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The work of one of the most formidable figures in American intellectual life." -- Washington Post Book World The seventeen essays collected in this volume prove that Ralph Ellison was not only one of America's most dazzlingly innovative novelists but perhaps also our most perceptive and iconoclastic commentator on matters of literature, culture, and race. In Going to the Territory, Ellison provides us with dramatically fresh readings of William Faulkner and Richard Wright, along with new perspectives on the music of Duke Ellington and the art of Romare Bearden. He analyzes the subversive quality of black laughter, the mythic underpinnings of his masterpiece Invisible Man, and the extent to which America's national identity rests on the contributions of African Americans. Erudite, humane, and resounding with humor and common sense, the result is essential Ellison.
Winner Trinity Schools Book Award 2018 Winner Gateshead YA Book Prize 'I love reading Sarah Govett - she's whip-smart, funny and by plugging into the hope and energy of the youth makes me feel better about these dark times.' Dame Emma Thompson Noa Blake is just another normal 15 year old with exams looming. Except in The Territory normal isn't normal. The richest children have a node on the back of their necks and can download information, bypassing the need to study. In a flooded world of dwindling resources, Noa and the other 'Norms' have their work cut out even to compete. And competing is everything - because anybody who fails the exams will be shipped off to the Wetlands, which means a life of misery, if not certain death. But how to focus when your heart is being torn in two directions at once? 'Truly heart wrenching! ... the 1984 of our time' The Guardian online 'Gripping dystopia with a keen political edge' Imogen Russell Williams, Metro 'This is a truly exceptional novel, exciting, gripping and intense' BookTrust 'pacy dystopian fantasy thriller' Telegraph's Best YA Books of 2015 'thrilling and thought-provoking' The Times 'powerful and shocking' Children's Books Ireland 'a terrific book. It simply is.' Bookwitch 'brilliant' Teen Librarian 'Brilliantly plotted, utterly gripping' Gemma Malley (The Declaration) One of The Telegraph's best YA books of 2015
From one of the most significant contemporary Japanese writers, a haunting, dazzling novel of loss and rebirth “Yuko Tsushima is one of the most important Japanese writers of her generation.” —Foumiko Kometani, The New York Times I was puzzled by how I had changed. But I could no longer go back . . . It is spring. A young woman, left by her husband, starts a new life in a Tokyo apartment. Territory of Light follows her over the course of a year, as she struggles to bring up her two-year-old daughter alone. Her new home is filled with light streaming through the windows, so bright she has to squint, but she finds herself plummeting deeper into darkness, becoming unstable, untethered. As the months come and go and the seasons turn, she must confront what she has lost and what she will become. At once tender and lacerating, luminous and unsettling, Yuko Tsushima’s Territory of Light is a novel of abandonment, desire, and transformation. It was originally published in twelve parts in the Japanese literary monthly Gunzo, between 1978 and 1979, each chapter marking the months in real time. It won the inaugural Noma Literary Prize.
In Paul Greci’s Hostile Territory, a catastrophic earthquake strands four teens in the Alaskan wilderness—and leaves them without a civilization to return to. Josh and three other campers at Simon Lake are high up on a mountain when an earthquake hits. The rest of the camp is wiped out in a moment—leaving Josh, Derrick, Brooke, and Shannon alone, hundreds of miles from the nearest town, with meager supplies, surrounded by dangerous Alaskan wildlife. After a few days, it’s clear no rescue is coming, and distant military activity in the skies suggests this natural disaster has triggered a political one. Josh and his fellow campers face a struggle for survival in their hike back home—to an America they might not recognize. An Imprint Book “In Greci’s intense survival tale with a thriller component, four teens endure a harrowing trek across the Alaskan wilderness . . . It’s clear that Greci (The Wild Lands) knows his landscape—Alaska’s beauty and natural hazards become their own vivid character in his handling.” —Publishers Weekly “Readers will feel like they are in Alaska alongside the characters... Recommended for teenagers who like postapocalyptic adventure or are fans of Gary Paulsen’s Hatchet.” —School Library Journal
Compiled, edited, and newly revised by Ralph Ellison’s literary executor, John F. Callahan, this Modern Library Paperback Classic includes posthumously discovered reviews, criticism, and interviews, as well as the essay collections Shadow and Act (1964), hailed by Robert Penn Warren as “a body of cogent and subtle commentary on the questions that focus on race,” and Going to the Territory (1986), an exploration of literature and folklore, jazz and culture, and the nature and quality of lives that black Americans lead. “Ralph Ellison,” wrote Stanley Crouch, “reached across race, religion, class and sex to make us all Americans.”
Like all of us, though few so visibly, Alan Greenspan was forced by the financial crisis of 2008 to question some fundamental assumptions about risk management and economic forecasting. No one with any meaningful role in economic decision making in the world saw beforehand the storm for what it was. How had our models so utterly failed us? To answer this question, Alan Greenspan embarked on a rigorous and far-reaching multiyear examination of how Homo economicus predicts the economic future, and how it can predict it better. Economic risk is a fact of life in every realm, from home to business to government at all levels. Whether we’re conscious of it or not, we make wagers on the future virtually every day, one way or another. Very often, however, we’re steering by out-of-date maps, when we’re not driven by factors entirely beyond our conscious control. The Map and the Territory is nothing less than an effort to update our forecasting conceptual grid. It integrates the history of economic prediction, the new work of behavioral economists, and the fruits of the author’s own remarkable career to offer a thrillingly lucid and empirically based grounding in what we can know about economic forecasting and what we can’t.The book explores how culture is and isn't destiny and probes what we can predict about the world's biggest looming challenges, from debt and the reform of the welfare state to natural disasters in an age of global warming. No map is the territory, but Greenspan’s approach, grounded in his trademark rigor, wisdom, and unprecedented context, ensures that this particular map will assist in safe journeys down many different roads, traveled by individuals, businesses, and the state.
Chronicles the creation of Meredith Willson’s The Music Man—reprinted now as the Broadway Edition Composer Meredith Willson described The Music Man as “an Iowan’s attempt to pay tribute to his home state.” Now featuring a new foreword by noted singer and educator Michael Feinstein, this book presents Willson’s reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America’s most popular musicals. Willson’s whimsical, personable writing style brings readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. Fresh admiration of the musical—and the man behind the music—is sure to result.
DIVThe first collection of nonfiction from the author Tony Kushner calls “one of the best novelists writing in the world today” /divDIV Over a thirty-year period, novelist Christopher Bram witnessed, and lived through, the powerful experiences of coming out, the AIDS epidemic, gay marriage, and the social changes that have occurred in lower Manhattan. From the title piece, which maps the state of gay fiction, to “A Body in Books,” about the gay books that changed the author’s life, the essays in Mapping the Territory form a coherent autobiographical account of Bram’s life. This work wouldn’t be complete without “Homage to Mr. Jimmy,” his account of how his novel Father of Frankenstein grew from his imagination and writing into the Oscar-winning movie Gods and Monsters. Mapping the Territory is a thoroughly engaging and compelling look into a great American writer./div
At the end of State Road 170 and just past a ghost town lies Artemis, population 2,500. The townspeople had sought out this remote corner of Western Texas in hopes of living lives of solitude and independence. None of them realized that their small town would become a hot spot for Mexican drug runners, whose turf battles have turned both sides of the Rio Grande into a war zone. Still, many of the locals would rather take the law into their own hands than get help from police chief Josie Gray, even when they're up against a cartel's private army. After arresting one of the cartel's hit men and killing another, Josie finds her life at risk for doing a job that many people would rather see her quit. And when the town's self-appointed protector of the Second Amendment is murdered and his cache of weapons disappears, it's clear that she doesn't have to pick sides in this war. She's battling them both. Set in a desert landscape as beautiful as it is dangerous, The Territory captures the current border issues from the eyes of a tough, compelling heroine and richly evokes the American Southwest.
With the same intellectual incisiveness and supple, stylish prose he brought to his classic novel Invisible Man, Ralph Ellison examines his antecedents and in so doing illuminates the literature, music, and culture of both black and white America. His range is virtuosic, encompassing Mark Twain and Richard Wright, Mahalia Jackson and Charlie Parker, The Birth of a Nation and the Dante-esque landscape of Harlem−"the scene and symbol of the Negro's perpetual alienation in the land of his birth." Throughout, he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man. On every page, Ellison reveals his idiosyncratic and often contrarian brilliance, his insistence on refuting both black and white stereotypes of what an African American writer should say or be. The result is a book that continues to instruct, delight, and occasionally outrage readers thirty years after it was first published.