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The final chapter in Penny and Ace's honeymoon saga, and the final showdown between Ace and Dark Bird! It's an underground volcanic dogfight to the death over the remains of the ancient buried city of gigantic, autonomous, transforming iron golems! One shall stand and one shall fall!
After a double-date with Brit' and Stryyp, Ace figures it's finally time he manned up about marriage and surprised Penny by proposing. Penny promptly fetches one of Gina's hyperspace pylons with a gate open to a fully prepared church, complete with freshly teleported guests, ready to start a wedding ceremony in ten minutes!
Penny and Ace's secluded tropical honeymoon getaway is spoiled when Penny's vacation spot gets targeted for a major Explorers' Society intern group expedition! The island's newlywed bliss is broken by the sounds of superdimensional excavators and accidental portals spewing ancient horrors all over! Penny figures the only way to get peace and quiet back is to show the group of explorers-in-training how it's done.
V. 1. The emergence of cinema : the American screen to 1907 / Charles Musser -- v. 2. The transformation of cinema, 1907-1915 / Eileen Bowser -- v. 3. An evening's entertainment : the age of the silent feature picture, 1915-1928 / Richard Koszarski -- v. 4. The talkies : American cinema's transition to sound, 1926-1931 / Donald Crafton -- v. 5. Grand design : Hollywood as a modern business enterprise, 1930-1939 / Tino Balio -- v. 6. Boom and bust : the American cinema in the 1940s / Thomas Schatz -- v. 7. Transforming the screen, 1950-1959 / Peter Lev -- v. 8. The sixties, 1960-1969 / Paul Monaco -- v. 9. Lost illusions : American cinema in the shadow of Watergate and Vietnam, 1970-1979 / David A. Cook -- v. 10. A new pot of gold : Hollywood under the electronic rainbow, 1980-1989 / Stephen Prince.
The stereotype of the "gold digger" has had a fascinating trajectory in twentieth-century America, from tales of greedy flapper-era chorus girls to tabloid coverage of Anna Nicole Smith and her octogenarian tycoon husband. The term entered American vernacular in the 1910s as women began to assert greater power over courtship, marriage, and finances, threatening men's control of legal and economic structures. Over the course of the century, the gold digger stereotype reappeared as women pressed for further control over love, sex, and money while laws failed to keep pace with such realignments. The gold digger can be seen in silent films, vaudeville jokes, hip hop lyrics, and reality television. Whether feared, admired, or desired, the figure of the gold digger appears almost everywhere gender, sexuality, class, and race collide. This fascinating interdisciplinary work reveals the assumptions and disputes around women's sexual agency in American life, shedding new light on the cultural and legal forces underpinning romantic, sexual, and marital relationships.
Indexes kept up to date with supplements.
Examining the female archetypes--the Andro Woman, the Cougar, the Good Doer and others--this fascinating book explores how modern-day women have overdeveloped their masculine attributes, resulting in complications and consequences, and reveals what it truly means to be feminine. Original.
Samuel Thomas Gill, or STG as he was universally known, was Australia’s most significant and popular artist of the mid-nineteenth century. For his contemporaries he epitomised ‘Marvellous Melbourne’ basking in the glow of the gold rushes. He worked in South Australia, Victoria and New South Wales and left some of the most memorable images of urban and rural life in colonial Australia. A passionate defender of Indigenous Australians and of the environment, Gill in his art celebrated the emerging quintessential Australian character. This is the first major comprehensive book to be devoted to Gill and presents a radical reassessment of one of the most important figures in Australian colonial art and reproduces, in some instances for the first time, some of the most startling images from nineteenth-century Australian art. There will be an exhibition of S.T. Gill’s work at the State Library of Victoria in July 2015 and at the National Library of Australia in June 2016, plus smaller shows in regional Victorian galleries. In association with the State Library of Victoria.
In the 1934 classic It Happened One Night, heiress Claudette Colbert races away from the altar and a conventional marriage and throws herself into a wisecracking rough-and-tumble affair with Clark Gable. The new brand of movies following in the wake of Capra's kooky masterpiece-and the women starring in them-are the focus of Kendall's The Runaway Bride, a look at the films that mirrored the climate of the Great Depression while at the same time helping Americans get through it. Kendall details the collaborations between the romantic comedy directors and the female stars, showing how such films as Alice Adams (with Katherine Hepburn), Swing Time (where Ginger Rogers enjoys "A Fine Romance" with Fred Astaire), The Awful Truth (with Irene Dunne), and The Lady Eve (wherein Barbara Stanwyck's shapely leg repeatedly trips naïve millionaire Henry Fonda) came to be, and what they said about the 1930s. Written with erudition and enthusiasm, The Runaway Bride is a trip through some of Hollywood's most memorable moments, and a key to the national issues of an era as revealed in its films.