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John Carpenter's Halloween, released on October 25, 1978, marked the beginning of the horror film's most colorful, controversial, and successful offshoot--the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the "final girl," the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.
An intimate guide to self-acceptance and discovery that offers a Buddhist perspective on wholeness within the framework of a Western understanding of self. For decades, Western psychology has promised fulfillment through building and strengthening the ego. We are taught that the ideal is a strong, individuated self, constructed and reinforced over a lifetime. But Buddhist psychiatrist Mark Epstein has found a different way. Going to Pieces Without Falling Apart shows us that happiness doesn't come from any kind of acquisitiveness, be it material or psychological. Happiness comes from letting go. Weaving together the accumulated wisdom of his two worlds--Buddhism and Western psychotherapy—Epstein shows how "the happiness that we seek depends on our ability to balance the ego's need to do with our inherent capacity to be." He encourages us to relax the ever-vigilant mind in order to experience the freedom that comes only from relinquishing control. Drawing on events in his own life and stories from his patients, Going to Pieces Without Falling Apart teaches us that only by letting go can we start on the path to a more peaceful and spiritually satisfying life.
When her mother disappears during a business trip, seventeen-year-old Anne discovers that her family harbors many dark secrets.
The slasher film genre got its start in the early 1960s with filmmakers such as Alfred Hitchcock Psycho and Michael Powell Peeping Tom making provocative mainstream films, but it is most associated with the late 1970s and the releases of Halloween and Friday the 13th. They have been frightening and thrilling audiences ever since with their bloody scenes and crazed killers. Over 250 slasher films are presented in this work, each with major cast and production credits, a plot synopsis, and a short critique; interesting production notes are often provided. Some of the films covered include Alice, Sweet Alice, American Psycho, The Burning, Cherry Falls, Curtains, Deep Red, Frenzy, Hide and Go Shriek, Maniac, Prom Night, Scream, Sleepaway Camp, Slumber Party Massacre, and The Texas Chain Saw Massacre. Filmographies are provided for slasher directors, actors, writers, and composers.
How do you repair a broken life? Home is a dark place of anguish and pain for seventeen-year-old Bree Jacobs, forced to endure emotional and physical torment daily at the hands of a violently unstable mother. Bree's only escape is high school, particularly her history class taught by young, handsome, kind and caring Axel Taylor. Mr. Taylor becomes Bree's dearest friend, a sympathetic ear and a shoulder to cry on, and soon their shared affection grows into something greater. But by reaching out to protect her-to mend her breaks and soothe her wounds-Axel has crossed a dangerous line, resulting in two shattered lives instead of just one. Six years later, they will meet again: Bree, still battling the demons that continue to possess her, and Axel, reduced to taking work as a substitute teacher wherever he can find it. Once again he will feel compelled to rescue her. But this time it will be different, because now the yearnings of a loving heart won't be silenced by suspicious minds. And now there's more than one life that desperately needs saving.
In this first book of a three-book series, author Vannetta Chapman brings a fresh twist to the popular Amish fiction genre. She blends the familiar components consumers love in Amish books—faith, community, simplicity, family—with an innovative who-done-it plot that keeps readers guessing right up to the last stitch in the quilt. When two women—one Amish, one English—each with different motives, join forces to organize a successful on-line quilt auction, neither expects nor wants a friendship. As different as night and day, Deborah and Callie are uneasy partners who simply want to make the best of a temporary situation. But a murder, a surprising prime suspect, a stubborn detective, and the town's reaction throw the two women together, and they form an unlikely alliance to solve a mystery and catch a killer. Set in the well-known Amish community of Shipshewana, Falling to Pieces will attract both devoted fans of the rapidly-growing Amish fiction genre, as well as those who are captivated by the Amish way of life.
Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as Black Christmas (1974), Halloween (1978) and Friday the 13th (1980) in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons. However, by examining the commercial logic, strategies and objectives of the American and Canadian independents that produced the films and the companies that distributed them in the US, Blood Money demonstrates that filmmakers and marketers actually went to extraordinary lengths to make early teen slashers attractive to female youth, to minimize displays of violence, gore and suffering and to invite comparisons to a wide range of post-classical Hollywood's biggest hits; including Love Story (1970), The Exorcist (1973), Saturday Night Fever (1977), Grease and Animal House (both 1978). Blood Money is a remarkable piece of scholarship that highlights the many forces that helped establish the teen slasher as a key component of the North American film industry's repertoire of youth-market product.
Expresses the love between animals and their babies using mosaic artwork illustrations.
The first collection of literary writing on raising a child with special needs, Love You to Pieces features families coping with autism, deafness, muscular dystrophy, Down syndrome and more. Here, poets, memoirists, and fiction writers paint beautiful, wrenchingly honest portraits of caring for their children, laying bare the moments of rage, disappointment, and guilt that can color their relationships. Parent-child communication can be a challenge at the best of times, but in this collection we witness the struggles and triumphs of those who speak their own language-or don't speak at all-and those who love them deeply.
St. Petersburg High school juniors Dicey Bell, a baseball star, and Jack Chen, who loves science and role-playing games, discover a mutual attraction when paired for a project, but on their first date, a zombie-producing fungus sends them on the run.