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Goethe is a significant figure in the history of science. His search to develop a rigorous and empirical approach to the study of qualities represents an important complement to quantitative methods. His scientific writings have inspired an unbroken research tradition, a «Goethean paradigm», that continues to this day. Volumes I and II of Goethe in the History of Science provide a comprehensive bibliography of primary and secondary literature on Goethe's scientific writings and of the original scientific work that constitutes the alternative paradigm. Volume III will argue Goethe's significance and narrate the history of the Goethean tradition.
A corrected but otherwise unabridged reprint of a work originally published in 1859, documenting a Canadian artist's journeys from Toronto to Vancouver Island and Oregon in order to paint landscapes and scenes of Indian life. Kane's journals offer insight on the hardships and adventures of travel, and on Indian customs, hunting rituals, funeral practices, and anecdotes of battles and war. Includes bandw and color illustrations. For general readers. No index. Annotation copyrighted by Book News, Inc., Portland, OR
New, interdisciplinary essays on an array of topics ranging from Goethe and mineralogy to theories of masculinity around 1800.
This book is the first comprehensive study of Gottfried Benn's poetry to appear in English. It covers the entirety of Benn's verse, from his early Morgue cycle (1912) and Expressionist poems through to the «anthropological» poetry of his middle period to the «postmodern» Phase II work after the Second World War. Against the background of the poet's theoretical writings, this study, drawing upon the classic texts of Benn scholarship, analyzes in detail the major themes of his verse and its distinctive idiom. In particular, this work focuses on Gottfried Benn's extended process of rhetorical self-fashioning, his use of classical iconography, color motifs and chiffres, his often confusing historical semantics, the seemingly self-constituting «absolute» poem, and the colloquial idiom of his late verse. The book also engages with the multiplicity of voices in Benn's work and their varied textual forms, the hermeneutically variable positions of speech that they articulate and the often contradictory notion of selfhood to which they give rise.
This work reconsiders the connections between mysticism, nationalism and modernity in twentieth-century German cultures. Disengaging mysticism from occultism, the author creates a new space for reconsidering mysticism's links to larger structures of modernity already at play at the turn of the century. Rather than dismissing mysticism as a strain of anti-modern irrationalism with troubling links to radical politics such as Nazism, the author reconceptualizes modern mysticism as an unwittingly logical expression of the same compression of time and space created by the emergence of the newspaper, radio, railways and telegraph and reflected in the novels of Hermann Hesse, Robert Musil and Max Frisch.
Studies in Modern German and Austrian Literature publishes research and scholarship devoted to German and Austrian literature of all forms and genres from the eighteenth century to the present day. The series promotes the analysis of intersections of literature with thought, society and other art forms, such as film, theatre, autobiography, music, painting, sculpture and performance art.
Walter Vogt, the Swiss psychiatrist and author (1927-1988), can be considered a gadfly in the Swiss medical profession and a paradox in the Swiss literary arena. This 'writing doctor' shocked the Swiss medical establishment with a scathing exposé in his 1965 novel, Wüthrich, and then continued to write prolifically until his death. He was noted for his use of the grotesque, as well as for his literary sarcasm and use of parody. Vogt's use of the diary as his main genre enhanced his popularity. He was one of the first Swiss writers with a strong commitment to preventing environmental degradation. Vogt suffered from many physical illnesses, in addition to a multitude of psychological conflicts throughout his life. He was focused on death and illness from his early adult years. This book not only looks at Vogt from a psychiatric point of view, but also at his contribution to contemporary Swiss-German literature.
This study of Rainer Maria Rilke (1875-1926) examines the poet's understanding of the malleable nature of identity, while addressing the question of Rilke's place in literary history. In line with contemporary literary theory which views the «self» as a societal «construction» and strategic narrative device, this study explores Rilke's preoccupations with identity in his work, as he investigates the disintegration of the subjective self in the modern world. Rilke's re-readings of the mythological figures of Orpheus and Narcissus in modern psychological terms, as well as in terms of traditional poetics, are keys not only to his poetics and his changing understanding of «self», but also to his evolving critique of society. This study tracks how Rilke's Orphic work disengages traditional patterns of perceptions, not only to challenge fidelity to history, but also to recover the power of traditional elements from that history to help articulate subjectivity in new terms.
Alfred Döblin's Berlin Alexanderplatz is an examination of the gradual disintegration of Germany in the aftermath of the Great War. This study engages the seminal image of the prostitute, the commodified woman, as a central and dominant motif in Döblin's work.