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In KwaZulu-Natal Heather Reynolds and her husband Patrick have established a community care centre for orphaned and abandoned children, where children find sanctuary from abuse, poverty, and starvation. The very sick die with dignity; but for those who survive Heather provides love, security, education, hope and a future. She has set up football leagues and a touring theatre and dance troupe. Braving local indifference and facing down opposition from neighbours and gang leaders, she has attracted dozens of volunteers to assist in her rescue mission. A one-woman force of nature, she has enlisted the support of such celebrities as Oprah Winfrey and Jude Law. Where did such courage and vision come from? This is Heather's own astonishing story.
Since Birth of a Nation became the first Hollywood blockbuster in 1915, movies have struggled to reckon with the American South—as both a place and an idea, a reality and a romance, a lived experience and a bitter legacy. Nearly every major American filmmaker, actor, and screenwriter has worked on a film about the South, from Gone with the Wind to 12 Years a Slave, from Deliveranceto Forrest Gump. In The South Never Plays Itself, author and film critic Ben Beard explores the history of the Deep South on screen, beginning with silent cinema and ending in the streaming era, from President Wilson to President Trump, from musical to comedy to horror to crime to melodrama. Beard’s idiosyncratic narrative—part cultural history, part film criticism, part memoir—journeys through genres and eras, issues and regions, smash blockbusters and microbudget indies to explore America’s past and troubled present, seen through Hollywood’s distorting lens. Opinionated, obsessive, sweeping, often combative, sometimes funny—a wild narrative tumble into culture both high and low—Beard attempts to answer the haunting question: what do movies know about the South that we don’t?
Like "Tobacco Road," this novel chronicles the final decline of a poor white family in rural Georgia. Exhorted by their patriarch Ty Ty, the Waldens ruin their land by digging it up in search of gold. Complex sexual entanglements and betrayals lead to a murder within the family that completes its dissolution. Juxtaposed against the Waldens' obsessive search is the story of Ty Ty's son-in-law, a cotton mill worker in a nearby town who is killed during a strike. First published in 1933, "God's Little Acre" was censured by the Georgia Literary Commission, banned in Boston, and once led the all-time best-seller list, with more than ten million copies in print.
Contributed for benefit auction for Fund for Editions of American Authors.
A Georgia dirt farmer believes there is gold on his land, leading him and his sons to spend fifteen years digging holes all over the family farm.
Most critics have considered Caldwell to be only a minor southern writer, often associating him with his worst writing. Yet Saul Bellow suggested he deserved the Nobel Prize, and William Faulkner once characterized him as one of the five best writers of his time, alongside himself, Thomas Wolfe, Ernest Hemingway, and John Dos Passos.