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Having earned the title of Armsmaster, were-jaguar Gar Silvear returns to his home town of Jag's Lair, where he and his fellow martial artists, Luan and Carla, are warmly greeted by his parents. A little TOO warmly, in fact. Something weird is going on with Garl's folks, and it may spell utter chaos for his relationship with Luan!
"Galactic Heroes" In a far distant time and place, Ancient Gina witnesses the "End Game," a struggle for survival among cosmic-scale beings desperate to escape the destruction to be wrought by the Umbra. Determined to get these mega-titans to work together to save the universe instead of just themselves, she has enlisted her own mighty band of beings, and the battle is engaged on every scale, from ultra-microscopic to ultra-galactic!
In Jag's Lair, Luan is feeling depressed about her chances with Gar, so Carla has summoned Ayane to put some fight back in their friend. Unfortunately, a drastic error on the part of Dungeon Master Dee'em means Ayane's arrived right in time to help battle an incursion of Umbral forces led by A'Monn'Ra, the Ever-Living!
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Acting in Musical Theatre remains the only complete course in approaching a role in a musical. It covers fundamental skills for novice actors, practical insights for professionals, and even tips to help veteran musical performers refine their craft. Updates in this expanded and revised second edition include: A brand new companion website for students and teachers, including Powerpoint lecture slides, sample syllabi, and checklists for projects and exercises. Learning outcomes for each chapter to guide teachers and students through the book’s core ideas and lessons New style overviews for pop and jukebox musicals Extensive updated professional insights from field testing with students, young professionals, and industry showcases Full-colour production images, bringing each chapter to life Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing group and solo exercises, making it the definitive textbook for students and practitioners alike.
"Thanks for the Memory." "Swinging on a Star." "The Way You Look Tonight." Three great and popular standards of the American songbook--and all three won Oscars for best song. But who wrote these songs? What movies were they written for? Which stars introduced them? In the 25 years covered by this book, 160 songs were nominated for Academy Awards. Some are well known, but many are nearly forgotten. They deserve more lasting recognition. Best Songs of the Movies tells the stories behind all these songs, year by year. After announcing the nominated songs, the text describes the way each song was presented and performed, critiques the lyrics and melody, and provides appropriate historical and biographical insights. One appendix presents brief biographies of all the lyricists and composers responsible for these songs; another lists the Oscar-nominated and winning songs from 1959 through 2003. A bibliography and index complete the volume.
The lights dim and soon the theatre becomes dark. The audience conversations end with a few softly dissipating whispers, and the movie begins. Nina Sayers, a young ballerina, dances the prologue to Tchaikovsky’s Swan Lake, a ballet expressing a story drawn from Russian folk tales about a princess who has been turned into a White Swan and can only be turned back if a man swears eternal fidelity to her. However, this is not that ballet. This is the beginning of Black Swan, a controversial movie employing symbolism in a complex interweaving of dance and film to reveal the struggles and paradoxes of everything from a female rite-of-passage to questions about where artistic expression should demand self-sacrifice and whether such sacrifice is worth the price. The dance floor is the stage of life, the place where physical actions take on the symbolic meanings of mythology and express the deepest archetypes of the human mind. This book explores how dance gives shape to those human needs and how it reflects, and even creates, the maps of meaning and value that structure our lives. Though the volume looks at all the forms of dance, it focuses on three main categories in particular: religious, social, and artistic. Since the American Musical and subsequent Musical Videos have both reflected and influenced our current world, they receive the most space—such acclaimed performers as Fred Astaire, Gene Kelly, Judy Garland, Ricky Nelson, Elvis Presley and Michael Jackson, such important composers and lyrists as Gershwin, Rodgers-and-Hammerstein, Porter, Berlin, Webber, Bernstein, the Beatles, and the Who, and such choreographers as Graham, Balanchine, Robbins and Fosse are examined in particular detail.
A dictionary of short entries on American musicals and their practitioners, including performers, composers, lyricists, producers, and choreographers
"Impressively detailed. . . . An authoritative and epic overview."—Publishers Weekly In the convulsive years between 1920 and 941, Americans were first dazzled by unprecedented economic prosperity and then beset by the worst depression in their history. It was the era of Model T's, rising incomes, scientific management, electricity, talking movies, and advertising techniques that sold a seemingly endless stream of goods. But is was also a time of grave social conflict and human suffering. The Crash forced Hoover, and then Roosevelt and the nation, to reexamine old solutions and address pressing questions of recovery and reform, economic growth and social justice. The world beyond America changed also in these years, making the country rethink its relation to events in Europe, Latin America, and Asia. The illusion of superiority slowly died in the 1930s, sustaining a fatal blow in December 1941 at Pearl Harbor.