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Goethe's early plays bear witness to his urgent desire to enliven German theater--an ambition that followed him to the National Theater in Weimar, where he was named director in the early 1790s. This volume contains eight of these plays, written between 1771 and 1787. Not only do they demonstrate Goethe's unprecedented versatility in experimenting with new forms of dramatic expression, but they also give insight into his development from Sturm und Drang to classicism. These works include prose plays (Goetz von Berlichingen with the Iron Hand and Egmont), tragedies and comedies (Clavigo, Stella, and Brother and Sister), and dramatic verse forms (Prometheus, Jery and Betty, and Proserpina).
This volume presents the four plays and the narrative poem that, along with Faust, established Goethe as one of the masters of European verse drama and epic. These works in particular display a balance between poetic form and ethical sensibility that characterizes much of Goethe's work during the era of Weimar Classicism. Here we are offered new translations of the dramas Iphigenia in Tauris, Torquato Tasso, The Natural Daughter, and Pandora and of the epic poem Hermann and Dorothea.
DigiCat presents the Goethe Collection, compiled of the greatest classics of world literature. This is a one-stop edition for all the novels, tales, plays, essays, autobiographical works and letters of your favourite German author. This edition includes: Introduction: Life of Johann Wolfgang Goethe Novels & Novellas: The Sorrows of Young Werther Wilhelm Meister's Apprenticeship Wilhelm Meister's Journeyman Years Elective Affinities The Good Women Novella; or, A Tale The Recreations of the German Emigrants - Green Snake and the Beautiful Lily (A Fairy Tale) Plays The Wayward Lover; or, The Lover's Caprice Goetz Von Berlichingen with the Iron Hand Clavigo Stella Brother and Sister Iphigenia in Tauris Egmont Faust - Faust (Part One) - Faust (Part Two) - Faustus (Translated by Samuel Taylor Coleridge) Torquato Tasso The Natural Daughter The Fellow Culprits Poetry Hermann and Dorothea Erotica Romana Reynard the Fox The Sorcerer's Apprentice Songs Familiar Songs Ballads Cantatas Odes Sonnets Epigrams Parables Art God, Soul, and World Religion and Church Antiques Venetian Epigrams Elegies West-Eastern Divan Songs from Various Plays Miscellaneous Poems Personal Writings & Letters Truth and Poetry: From My Own Life (Autobiography) Maxims and Reflections Letters from Italy (Italian Journey) Letters from Switzerland Letter to Zelter Correspondence with Wilhelm Von Humboldt and His Wife Correspondence with K. F. Zelter Eckermann's Conversations with Goethe Schiller-Goethe Correspondence Scientific & Literary Writings: Theory of Colours Shakespeare and Again Shakespeare Oration on Wieland Winckelmann and His Age Introduction to the Propyläen Criticism on Goethe & His Works: Goethe: The Writer (Ralph Waldo Emerson) Byron and Goethe (Giuseppe Mazzini) The Faust-Legend and Goethe's 'Faust' (H. B. Cotterill) Goethe's Faust (George Santayana) Goethe's Farbenlehre: Theory of Colors (I&II) (John Tyndall)
The morn arrived; his footstep quickly scared The gentle sleep that round my senses clung, And I, awak'ning, from my cottage fared, And up the mountain side with light heart sprung; At every step I felt my gaze ensnared By new-born flow'rs that full of dew-drops hung; The youthful day awoke with ecstacy, And all things quicken'd were, to quicken me. And as I mounted, from the valley rose A streaky mist, that upward slowly spread, Then bent, as though my form it would enclose, Then, as on pinions, soar'd above my head: My gaze could now on no fair view repose, in mournful veil conceal'd, the world seem'd dead; The clouds soon closed around me, as a tomb, And I was left alone in twilight gloom. At once the sun his lustre seem'd to pour, And through the mist was seen a radiant light; Here sank it gently to the ground once more, There parted it, and climb'd o'er wood and height. How did I yearn to greet him as of yore, After the darkness waxing doubly bright! The airy conflict ofttimes was renew'd, Then blinded by a dazzling glow I stood. Ere long an inward impulse prompted me A hasty glance with boldness round to throw; At first mine eyes had scarcely strength to see, For all around appear'd to burn and glow. Then saw I, on the clouds borne gracefully, A godlike woman hov'ring to and fro.
In The Making of a Terrorist, Jeffrey Champlin examines key figures from three canonical texts from the German-language literature of the late eighteenth and early nineteenth centuries: Goethe’s Gotz von Berlichingen, Schiller’s Die Rauber, and Kleist’s Michael Kohlhaas. Champlin situates these readings within a larger theoretical and historical context, exploring the mechanics, aesthetics, and poetics of terror while explicating the emergence of the terrorist personality in modernity. In engaging and accessible prose, Champlin explores the ethical dimensions of violence and interrogates an ethics of textual violence.