Cros Claude Nicolas Ledoux Confederate Soldier Monuments in Western United States Cultural Gluttony Dijon’s Ancient Jewish Cemetery Drive-In Theatres Dumas Brothel East German Border Guard Towers Empty Open Air Cathedrals Espresso Art Father Junipero Serra Fabrezan’s Village Windmill Flooding Level Markings Frauenlob: Medieval Rock Star Gargoyles Atop Paris’ Notre Dame Cathedral German City Holocaust Sidewalk Memorials Grand Park and Spring Street Junction Halley’s Comet Hearst Landmark Building Jack London: Short Story Virtuoso James Dean Memorial Kennebunkport: Too Much Information Sign Kiwi Bacon Sculpture Liberty Belle Slot Machine: Birthplace of The One-Armed Bandit Lil’ Sambo’s Heritage Los Angeles’ Chinatown Losing Everything Lotta Crabtree’s Fountain Lou Graham of Seattle Lowest Rent Accommodations Mainz’s Severed Extremity Sculptures Mechanics Monument Military Hardware Memorials Modesto’s Keyboard Crosswalks Montana State Prison Murder Memorials New Palace Hotel Panama Canal Memories Paul Revere’s Ride Personalized Soldier Memorials Pony Express Delivery Service Racetrack Church Raymond, Washington Iron Cut-Outs Robert Frost: The Road Not Taken Santiago de Compostela Pilgrimage Single Building School Houses Squatter’s Rights Stock Market Casualties of 1929 Story in the Stones Tiny Houses Twilight Tourism Vladimir Lenin’s Seattle Sculpture Voyeurism Sculpture Wilver Willie Stargell Wrinkles of the City Wall Murals
Dedicated to the Sailors and Marines who lost their lives on the final voyage of USS Indianapolis and to those who survived the torment at sea following its sinking. plus the crews that risked their lives in rescue ships. The USS Indianapolis (CA-35) was a decorated World War II warship that is primarily remembered for her worst 15 minutes. . This ship earned ten (10) battle stars for her service in World War II and was credited for shooting down nine (9) enemy planes. However, this fame was overshadowed by the first 15 minutes July 30, 1945, when she was struck by two (2) torpedoes from Japanese submarine I-58 and sent to the bottom of the Philippine Sea. The sinking of Indianapolis and the loss of 880 crew out of 1,196 --most deaths occurring in the 4-5 day wait for a rescue delayed --is a tragedy in U.S. naval history. This historical reference showcases primary source documents to tell the story of Indianapolis, the history of this tragedy from the U.S. Navy perspective. It recounts the sinking, rescue efforts, follow-up investigations, aftermath and continuing communications efforts. Included are deck logs to better understand the ship location when she sunk and testimony of survivors and participants. For additional historical publications produced by the U.S. Naval History and Heritage Command, please check out these resources here: https://bookstore.gpo.gov/agency/naval-history-heritage-command Year 2016 marked the 71st anniversary of the sinking and another spike in public attention on the loss -- including a big screen adaptation of the story, talk of future films, documentaries, and planned expeditions to locate the wreckage of the warship.
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
Describes daily life in the Aztec world, including coverage of geography, foods, trades, arts, games, wars, political systems, class structure, religious practices, trading networks, writings, architecture and science.
A pioneering work in oral history, this book tells the story of the rise and fall of the industrial revolution and the apogee and crisis of the labor movement through an oral history of Terni, a steel town in Central Italy and the seat of the first large industrial enterprise in Italy. This story is told through a combination of stories, songs, myths and memories from over 200 voices of five generations, woven with a wealth of archival material.
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
The great medieval necropolis of Cairo, comprising two main areas that together stretch twelve kilometers from north to south, constitutes a major feature of the city's urban landscape. With monumental and smaller-scale mausolea dating from all eras since early medieval times, and boasting some of the finest examples of Mamluk architecture not just in the city but in the region, the necropolis is an unparalleled--and until now largely undocumented--architectural treasure trove. In Architecture for the Dead, architect Galila El Kadi and photographer Alain Bonnamy have produced a comprehensive and visually stunning survey of all areas of the necropolis. Through detailed and painstaking research and remarkable photography, in text, maps, plans, and pictures, they describe and illustrate the astonishing variety of architectural styles in the necropolis: from Mamluk to neo-Mamluk via baroque and neo-pharaonic, from the grandest stone buildings with their decorative domes and minarets to the humblest--but elaborately decorated--wooden structures. The book also documents the modern settlement of the necropolis by families creating a space for the living in and among the tombs and architecture for the dead.
"United States Department of Agriculture, Forest Service, Pacific Southwest Region"