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An exploration of the possible love affair between Goethe and Anna Amalia
From El Escorial in Spain to the Congress in Washington, from Trinity College, Cambridge to the Abbey of Saint-Gall, this volume reveals an exceptional heritage: nearly 20 shrines to culture, entirely devoted to the presentation of knowledge, stacked with writings and shrouded in silence."
“In 2004 Ettore Ghibellino published his provocative thesis that Goethe’s beloved was not Charlotte von Stein but the Dowager Duchess, Anna Amalia. Ghibellino claimed that Charlotte, the former lady-in-waiting of Anna Amalia, acted as a ‘straw woman’ and that the many letters, and the love they expressed, were really meant for Anna Amalia herself. Dan Farrelly, who translated Ghibellino’s book, has been preoccupied with this thesis since 2005. Here he has undertaken a meticulous re-reading of Goethe’s letters to Charlotte von Stein from 1776 to 1786. He analyses the whereabouts of Charlotte and Anna Amalia at any given time, including their journeys, and concludes that Charlotte was the real addressee of the letters. This amounts to a refutation of one of Ghibellino’s central arguments. This book is to be recommended as a further contribution to discussion of Goethe’s early Weimar period.” —Ilse Nagelschmidt, Leipzig “Although the image of Goethe in the popular imagination is quite different from the scholarly reception of Goethe’s life and work, the two worlds do cross over, and misconceptions about the poet are difficult to dispel once they become established in contemporary Goethean culture. In tackling Ghibellino’s recent misreading of Goethe’s relationship with Anna Amalia—which has recently merited attention in Die Zeit—Farrelly is able to give the high cultural and the colloquial equal credence. His combination of scholarship and a fundamental awareness of the plain sense of things has an intellectual hardness at its core. There is an unapologetic quality about Farrelly’s writing and a deep sense of intellectual responsibility and integrity.” —Lorraine Byrne Bodley, Dublin
Portraits of Anna Amalia, Duchess of Sachsen-Weimar-Eisenach chart a shift in perceptions of her public identity and of the gender dynamics that shaped that identity. This manuscript is more than just a patronage study or a biography; it is concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it, too. This study sheds real light on the power of portraiture in eighteenth- and early nineteenth-century Europe.
A New York Times Book Review Editors’ Choice Selection Named one of the Best Books of the Year by the Economist and Kirkus Reviews This “splendid biography” (Wall Street Journal) of Goethe presents his life and work as an essential touchstone for the modern age. A masterful intellectual portrait, Goethe: Life as a Work of Art is celebrated as the seminal twenty-first-century biography of the writer considered to be the Shakespeare of German literature. Johann Wolfgang von Goethe (1749–1832), a remarkably prolific poet, playwright, novelist, and—as Rüdiger Safranksi emphasizes—a statesman and naturalist, first awakened not only a burgeoning German nation but the European continent with his electrifying novel The Sorrows of Young Werther. Safranski has scoured Goethe’s entire oeuvre, relying exclusively on primary sources, including his correspondence with contemporaries, to produce a “fresh and authentic” (Economist) portrait of the avatar of the Romantic era. Skillfully blending “artistic analysis with swift, sharp renderings” of the great political and intellectual figures Goethe encountered, “[Safranski’s] portrait of the prolific genius leaves the reader with lasting awe, even envy” of a monumental legacy (The New Yorker). As Safranski ultimately shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.
Historian Michael H. Kater chronicles the rise and fall of one of Germany’s most iconic cities in this fascinating and surprisingly provocative history of Weimar. Weimar was a center of the arts during the Enlightenment and hence the cradle of German culture in modern times. Goethe and Schiller made their reputations here, as did Franz Liszt and the young Richard Strauss. In the early twentieth century, the Bauhaus school was founded in Weimar. But from the 1880s on, the city also nurtured a powerful right-wing reactionary movement, and fifty years later, a repressive National Socialist regime dimmed Weimar’s creative lights, transforming the onetime artists’ utopia into the capital of its first Nazified province and constructing the Buchenwald death camp on its doorstep. Kater’s richly detailed volume offers the first complete history of Weimar in any language, from its meteoric eighteenth-century rise up from obscurity through its glory days of unbridled creative expression to its dark descent back into artistic insignificance under Nazi rule and, later, Soviet occupation and beyond.
Johann Wolfgang von Goethe (1749–1832) was one of the greatest thinkers of the modern age: a world-famous writer, scientist, and statesman, his influence was already far-reaching during his lifetime, and his literary and intellectual legacy continues to reverberate throughout contemporary culture. In this book, newly updated, Peter Boerner, a highly respected authority on Goethe, presents the definitive short biography of this extraordinary figure. An exceptionally prolific and versatile writer, Goethe produced important works covering a range of genres. As a young man, he composed pastoral plays in the style of the waning Rococco, was an early proponent of the avant-garde Sturm und Drang movement, and became a literary superstar with The Sorrows of Young Werther, in which a young man’s unrequited love culminates in tragedy. In his classic play Faust, which evolved over a sixty-year period, he created one of the best-known versions of the legend and introduced the prototype of the romantic hero. A scientist active in various fields, including botany and the theory of colors, Goethe also pondered issues of evolution well before Darwin. In Boerner’s illustrated biography, Goethe’s impressive oeuvre comes to vibrant life. A major contribution to the English-language literature on Goethe, this is a beautiful and accessible introduction to one of history’s foremost geniuses.
Throughout history women have been composing music, but their achievements have usually gone unrecognized.