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Like The Last Temptation of Christ, Saint Francis is a fictionalized biography of a widely venerated Christian figure: Francis of Assisi, whose renunciation of his young man’s life of leisure and founding of a religious order dedicated to living in poverty and sharing the Gospels with all living things profoundly influence the ways in which Christians the world over worship and give service to their god even today. Recounted in Nikos Kazantzakis’s striking prose through the eyes of the saint’s brother, Leo, the life of Saint Francis shines in these pages as a heroic example of inspirational leadership and boundless love for God and all His creatures.
The third and final volume, containing introduction, notes, and glossary, to Dives and Pauper, edited by Priscilla Barnum (Early English Texts Society, Original Series 275 and 280) contains full discussion of the text's historical context and description of the manuscripts.
In Signifying God, Sarah Beckwith explores the most lavish, long-lasting, and complex form of collective theatrical enterprise in English history: the York Corpus Christi plays. First staged as early as 1376, the plays were performed annually until the late 1500s and involved as much as a tenth of the city in multiple performances at a dozen or more locations. Introducing a radical new understanding of these plays as "sacramental theater," Beckwith shows how organizing the plays served as a political mechanism for regulating labor, and how theater and sacrament combined in them to do important theological work. She argues, for instance, that the theology of Corpus Christi in the resurrection plays can only be understood as a theatrical exploration of eucharistic absence and presence. Beckwith frames her study with discussions of twentieth-century manifestations of sacramental theater in Barry Unsworth's novel Morality Play and Denys Arcand's film Jesus of Montreal, and the connections between contemporary revivals of the York Corpus Christi plays and England's heritage culture.
New York City, 1845. Timothy Wilde, a 27-year-old Irish immigrant, joins the newly formed NYPD and investigates an infanticide and the body of a 12-year-old Irish boy whose spleen has been removed.
A stimulating excursion into the sunnier areas of the human spirit.