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In the tradition of Jean Auel's Clan of the Cave Bear, Fletcher Anthony brings us a magical world inhabited by the spirits. The world of ancient Indonesia, and modern-day Gondwanaland: Australia. Thousands of years ago, the People lived and worshipped their gods in the rainforests of the Indonesian archipelago. Then the Newcomers began to come from the north and the People were forced to move south and relocate again and again. They must trust those of their kind with whom they used to do battle; they must learn how to cross a river; they must forget their old ways and forge new ideas. Fern is their shaman, and above all her spirit must be forged anew or she and her people will die — not from hunger or starvation or war, but from the loss of their gods and the dying of their spirit, the very heart of their world. And in contemporary Australia, another Fern must choose between the new world and the old, and the visions of an ancient shaman may guide her path in the present.
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For thousands of years the People have lived and worshipped in their ancestral forest. Now, devastated by natural disaster and the attacks of the Newcomers, they are driven from their homes and hunting grounds...Shaman Fern knows that these changes must call into question belief in the spirits which have protected them in the past...and in modern Australia, another Fern, guided by the visions of the ancient shaman, also finds herself forced to seek an accommodation between the worlds of past and present.
God's Demon is a "fascinating"* dark fantasy novel of a fallen warrior seeking atonement from award-winning author and renowned artist Wayne Barlowe. Lucifer's War, which damned legions of angels to Hell, is an ancient and bitter memory shrouded in the smoke and ash of the Inferno. The Fallen, those banished demons who escaped the full wrath of Heaven, have established a limitless and oppressive kingdom within the fiery confines of Hell. Lucifer has not been seen since the Fall and the mantle of rulership has been passed to the horrific Prince Beelzebub, the Lord of the Flies. The Demons Major, Heaven's former warriors, have become the ruling class. They are the equivalent to landed lords, each owing allegiance to the de facto ruler of Hell. They reign over their fiefdoms, tormenting the damned souls and adding to their wealth. One Demon Major, however, has not forgotten his former life in Heaven. The powerful Lord Sargatanas is restless. For millennia Sargatanas has ruled dutifully but unenthusiastically, building his city, Adamantinarx, into the model of an Infernal metropolis. But he has never forgotten what he lost in the Fall—proximity to God. He is sickened by what he has become. Now, with a small event—a confrontation with one of the damned souls—he makes a decision that will reverberate through every being in Hell. Sargatanas decides to attempt the impossible, to rebel, to endeavor to go Home and bring with him anyone who chooses to follow . . . be they demon or soul. He will stake everything on this chance for redemption. *Guillermo del Toro, Academy Award-Winning Director of The Shape of Water At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Very few of the titles, whether fiction or non, take a serious analytical look at the Bible as a biblical scholar or theologian would. This is where God's Inferno differs from the majority. It utilizes logical, rational, reasoning to analyze what that Bible actually says, not what most have been lead to believe. It seriously attacks the present Christian faith as their tenants and doctrines are based on a very faulty interpretation of what the Bible actually says. It maintains, and proves, the god of the Old Testament is not the 'Supreme God', but merely what the Jewish people of Israel pictured their god to be. Naturally, if he is not the Supreme God, then Jesus is not the Son of that Supreme God but may have been the son of that hateful, murderous, vengeful god of the Old Testament. From the founding of Christianity, it traces its impact through the first 1500-1600 years of the Catholic Church, the keepers of the faith during that time. It documents the Crusades, the Inquisitions and the Reformation as well as the many married priests, Popes who fathered children, and under aged leading fathers of the Church. Finally, it attempts to motivate the indifferent Christian to utilize his God given mind to seriously think about what they actually believe and to conduct their lives according to that belief.
This book explores and details the experiences and trials of both the Journalist Romano known here as the First Man Adam and his celestial ancient Persian guide Zarathustra while they travel to the Inferno and Limboland Arenas of the Pre-Historic Paleo Heroes; the Ancient Greek Gods & Goddesses; the Ancient Roman Gods & Goddesses; the Sumerian & Babylonian & Egyptian Gods; the Norse Viking Gods; the Indian Hindoo Vedic Gods; the Chinese Gods & Emperors; the Koreans; the Vietnamese; the Amerikan Experimental; the Cambodian & Laotian Encampments; the Burmese; the Hodgepodge of Nations On The Fringe Desiring Anonymity; the Japanese; the Irish Republican Army & Sinn Fein; the Native Americans; the Incas & Aztecs & Mayas; and Cuba & Nicaragua.
In Dante’s Prayerful Pilgrimage Alessandro Vettori provides a comprehensive analysis of prayer in Dante’s Commedia. The underlying thesis considers prayer a metaphorical pilgrimage toward a sacred location and connects it with the pilgrim’s ascent to the vision of the Trinity. Prayer is movement in Purgatorio and also in Paradiso, while eternal stasis is the penalty of blasphemous souls in Inferno. In the fictional rendition of the poem, the pilgrim’s itinerary becomes a specular reflection of Dante’s own exilic experience. Prayer’s human-divine interaction affords the poet the necessary escape from the overwhelming sense of failure in politics and love. Whether it is petitional, liturgical, thankful, praiseful, or contemplative, prayer expresses the supplicant’s wish to transform reality and attain a superior spiritual status. See inside the book.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.