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Goethe's early plays bear witness to his urgent desire to enliven German theater--an ambition that followed him to the National Theater in Weimar, where he was named director in the early 1790s. This volume contains eight of these plays, written between 1771 and 1787. Not only do they demonstrate Goethe's unprecedented versatility in experimenting with new forms of dramatic expression, but they also give insight into his development from Sturm und Drang to classicism. These works include prose plays (Goetz von Berlichingen with the Iron Hand and Egmont), tragedies and comedies (Clavigo, Stella, and Brother and Sister), and dramatic verse forms (Prometheus, Jery and Betty, and Proserpina).
This volume presents the four plays and the narrative poem that, along with Faust, established Goethe as one of the masters of European verse drama and epic. These works in particular display a balance between poetic form and ethical sensibility that characterizes much of Goethe's work during the era of Weimar Classicism. Here we are offered new translations of the dramas Iphigenia in Tauris, Torquato Tasso, The Natural Daughter, and Pandora and of the epic poem Hermann and Dorothea.
DigiCat presents the Goethe Collection, compiled of the greatest classics of world literature. This is a one-stop edition for all the novels, tales, plays, essays, autobiographical works and letters of your favourite German author. This edition includes: Introduction: Life of Johann Wolfgang Goethe Novels & Novellas: The Sorrows of Young Werther Wilhelm Meister's Apprenticeship Wilhelm Meister's Journeyman Years Elective Affinities The Good Women Novella; or, A Tale The Recreations of the German Emigrants - Green Snake and the Beautiful Lily (A Fairy Tale) Plays The Wayward Lover; or, The Lover's Caprice Goetz Von Berlichingen with the Iron Hand Clavigo Stella Brother and Sister Iphigenia in Tauris Egmont Faust - Faust (Part One) - Faust (Part Two) - Faustus (Translated by Samuel Taylor Coleridge) Torquato Tasso The Natural Daughter The Fellow Culprits Poetry Hermann and Dorothea Erotica Romana Reynard the Fox The Sorcerer's Apprentice Songs Familiar Songs Ballads Cantatas Odes Sonnets Epigrams Parables Art God, Soul, and World Religion and Church Antiques Venetian Epigrams Elegies West-Eastern Divan Songs from Various Plays Miscellaneous Poems Personal Writings & Letters Truth and Poetry: From My Own Life (Autobiography) Maxims and Reflections Letters from Italy (Italian Journey) Letters from Switzerland Letter to Zelter Correspondence with Wilhelm Von Humboldt and His Wife Correspondence with K. F. Zelter Eckermann's Conversations with Goethe Schiller-Goethe Correspondence Scientific & Literary Writings: Theory of Colours Shakespeare and Again Shakespeare Oration on Wieland Winckelmann and His Age Introduction to the Propyläen Criticism on Goethe & His Works: Goethe: The Writer (Ralph Waldo Emerson) Byron and Goethe (Giuseppe Mazzini) The Faust-Legend and Goethe's 'Faust' (H. B. Cotterill) Goethe's Faust (George Santayana) Goethe's Farbenlehre: Theory of Colors (I&II) (John Tyndall)
The symbolic form has long been considered by many who knew it in the original German as the greatest of Ernst Cassirer's works. Into it he poured all the resources of his vast learning about language, myth, religion, art, and science- the various creative symbolizing activities and constructions through which man has expressed himself and given intelligible objective form to his experience.
New essays exploring the relationship between warfare and Enlightenment thought both historically and in the present. Enlightened War investigates the multiple and complex interactions between warfare and Enlightenment thought. Although the Enlightenment is traditionally identified with the ideals of progress, eternal peace, reason, and self-determination, Enlightenment discourse unfolded during a period of prolonged European warfare from the Seven Years' War to the Napoleonic conquest of Europe. The essays in this volume explore the palpable influence of war on eighteenth-century thought and argue for an ideological affinity among war, Enlightenment thought, and its legacy. The essays are interdisciplinary, engaging with history, art history, philosophy, military theory, gender studies, and literature and with historical events and cultural contexts from the early Enlightenment through German Classicism and Romanticism. The volume enriches our understanding of warfare in the eighteenth century and shows how theories and practices of war impacted concepts of subjectivity, national identity, gender, and art. It also sheds light on the contemporary discussion of the legitimacy of violence by juxtaposing theories of war, concepts of revolution, and human rights discourses. Contributors: Johannes Birgfeld, David Colclasure, Sara Eigen Figal, Ute Frevert, Wolf Kittler, Elisabeth Krimmer, Waltraud Maierhofer, Arndt Niebisch, Felix Saure, Galili Shahar, Patricia Anne Simpson, Inge Stephan. Elisabeth Krimmer is Professor of German at the University of California, Davis, and Patricia Anne Simpson is Associate Professor of German Studies at Montana State University.