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For readers of Sarah Smarsh's Heartland and J.D. Vance's Hillbilly Elegy, an intimate portrait of the joys and hardships of rural life, as one man searches for community, equality, and tradition in Appalachia.
Booklist Editors’ Choice “Best Books of 2019” An intimate portrait of the joys and hardships of rural life, as one man searches for community, equality, and tradition in Appalachia Charles D. Thompson, Jr. was born in southwestern Virginia into an extended family of small farmers. Yet as he came of age he witnessed the demise of every farm in his family. Over the course of his own life of farming, rural education, organizing, and activism, the stories of his home place have been his constant inspiration, helping him identify with the losses of others and to fight against injustices. In Going Over Home, Thompson shares revelations and reflections, from cattle auctions with his grandfather to community gardens in the coal camps of eastern Kentucky, racial disparities of white and Black landownership in the South to recent work with migrant farm workers from Latin America. In this heartfelt first-person narrative, Thompson unpacks our country’s agricultural myths and addresses the history of racism and wealth inequality and how they have come to bear on our nation’s rural places and their people.
Set in 1932, this is the story of two misfits with no place to call home, who build a relationship during a train hopping journey from the cold heartbreak of their eastern homes toward the sunny promise of California. Pearl "Soupy" Plankette ran away from her abusive father, but has nowhere to go until she stumbles upon a disguise that gives her the key to a new identity. Reborn as a boy named Soupy, she hitches her star to Remy "Ramshackle" Smith, a hobo who takes her under his wing. Ramshackle's kindness and protection go a long way to help Soupy heal from her difficult past. But Ramshackle has his own demons to wrestle with, and he'll need Soupy just as much as she needs him. “A compelling graphic offering that explores relevant gender roles and self-identity through a historical lens.” – from the Kirkus Starred Review "VERDICT A well-researched and richly illustrated runaway tale that will appeal to fans of escapist fiction and thoughtful readers."–Anna Murphy, ¬Berkeley Carroll School, Brooklyn, From the School Library Journal review, March 2017 “Soupy Leaves Home tells the story of a time no longer familiar to us—a time of living the rails and simmering Mulligan Soup, a time of chosen names and secret languages—yet a tale that anyone with a longing heart and a restless spirit can relate to. It transports you magically to a place long gone, but its tale of poverty and survival are still as relevant as they ever were—the characters may be penniless, but they are so emotionally wealthy that this book leaves you filled with warmth, hope, and love.”—Gerard Way “Castellucci’s heartfelt odyssey is a reckoning with death and identity on the tracks, brought to life by Pimienta’s patient, ever-evolving use of color. Soupy Leaves Home is for all restless souls hungry to start again.”—Nate Powell (March, Swallow Me Whole) “A charming and optimistic slice of Americana.”—Hope Larson (Wrinkle in Time, Batgirl) "I love Cecil Castellucci, she is crazy and cool and full of energy and heart, and so is all of her work. And Soupy Leaves Home may be one of her finest and most effecting works yet!”—Jeff Lemire
Sampling virtually all of the old-time styles within the musical traditions still extant in north Georgia, Folk Visions and Voices is a collection of eighty-two songs and instrumentals, enhanced by photographs, illustrations, biographical sketches of performers, and examples of their narratives, sermons, tales, and reminiscences.
'The Burning Inns' is a fictionalized account of a true incident. The two Inns mysteriously burned to the ground on the same spot forty-seven years apart. The authorities never charged or even accused anyone of arson. An old man who lived through both incidents and his grandson tell the story. The story spans almost a hundred years.
Traditional songs from the Catskill area of New York State are accompanied by detailed discusssions of their roots, development, musical structure, and subject matter
First published in 1957, The Family Life of Old People opens with the question: Are old people isolated from their families? Thereafter, the author describes the results of intensive interviews with people of pensionable age in Bethnal Green in East London. Part one shows that most people are members of closely-knit extended families of three generations, often living in separate households in adjoining streets. The life of these families is of absorbing interest and the social structure of the home, the system of family care and the domestic, economic and social relationships between husbands and their wives, and between old people and their children and brothers and sisters, are carefully analysed. Part two discusses the social problems of old age against this background. This book will be of interest to students of sociology and gerontology.
We are nomads. We are all nomads. We are all nomad singing our lives into the night. Our lives arise, melodies and syncopated rhythms giving way to meanings and tellings. Shadows, echoes, and flickerings. Hints, mumblings, and innuendo. Some of the stanzas are whispers and others are loud, slow dirges. Some we sing alone. Others are call and response. We rarely sing together (all of us at once and in the same place), but we do. From time to time. Quite often when we are not trying to. Quite often we sing together, but from different places in time and space. A call. There is some sense of our nomad-self--our nomad soul--which responds to an inner and an outer call. It is as if the inner thrum--that ambient hum of our individual life--is lured to and infatuated with the outer thrum--that other ambient hum of life, the one for all that is. The calls meet up and they bond themselves covalently. That which is inside is magically seduced by that which is outside. Come and join the Caravan you are already a part of.