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In Going Up and Going Down Yitzhak Peleg argues that the story of Jacob's dream (Genesis 28.10-22), functions as a mise en abyme ('as a figure, trope or structure that somehow reflects in compact form, in miniature, the larger structure in which it appears', Greenstein). Close examination reveals that focusing on the vision of Jacob's dream and understanding it as a symbolic dream facilitates an explanation of the dream and its meaning. Scholars have historically classified the dream as theophany, the purpose of which is to explain how Beth-El became a sacred place, and as such the vision in Jacob's dream is generally accepted as merely ornamental, or even lacking a message in itself. Whilst Peleg does not contradict or seek to go against identification of the dream as theophany, he sees a more nuanced purpose behind its presentation. Peleg's proposal is that the description of the vision, and especially that of the movement of the angels, is not embellishment, supplementation or scenic background, of God's message, but that it directly symbolizes the path taken by the Patriarchs to and from the Promised Land. Furthermore, the narrative context and visual description in the dream in which 'Angels of God were going up and down it' appears when Jacob is on his way to Harran, that is to say, when he is about to leave Israel.
The last thing that I remember is feeling dizzy. When I came to I was surrounded by family and friends and I was in a hospital bed. I was drifting in and out of consciousness, I don't know if I was conscious for five minutes or for five hours. From all of the drugs and the alcohol I had been using, a vein in my esophagus had burst, I had almost bled to death and the doctors told my family that I wouldn't make it through the night. I did survive and here is my story and what I believe led me to the point of death.
Set at one young boy's annual family reunion, this Caldecott Honor-winning picture book is a rich and moving celebration of Black history, culture, and the power of family traditions. "On reunion morning, we rise before the sun. Daddy hums as he packs our car with suitcases and a cooler full of snacks. He says there's nothing like going down home" Down home is Granny's house. Down home is where Lil Alan and his parents and sister will gather with great-grandparents, grandparents, aunts, uncles, and cousins. Down home is where Lil Alan will hear stories of the ancestors and visit the land that has meant so much to all of them. And down home is where all of the children will find their special way to pay tribute to their family history. All the kids have to decide what they'll share, but what will Lil Alan do? Kelly Starling Lyons' eloquent text explores the power of history and family traditions, and stunning illustrations by Coretta Scott King Honor- and Caldecott Honor-winner Daniel Minter reveal the motion and connections in a large, multi-generational family.
This is about my journey with pseudo tumor cerebri, also known as IIH. When I was diagnosed with this disease, I lost everything. With nothing, my journey was long and hard, but with prayer I was able to make it. I will be a survivor because of it, too.
National Bestseller “A funny, sad, nasty little gem of a novel.”—Jay McInerney In bestselling author Jennifer Belle’s debut novel, Going Down, Belle introduces readers to Bennington Bloom, a coed working her way through college. As a call girl. With a sharp eye for satire and a keen comic sense, Belle chronicles nineteen-year-old Bennington’s high-pressure adventures. Stuck with an ulcer, a father who loves his dog like a daughter, a shrink who is hard of hearing, and New York University tuition to worry about, she's working overtime to keep it all together and doing what she can to survive. Spending the night in an abandoned hotel pool, punching pushy old women on the subway, Bennington is at an all-time low, and things are only going down from there. A witty take on making it in the city, Going Down showcases Jennifer Belle’s unerring gift for capturing the absurdities of day-to-day life. Funny and intelligent with an endearingly skewed take on life, Belle is the real thing.
In this rhyming story, children describe the sights and sounds of riding on the merry-go-round.
The Engage Literacy Wonder Words series is a collection of twenty-four levelled books that will help and motivate early readers, including English Language Learners (ELL), to learn their first 100 high-frequency sight words in a meaningful context, through stories. The series is accompanied by a teacher resource book containing 48 photocopiable activity worksheets, two for each book in the series.
As the author’s childhood tumbles from her memory onto the pages of print, the reader is privy to all sorts of surprising revelations. Be prepared to chuckle with glee, feel your mouth gape reading about situations too weird to be untrue, wince as your heart breaks in sadness and anger over sordid situations, and shake your head both in disbelief and even perfect understanding of unusual childhood tales. Between the covers of the book, the author’s very direct style in sharing the goings-on around her that profoundly affected her talks to the reader personally and even bluntly. As the years pass, the toll from various elements in her life becomes clearer and grows higher. The book’s title was chosen because it chronicles from a curious angle a young girl’s memories of growing up. The story’s framework of recollections connected to given residences, the number of those residences, and the regularity with which this family migrated from one to another was interesting from the storytelling perspective and fortunate for Frances and all her readers. That her memories were mentally magnetized, that they attached and were thereby preserved according to the various times and places Frances called home, was an innovative, efficient, and effective writing device. Use of the rabbit hole idiom was spot-on, because despite growing older, taller, and maturing in ways (growing up), simultaneously an ominous, downward momentum was also steadily gaining more of a foothold in the life of this young person. Left unchecked, this destructive force would increasingly result in a stranger, more problematic, and chaotic life, an exquisite analogy provided by Lewis Carroll. The story shared within this book is a poignant and absorbing account as seen through the eyes of the child who lived it. Much is revealed throughout this narrative, and although the book ends, the story obviously continues. The indubitable question is not written but silently screams, what happens next?
Going Down Under is the transcript of a 10-Day Residential Sex & Relationship seminar that was delivered in Australia by Gregory Charles, The Aussie Relationship Guru. Is for anyone who is seeking deeper meaning and answers to a wide range of issues around the core topics of sex and relationships. So far it has been read by couples (who state it helped save their marriage), college students and other singles and couples from age 19 to 60 and has been greatly valued. The book is a necessary response to a dearth of meaningful information in a plethora of superficial, time-worn, moralistic answers to the issues of sex and relationships and their place in our lives. Especially in America, Gregory’s direct and honest Aussie approach has been welcomed as an antidote to the politically correct, judgmental puritanism that permeates this culture. Starting with the name, the content brings a wry sense of humor to matters that are usually treated as being heavy and serious.
"Survival has been the Sledge way since Reuben's father first moved to Des Moines. Yet the family seems cursed, and one by one, they are slipping away. First Reuben's oldest brother is hanged for the murder of his wife. Then another brother is committed to the asylum for spying on the woman he loves. But it's the rape and disgrace of his beloved sister Nellie that drives Reuben into a despair so deep that he sets himself in opposition to the people of Des Moines. Into the depths of this depression wanders Tabor, lovely and vulnerable, who revives Reuben and sets him alive with the promise of her love. Beneath it all hangs the City, "not a city like Des Moines itself, but an inner City of Des Moines . . . or a lower City. No one has ever gotten out of the City." The City has claimed each of his dead relatives, and when Reuben learns that Tabor has descended into the City, he determines, in a moment of panic, to enter himself and bring her out. Thus begins the novel's second act, a harrowing journey through the horrors of the City and among its inhabitants, a ghastly assemblage of dwellers who've crafted new lives for themselves in the underworld." --Publisher.