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Photographer and writer Shawn M. Tomlinson, author of the Photo Curmudgeon column and books, explains in detail the joys of working with a professional, albeit older, DSLR, the Nikon D1. "In fact, you can put your hands on a professional DSLR body and a lens for around $200 if you really want to know what all the fuss is about," Tomlinson writes. "No, I'm not talking about a Nikon D4S that, ah, 'fell off a truck.' I'm talking about the very first, ground-up DSLR for the professional market. The Nikon D1." The author covers buying and working with the Nikon D1, illustrating points with many D1 photos. In the second part, Tomlinson explains the usefulness of prime lenses. He considers the uses, advantages and disadvantages, and provides a conversational approach to making the move to primes. "In this short guide, I give you some pointers about what prime lenses do, what type you may need for your particular photographic vision and how to choose what you need," Tomlinson writes.
Photographer and writer Shawn M. Tomlinson, author of the Photo Curmudgeon column and books, explains in detail the usefulness of prime lenses for photographers who typically only use zoom lenses in this expanded edition. He considers the uses of prime lenses, the advantages as well as the disadvantages, and provides a conversational approach to making the move to this type of lens. Prime lenses are sharper and have less distortion, less chromatic aberration and brighter maximum apertures than zooms, he reports. Tomlinson examines the most common prime lenses, how they are used and what a photographer can expect to pay. "In this short guide, I give you some pointers about what prime lenses do, what type you may need for your particular photographic vision and how to choose what you need," Tomlinson writes in the book.
The designers at Nikon in 2004-05 were looking for a way to reach the semi-pro photographer. The semi-pro is someone who has another job but shoots photos Ñ often at weddings Ñ as a part-time job. TheyÕre sometimes called weekend warriors. They tend to be serious and dedicated, but they had no need for the pro digital single-lens reflex behemoths like the Canon EOS IDX Mark II or the Nikon D5. What they needed then and now is a DSLR camera that is built strong, is always reliable and can handle their workload. That led to the first true semi-pro camera from the company, the Nikon D200. The D200 may have been overshadowed by its successor, the Nikon D300, but itÕs still a great camera. A great camera that can be had relatively cheaply, and that makes it an even better camera.
The Nikon D7000 was aimed at the Enthusiast photographer when when it was released in 2010, but it proved to be such a tough, reliable camera, it became the darling of semi-pro photographers everywhere. At 16.2 megapixels, this APS-C/crop frame DSLR has great resolution and handles nearly every Nikon lens ever made. In this volume of Shawn M. TomlinsonÍs Guide to Photography, the Nikon D7000 proves itself to be one of the best mid-range DSLRs available for the budding photographer at the Enthusiast and Semi-Pro levels.
I have been somewhat reluctant to write about the absolute best digital single-lens reflex camera I have ever used, the Nikon D800E. The reason is that I like to write about older cameras that have become cheaper to buy and use for the frugal photographer. Although some of the cameras I have written about were terribly expensive when first released, by now they are reasonably cheap. For example, IÍve written books about the Canon EOS 1DS/1DS Mark II, the Nikon D1 and the Nikon D2X. These all are pro DSLRs and as such were released at prices ranging from $6,000 to $8,000. By now, however, the most you will pay is around $400 for any of them. In a few years, the Nikon D800E, too, will be much cheaper and an obvious choice for the frugal photographer. No matter the price, the D800 and D800E are two of the best DSLRs ever made. Either will change you as a photographer in fantastic ways.
A lot has changed since I wrote and published this first volume of what became this guide series. One thing hasnÕt. I still have the same enthusiasm and joy in photography I had way back at the beginning of the series. I have a lot more knowledge and experience now and, occasionally even get close to taking good photographs. ThatÕs the thing, see. I didnÕt know a lot when I originally wrote this guide. I had been working in photography since 1982 professionally. Everything I knew, pretty much, was self-taught. In general, thatÕs still true. ThereÕs no need for you to do it all by yourself, too, though. This book and this series are meant to help you get going with the basics fast. Yes, OK, I tend to relate my own experiences, but that, too, is meant to help you avoid some basic mistakes I made. And, perhaps, I write in a tad too friendly manner, but think of it as sitting down with me to have a friendly talk about a passion we share: Photography!
The folks at Nikon produced the first practical digital single-lens reflex camera with the Nikon D1 in 1999, but Canon was hot on their heels, reaching out to the Enthusiast photography market first with the Canon EOS 30D. Always in direct competiion with Canon, Nikon pushed to get its first Enthusiast DSLR on the market by 2002, the Nikon D100. It may be old now, but it still is a viable choice for the frugal photographer starting out. In this volume of Shawn M. TomlinsonÍs Guide to Photography, Nikon D100 takes center stage, showing exactly how good this camera is and why it makes a great first DSLR.
The Hitchhiker in Time columns were the single most popular things ever written by Shawn M. Tomlinson, which honestly doesn't say all that much. All together, they appeared in fewer than 10 newspapers between 1988 and 2001. Well, multiple copies of those newspapers, of course. The highest circulation was approximately 40,000, so not exactly Bob Greene levels. Still, Tomlinson had a following with these columns and to a great extent, they hold up well today. Either that or Tomlinson would like to think so. Many of these columns appeared in chapbooks over the years, but this is the first full collection of them to be in print.
Martin sat in an old office chair. It didn't seem odd in the New Old West saloon. End o' the world and all, he thought. He knew them the moment they walked in. The man and woman were dressed right, but out of place. "Evenin'" Martin said casually. "We understand you buy new technology," the man said The lanky woman reached under her poncho and held a small black rectangular object out to him. Martin looked at it, said, "OK, I give up. What's it do?" The man dropped something, and there was a blinding explosion. "Flash-bang," Martin thought as he holstered his pistol. He scooped up the black rectangle, shoved it in his pocket and left. Back at his house Martin, looked at the device, set his drink down. He pulled out a cheroot, lit it, examined the device closely. His thumb ran along the flat surface and everything got loud suddenly. There was a blast and white light and the room disappeared. Martin felt rapid movement, said, "Another mission," and was gone.
It has taken me 37 years to write this biography of author Robert W. Chambers. Along the way, I wrote and published many articles about him, but did not complete the biography until 2014. I got the idea of writing it when I was 15, and the reason I got the idea is the same reason it has taken so long to write the book. There simply is not that much information about Chambers out there. Despite his fame and thorough integration in New York high society, very little was written about him during his lifetime. This volume contains the Expanded Edition of the biography, Robert W. Chambers: Maker of Moons, as well as the collection of articles, originally titled, Robert W. Chambers: In Search of the Unknown Author of The King in Yellow.