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This volume accepts that in the 20th century imagination, Devon has often been portrayed as the antitheses of an urban, technological modernism a place of nostalig retreat from change - yet argues that it has not been isolated from modernism.
Ghost stories are always in conversation with novelistic modes with which they are contemporary. This book examines examples from Sir Walter Scott, Charles Dickens, Henry James and Rudyard Kipling, amongst others, to the end of the twentieth century, looking at how they address empire, class, property, history and trauma.

The New British Traveller; Or, A Complete Modern Universal Display of Great-Britain and Ireland : Being a New, Complete, Accurate, and Extensive Tour Through England, Wales, Scotland, Ireland, the Isles of Man, Wight, Scilly, Hebrides, Jersey, Sark, Guernsey, Alderney, and Other Islands Adjoining to and Dependent on the Crown of Great-Britain. ... and Including a Valuable Collection of Landscapes, Views, County-maps, &c. ... Also, a Acomplete Book of the Roads, a List of All the Fairs, and a Variety of Other Useful and Entertaining Particulars....The Whole Published Under the Immediate Inspection of George Augustus Walpoole, Esq. Assisted in ... the Articles Respecting Wales, by David Wynne Evans, F.R.S. In Those Descriptive of Scotland, by Alexander Burnet, LL. D. And in Such as Relate to Ireland, &c. by Robert Conway, A.M. ...

George Augustus Walpoole

Published: 1784*

Total Pages: 756


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Informed by new research, this rich collection of thought-provoking essays presents a fresh assessment of British Art in the Cultural Field, 1939–69, locating influential artists, movements, institutions, and individual works against the changing economic and cultural landscape to shed new light on this seminal period in British art history. International art historians explore many different aspects of the period which saw post-war austerity, decolonisation, and the birth of postmodernism Takes a variety of approaches, from the broad canvas of the political economy of art to closely attentive readings of individual artists and works, from Bacon to Stirling, and the Independent Group to Pop Art Invaluable for students and scholars of the field, as well as general readers, including the growing number of collectors of twentieth-century British art
What does it mean to live in the modern world? How different is that world from those that preceded it, and when did we become modern? In Distant Strangers, James Vernon argues that the world was made modern not by revolution, industrialization, or the Enlightenment. Instead, he shows how in Britain, a place long held to be the crucible of modernity, a new and distinctly modern social condition emerged by the middle of the nineteenth century. Rapid and sustained population growth, combined with increasing mobility of people over greater distances and concentrations of people in cities, created a society of strangers. Vernon explores how individuals in modern societies adapted to live among strangers by forging more abstract and anonymous economic, social, and political relations, as well as by reanimating the local and the personal.
A lively and informative set of perspectives on the key themes that shape modern Britain.
Leading authorities explore the transition from the High Victorian period to the counterculture of the 1960s and the Young British Artists of the 1990s. The book brings to the fore Britain's complex role as a focus for the dissemination of modernist ideas, as well as the reaction against them, and details the political, social, and commercial relationships underpinning the role of art and artists in the history of modern Britain. Distributed for the Yale Center for British Art and Tate Britain