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Winner: 2021 IndieReader Discover Awards - Entertainment Nonfiction Finalist: 2021 Next Generation Indie Book Awards - Career Nonfiction Honorable Mention: 2021 Writer's Digest Self-Published Book Awards - Nonfiction/Reference Ever hear of an entry-level job where the office moves daily, co-workers change constantly and responsibilities could range from unclogging a backed-up dressing room toilet to cueing the controlled explosion of a spaceship in the middle of a busy city park? Well it's a real job, the title of which is production assistant (PA for short, a.k.a. "gofer"). This is the first position that many people have in the film and television production industry. After working hundreds of overtime hours as a PA, Daniel Scarpati learned that success in showbiz is all about who you don't know! Come behind the scenes of countless sets to hear about the plentiful, sometimes painful tasks PAs are asked to do so the show can go on. "Gofers" places the entry-level role and hectic lifestyle of a PA in the spotlight. It explains, step-by-step, how Daniel went from making home movies in his backyard and having zero connections to working on dozens of primetime network series, major studio movies and big-budget commercials. Through stories from time spent with renowned cast and crew, Daniel explains how to forge your own path in the industry. This isn't just another textbook. The street smarts, people skills and practical life lessons can translate to any industry. "I so wish I had this book when I was first trying to be a writer/producer in L.A. I started as a PA, but this would've saved me the two years it took to learn the protocol of Hollywood." - Russ Woody, producer/writer of Parenthood, The Middle, Becker, Mad About You and The Drew Carey Show "'Gofers' is a must read for anyone interested in breaking into the motion picture industry. Full of how to, on-set knowledge, and peppered with anecdotes told through the eyes of veteran PA Dan Scarpati, it is informative, fun, and tells it like it is." - Tom Reilly, member: the Directors Guild of America, author of "The Hollywood MBA: A Crash Course in Management From a Life in The Film Business" "Former PA Daniel Scarpati has written a book, and don’t worry, he doesn’t burn anybody. 'Gofers' is a fun, scrappy, very readable memoir/guide to being a PA... If you know anyone thinking of trying to break into movies, they will likely appreciate this book. It would also be good for directors and department heads to read it, if only to remember: Everyone on set might write a book someday, so be nice." - Tim Molloy, Editor-in-Chief, MovieMaker Magazine
Working as a film/TV production assistant (PA, a.k.a. "gofer") taught Daniel Scarpati that success in showbiz is all about who you don't know! Come behind the scenes of countless sets to hear stories from time spent with renowned cast and crew.
Proceedings of the 2013 Tcl Conference (20'th Anniversary), Held in New Orleans September 23-27, 2013
Brutalism had its origins in béton brut – concrete in the raw – and thus in the post-war work of Le Corbusier. The British architects Alison and Peter Smithson used the term "New Brutalism" from 1953, claiming that if their house in Soho had been built, "it would have been the first exponent of the ‘New Brutalism’ in England". Reyner Banham famously gave the movement a series of characteristics, including the clear expression of a building’s structure and services, and the honest use of materials in their "as-found" condition. The Smithsons and Banham promoted the New Brutalism as ethic rather than aesthetic, privileging truth to structure, materials and services and the gritty reality of the working classes over the concerns of the bourgeoisie. But Brutalist architecture changed as it was taken up by others, giving rise to more sculptural buildings flaunting their raw materials, including off-form concrete, often in conjunction with bold structural members. While Brutalism fell out of vogue in the 1980s, recent years have seen renewed admiration for it. This volume is consistent with this broader resurgence, presenting new scholarship on Brutalist architects and projects from Skopje to Sydney, and from Harvard to Haringey. It will appeal to readers interested in twentieth-century architecture, and modern and post-war heritage. This book was originally published as a special issue of Fabrications: the Journal of the Society of Architectural Historians, Australia and New Zealand.
In "Happiness Mantra: The New Corporate Currency," delve into the transformative power of happiness in the modern corporate landscape. From tracing the evolution of workplace happiness to examining corporations' pivotal role in fostering socio-economic development, this book offers profound insights, actionable strategies, and insightful reflections to empower readers to leverage happiness for positive change. Through philosophical musings, real-world examples, and pragmatic advice, the authors explore the multifaceted nature of happiness, from its philosophical roots to its impact on corporate culture and leadership. Inspirational and enlightening, "Happiness Mantra" serves as both a clarion call and a roadmap for cultivating happier, healthier work environments, unlocking the boundless potential of happiness in the corporate sphere and beyond. Embark on this transformative journey to harness the potency of happiness, championing a brighter, more fulfilling future for all. Happy Reading! Your Happiness Mantra is HERE...
'One of the funniest books of the year' - Paul Ross, talkRADIO WARNING: CONTAINS AN UNLIKELY IMMIGRANT, AN UNSUNG COUNTRY, A BUMPY ROMANCE, SEVERAL SHATTERED PRECONCEPTIONS, TRACES OF INSIGHT, A DOZEN NUNS AND A REFERENDUM. Not many Brits move to Poland to work in a fish and chip shop. Fewer still come back wanting to be a Member of the European Parliament. In 2016 Ben Aitken moved to Poland while he still could. It wasn't love that took him but curiosity: he wanted to know what the Poles in the UK had left behind. He flew to a place he'd never heard of and then accepted a job in a chip shop on the minimum wage. When he wasn't peeling potatoes he was on the road scratching the country's surface: he milked cows with a Eurosceptic farmer; missed the bus to Auschwitz; spent Christmas with complete strangers and went to Gdansk to learn how communism got the chop. By the year's end he had a better sense of what the Poles had turned their backs on - southern mountains, northern beaches, dumplings! - and an uncanny ability to bone cod. This is a candid, funny and offbeat tale of a year as an unlikely immigrant.