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Leprechaun Princess O'Lura has just received a nasty surprise from her father, King Shamus: All wee folk, Leprechauns included, are critically low on Sprinkles, a key element of their magic, and he forbids her to restock! Not wanting her people to face a less magical future when she eventually takes the throne, O'Lura takes a covert task force to find more -- but they're not the only ones!
In the future, *Professor Roquette* invites special guests from the past to teach her class first-hand about the origins of black magic. However, one of them is none too pleased to discover his vast, eternal empire completely collapsed for mysterious reasons. He then learns one person knows how his reign ended: *Tiffany 'Gia!* So the sneery skeletal sorcerer sets a trap for Tiff' in the past!
The perfect companion to cinema's most spectacular genre, The Rough Guide to Film Musicals reveals how an escapist entertainment became Hollywood's most ingenious art form. From such enduring classics as Singin' In The Rain and West Side Story to recent successes like Evita and Chicago, this book reviews 50 essential musicals, including several forgotten gems. There are profiles of musical icons such as Fred Astaire, Judy Garland and George Gershwin and details of musicals from around the world. Complete with a list of the best soundtracks, websites and books for further reading, this Rough Guide takes a behind the scenes look at this magical movie genre.
In this lively collection of interviews, storied music writer Jas Obrecht presents a celebration of the world's most popular instrument as seen through the words, lives, and artistry of some of its most beloved players. Readers will read--and hear--accounts of the first guitarists on record, pioneering bluesmen, gospel greats, jazz innovators, country pickers, rocking rebels, psychedelic shape-shifters, singer-songwriters, and other movers and shakers. In their own words, these guitar players reveal how they found their inspirations, mastered their instruments, crafted classic songs, and created enduring solos. Highlights include Nick Lucas's recollections of waxing the first noteworthy guitar records; Ry Cooder's exploration of prewar blues musicians; Carole Kaye and Ricky Nelson on the early years of rock and roll; Stevie Ray Vaughan on Jimi Hendrix; Gregg Allman on his brother, Duane Allman; Carlos Santana, Eric Johnson, and Pops Staples on spirituality in music; Jerry Garcia, Neil Young, and Tom Petty on songwriting and creativity; and early interviews with Eddie Van Halen, Joe Satriani, and Ben Harper.
In the world of slapstick comedy, few are more beloved than the Three Stooges. Throughout their 190 short films, they consistently delivered physical, verbal and situational comedy in new and creative ways. Following the trio from outer space to ancient Rome, this volume provides an in-depth look at their comedy and its impact on twentieth century art, culture and thought. This analysis reveals new insights into the language, literary structure, politics, race, gender, ethnicity and even psychology of the classic shorts. It discusses the elements of surrealism within the Stooges films, exploring the many ways in which they created their own reality regardless of time and space. The portrayal of women and minorities and the role of the mistake in Stooges' works are also addressed. Moreover, the book examines the impact that the Columbia Studios style and the austerity of its Short Subjects Department had on the work of the Three Stooges, films that ironically have outlasted more costly and celebrated productions.
This book is the first comprehensive and systematic study of cross-class romance films throughout the history of American cinema. It provides vivid discussions of these romantic films, analyses their normative patterns and thematic concerns, traces how they were shaped by inequalities of gender and class in American society, and explains why they were especially popular from World War I through the roaring twenties and the Great Depression. In the vast majority of cross-class romance films the female is poor or from the working class, the male is wealthy or from the upper class, and the romance ends successfully in marriage or the promise of marriage.
Part armchair travelogue, part guide book, this projected three-volume series—divided into the western, central, and eastern United States—will introduce readers to all 155 national forests across the country. This Land is the only comprehensive field guide that describes the natural features, wildernesses, scenic drives, campgrounds, and hiking trails of our national forests, many of which—while little known and sparsely visited—boast features as spectacular as those found in our national parks and monuments. Each entry includes logistical information about size and location, facilities, attractions, and associated wilderness areas. For about half of the forests, Robert H. Mohlenbrock has provided sidebars on the biological or geological highlights, drawn from the "This Land" column that he has written for Natural History magazine since 1984. Superbly illustrated with color photographs, botanical drawings, and maps, this book is loaded with information, clearly written, and easy to use. This volume covers national forests in: Alaska, Nevada, Arizona, Oregon, California, Utah, Idaho, Washington
This pivotal Research Handbook analyses the interconnectedness of family property and the law through historical, contemporary, comparative and jurisdiction-specific lenses. Authors analyse some of the most well-known, contested and politicised legal developments in the field of family property law.
Dr. Jerome Blackman, author of 101 Defenses: How the Mind Shields Itself, has once again crafted an extraordinarily user-friendly book that demonstrates to all readers, from trainees to advanced analysts, the process of diagnosing mental disturbance. Get the Diagnosis Right provides a systematic method for accurately determining whether a person suffering with mental problems needs medication, supportive/cognitive, dynamic, and/or psychoanalytic treatment. Amalgamating the most useful ideas from general psychiatry, cognitive psychology, and modern psychoanalytic theory, Dr. Blackman guides readers who prescribe treatment for mental disturbances. The book also serves as a check for those who are considering what type of mental health professional they should be consulting. After reading this book, you will no longer have to guess whether a depressed patient should obtain medication, supportive therapy, insight therapy, or some mixture of the three; or question how to conduct an initial interview and assessment. Written in language that is clear but not simplistic, this book goes far beyond other diagnostic manuals.
Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.